Writing Beginner

How to Describe Voices in Writing (300+ Words & Examples)

Describing voices accurately in writing can transform your story or screenplay, giving your characters depth and making them feel real to your readers.

Here is how to describe voices in writing:

Describe a voice in writing by identifying elements like tone, pace, timbre, volume, and accent. Use adjectives for depth or speed. Consider the voice’s emotional state, age, and physical circumstance. Create a better reading experience by differentiating the voices in your story.

In this guide, you’ll learn everything you need to know about how to describe voices in writing.

How To Describe Voices in Writing (The Elements You Need To Know)

Artistic digital art of a group of story characters and a red cat - How to Describe Voices in Writing

To portray voices effectively in writing, it’s crucial to grasp the various elements that constitute a voice.

Let’s delve into some of these vital components:

The tone of a voice reveals the emotional undercurrents beneath the words spoken

It’s not just what the character says, but how they say it that provides context and clues to their emotional state.

Tone can encompass a wide range of emotions, from sarcasm and anger to affection and impatience.

For instance, a character’s voice can drip with venom in their anger, quaver in their anxiety, or soften in their affection.

Example: “ His tone dripped with scorn as he responded to her, his words carrying an edge sharper than a sword. “

Example: “ Her voice softened, the gentle lilt carrying a tender affection that warmed the room. “

The pace or speed of a character’s speech can reveal much about their personality, mood, and state of mind.

A character speaking at a fast pace might indicate excitement, anxiety, or impatience.

In contrast, a slow-speaking character might come across as more contemplative, calm, or possibly confused.

Example: “ His words tumbled out in a fast-paced torrent, echoing the racing thoughts within his mind. “

Example: “ She spoke slowly, her measured pace reflecting the weight of her words. “

Timbre is the unique quality or texture of a voice that differentiates it from others.

It adds color and depth, making a voice sound velvety, gravelly, husky, or raspy. Timbre can convey a voice’s warmth or harshness, and sometimes, it can even provide a physical feeling to the listener.

Example: “ His voice had a gravelly timbre, reminiscent of rocks grinding together. “

Example: “ Her voice was velvety, a soft timbre that felt like a warm blanket on a cold night. “

The volume at which a character speaks can provide insight into their emotional state, intentions, or personality traits.

A loud voice can indicate excitement, anger, or an attempt to dominate, while a soft voice might suggest shyness, secrecy, or gentleness.

Example: “ Her voice was a barely audible whisper, as if sharing a precious secret. “

Example: “ His voice thundered across the room, demanding attention from all. “

How To Describe Specific Types of Voices in Writing

In this section, we’ll cover how to describe many different types of voices in writing.

Sometimes you want to describe the voice of a man or woman or child. Other times, you might want to describe a deep, high-pitched, or melodious voice.

Keep reading to find out how (with examples).

How to Describe Male Voices in Writing

Male voices, typically lower in pitch, can be described with a variety of adjectives, such as deep, gravelly, husky, or rough.

Physical reactions can also enhance the description.

Example: “ His voice, like a bass drum, resonated in her chest, leaving her with a strange fluttering sensation. “

Example: “ The velvety texture of his voice was soothing, lulling her into a state of tranquillity. “

How to Describe Female Voices in Writing

Female voices often have a higher pitch and can be portrayed as soft, melodic, shrill, or husky. By integrating the character’s emotional state, you can add nuance to the voice description.

Example: “ Her voice was like a flute, high and melodious, filling the room with a lively cheer. “

Example: “ Her husky voice carried a distinct warmth, wrapping around him like a comforting embrace. “

How to Describe a Deep Voice in Writing

A deep voice can portray a range of characters and moods, from authoritative figures to comforting allies or menacing villains.

Deep voices can be described as resonant, rumbling, or sonorous.

Example: “ His deep voice rolled over her like a wave, carrying an authority that demanded respect. “

Example: “ His voice was a low rumble, like distant thunder, carrying an underlying threat. “

How to Describe a Fast Voice in Writing

A fast voice can suggest a range of emotions and personalities, from anxiety and excitement to impatience.

Descriptions can include words like rushed, hurried, or jabbering.

Example: “ His words were a rapid-fire barrage, revealing his barely controlled excitement. “

Example: “ She jabbered quickly, her words bouncing around the room in her nervousness. “

How to Describe a Loud Voice in Writing

A loud voice can portray dominance, excitement, or panic. It can be described as booming, deafening, or blaring.

Example: “ His booming voice echoed in the room, a loud proclamation of his dominance. “

Example: “ Her voice was a deafening roar, mirroring the chaos and panic she felt within. “

How to Describe a Soft Voice in Writing

A soft voice can indicate a variety of moods, including gentleness, fear, or mystery.

Descriptions can include words like hushed, whispering, or murmuring.

Example: “ His voice was a soft murmur, a soothing balm over her frayed nerves. “

Example: “ Her whispering voice held a note of mystery, a secret waiting to be unveiled. “

How to Describe a Singing Voice in Writing

A singing voice can encapsulate a range of emotions, from sheer joy to profound sorrow.

Descriptions can include words like harmonious, melodious, lilting, or crooning.

Example: “ His voice, a melodious baritone, wove a rich tapestry of sound, filling the air with a soulful melody. “

Example: “ Her lilting voice danced through the air, each note a joyous celebration of life. “

How to Describe a Crying Voice in Writing

A crying voice, often deeply emotional, can be portrayed as choked, sobbing, wailing, or whimpering.

Example: “ His voice came out in choked sobs, the pain apparent in each word. “

Example: “ Her whimpering voice was heart-rending, each cry echoing her despair. “

How to Describe a High-Pitched Voice in Writing

A high-pitched voice can contribute to various character portrayals, from bubbly and enthusiastic personalities to those filled with fear or anxiety.

This voice type can suggest youth, as younger individuals often have higher-pitched voices, or perhaps someone who is excited or scared.

Descriptions might include words like squeaky, shrill, or piercing.

Example: “ Her voice was a shrill siren, each word piercing the air like a needle. “

Example: “ His voice, high and squeaky, was filled with unabashed enthusiasm, like a child on Christmas morning. “

How to Describe a Nasal Voice in Writing

A nasal voice, where the sound seems to resonate from the nose rather than the mouth or throat, can be an interesting trait for a character.

This can be used to emphasize a character’s comical, annoying, or unique personality.

Descriptions might include words like twangy, whiny, or braying.

Example: “ His voice had a nasal twang, each word sounding like it was squeezed out of a tight space. “

Example: “ Her voice was a nasal whine, a sound that grated on their nerves. “

How to Describe a Raspy Voice in Writing

A raspy voice, rough and hoarse, can suggest a character’s age, health, or emotional state.

This type of voice can denote an old or weary individual, someone who’s been shouting or crying, or perhaps someone who’s ill.

It can be described as hoarse, gravelly, or scratchy.

Example: “ His voice was a gravelly rasp, a testament to the many years he’d weathered. “

Example: “ Her voice emerged as a hoarse whisper, the aftermath of hours spent in tearful conversation. “

How to Describe an Emotionless Voice in Writing

An emotionless or monotone voice can reveal a lot about a character’s mindset or state of being.

This can denote someone who’s indifferent, in shock, or emotionally withdrawn. It could also be a character who’s pragmatic or analytical in nature. Descriptions can include words like flat, lifeless, or monotonous.

Example: “ His voice was flat, void of any emotion that might betray his thoughts. “

Example: “ Her voice held a monotonous drone, a dull sound that mirrored her detached demeanor. “

How to Describe a Whispering Voice in Writing

A whispering voice is soft and hushed, often used when a character wants to convey a secret or speak without being overheard.

It can also be indicative of fear, romance, or intimacy.

Words to describe a whispering voice might include hushed, muted, or breathy.

Example: “ His voice was a hushed whisper in the dark, a gentle brush against her ear that sent shivers down her spine. “

Example: “ Her whispering voice was barely audible, carrying an air of secrecy that tingled his curiosity. “

How to Describe a Melodious Voice in Writing

A melodious voice often has a musical quality, whether the character is singing or speaking.

It’s the type of voice that’s pleasant to hear, often used to describe a character who is charming or soothing.

Descriptions might include words like musical, harmonious, or lyrical.

Example: “ Her voice was harmonious, each word a distinct note that composed a beautiful symphony. “

Example: “ His voice was a lyrical song, the soothing melody washing over her like a gentle tide. “

How to Describe a Bellowing Voice in Writing

A bellowing voice is loud and resonant, often used when a character is yelling or expressing strong emotions like anger or excitement.

It can also convey a sense of authority or power.

Words to describe a bellowing voice might include booming, roaring, or thunderous.

Example: “ His voice bellowed across the battlefield, a roaring command that rallied the troops. “

Example: “ Her voice boomed through the lecture hall, an authoritative echo that demanded attention. “

How to Describe a Child’s Voice in Writing

A child’s voice is typically high-pitched and clear, often reflecting innocence, excitement, or curiosity.

Depending on the child’s age, their voice might have a lisping or stammering quality.

Descriptions might include words like squeaky, clear, lisping, or stammering.

Example: “ His voice, high and clear, was filled with the infectious excitement that only a child could muster. “

Example: “ Her voice was a soft squeak, a lisping sound that underscored her tender years. “

How to Describe an Elderly Voice in Writing

An elderly voice can reflect the wisdom and experiences of a lifetime.

Depending on the character’s health and vitality, their voice might be strong and clear or frail and quavering. Descriptions might include words like quavering, frail, shaky, or wise.

Example: “ His voice was shaky, a fragile echo of the robust sound it once was. “

Example: “ Her voice held a wise and steady tone, the weight of years echoing in each word. “

How to Describe a Smooth Voice in Writing

A smooth voice often conveys a sense of calm, elegance, or seductiveness.

It can suggest a character who is self-assured, sophisticated, or soothing.

Descriptions might include words like velvety, silky, or soothing.

Example: “ His voice was velvety smooth, each word a gentle caress that soothed her worries. “

Example: “ Her silky voice flowed through the room, like a comforting balm over their tired souls. “

How to Describe a Strained Voice in Writing

A strained voice is often used when a character is under emotional or physical distress.

It can suggest pain, anxiety, or exertion. Descriptions might include words like tight, tense, or choked.

Example: “ His voice was tense, the strain betraying his efforts to maintain composure. “

Example: “ Her voice came out in a choked whisper, each word a battle against the tears welling up in her eyes. “

How to Describe a Crackling Voice in Writing

A crackling voice often indicates age, nervousness, or emotional instability.

This can be used to describe a character going through puberty, an elderly character, or a character in a highly emotional state.

Descriptions might include words like breaking, unsteady, or wavering.

Example: “ His voice was breaking, each word wavering as if treading on unstable ground. “

Example: “ Her voice crackled like dry leaves underfoot, the years etched into every syllable. “

How to Describe a Stern Voice in Writing

A stern voice usually conveys authority, seriousness, or disapproval.

This voice type could be used to describe a parent, a boss, or anyone in a position of power.

Descriptions might include words like harsh, firm, or forbidding.

Example: “ His voice was harsh, a stern command that left no room for argument. “

Example: “ Her firm voice echoed her resolve, a testament to her unyielding stance. “

How to Describe a Gentle Voice in Writing

A gentle voice often suggests kindness, warmth, or care.

It’s typically associated with characters who are compassionate, patient, or soothing. Descriptions might include words like soft, warm, or tender.

Example: “ His voice was soft, each word a gentle caress that calmed her restless heart. “

Example: “ Her voice held a tender warmth, a soothing melody that eased their worries. “

Descriptive Words for Voices in Writing

The table below includes 30 types of voices and a collection of unique descriptive words for each type.

I hope it provides a handy reference for writers seeking to add depth and nuance to their character portrayals.

Before you go, here is a good video about how to describe a person’s voice (with audio examples):

Final Thoughts: How to Describe Voices in Writing

By learning to utilize a wide variety of voice descriptions in your writing, you can create a captivating soundscape that enriches your narrative and breathes life into your characters.

Your words can help your readers not only see your characters but also hear them, deepening their engagement with your story.

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Table of Contents

KathySteinemann.com: Free Resources for Writers and Poets

Word lists, cheat sheets, and sometimes irreverent reviews of writing rules. kathy steinemann is the author of the writer's lexicon series..

creative writing description of voice

250+ Ways to Describe Voices: A Word List for Writers

Ways to Describe Voices

(Discover even more words in The Writer’s Body Lexicon .)

Your protagonist’s voice will evoke varied reactions. As a writer, your job is to make readers hear what you want them to hear.

In context, dulcet tones could imply a beautiful woman. Abrasive barks might work for an impatient CEO. Singsong droning would be appropriate for many teachers.

Let’s Review What a Few Other Authors Have Written for Voice Comparisons

“A hoarse bass voice like an echo in an empty house.” ~ Amos Oz

“A voice as hard as the blade of a shovel.” ~ Raymond Chandler

“A voice like a broken phonograph.” ~ Anonymous

“A voice like a strained foghorn.” ~ W. W. Jacobs

“A voice like the cry of an expiring mouse …” ~ Arthur C. Benson

“A voice like the whistle of birds.” ~ Arabian Nights

“Brittle as the first ice of autumn.” ~ Michael Gilbert

“Delicate voices, like silver bells.” ~ Nikolai V. Gogol

“For thy voice like an echo from Fairyland seems.” ~ Anonymous

“Gruff voice, like the creaking of the gallows-chain.” ~ R. D. Blackmore

“Her voice … creaked like the hinges of a rusty iron gate.” ~ Stefan Zweig

“Her voice is like the evening thrush.” ~ Robert Burns

“Her voice is like the harmony of angels.” ~ Beaumont and Fletcher

“Her voice was like a bagpipe suffering from tonsillitis.” ~ Anonymous

“His voice is like the rising storm.” ~ Lord Byron

“Like melting honey.” ~ Jimmy Sangster

“Liquid voice resounded like the prelude of a flute.” ~ Gabriel D’Annunzio

“No more inflection than a traffic light.” ~ John Updike

“Voice flat and hard as a stove lid.” ~ James Crumley

“Voice like a chair scraping across a tiled floor.” ~ Roderic Jeffries

“Voice like a coyote with bronchitis.” ~ O. Henry

“Voice like dark brown velvet.” ~ Josephine Tey

“Voice like dish-water gurgling through a sink.” ~ Octave Mirbeau

“Voice like down feathers.” ~ William Diehl

“Voice like the music of rills.” ~ William Cullen Bryant

“Voice soft and cool as a prison yard.” ~ Joseph Wambaugh

“Voice was like hollow wind in a cave.” ~ Ossian

“Voice, as pure and sweet as if from heaven.” ~ Aubrey De Vere

“Voice, cruel as a new knife.” ~ George Garrett

“Voice, low as the summer music of a brook.” ~ T. Buchanan Read

“Voices as soft and murmurous as wings.” ~ George Garrett

What Other Comparisons Could You Use?

Pleasant baby’s giggle bubbling porridge cascading waterfall contented kitten cooing dove chirruping nightingale church choir finely tuned guitar gently lapping waves lilting xylophone lover’s kiss mother’s murmur pattering rain purring engine sweet cello symphony of crickets tinkling glass twittering canary whispering meadow wind chimes

Unpleasant alarm clock ambulance siren backfiring jalopy belching bully car alarm cat fight clucking hen coughing cat cracking knuckles dentist’s drill discordant violin explosive vomit freeway pileup grating manhole cover grizzly bear insistent jackhammer mewling cat microphone feedback pregnant frog simmering sewer snuffling sow squawking crow squeaky wheel squealing brakes thick phlegm violent windstorm whistling teakettle woofing seal

Tip: Listen to the sounds around you, including those on TV, podcasts, and online recordings. Make a list of agreeable and disagreeable sounds. Then incorporate them in your next writing project.

No Need to Always Use Like for Comparisons

Many of the words from 150+ Ways to Say “Look Like” or “Seem Like” could be used to create direct comparisons.

A music teacher might create an analogy based on a musical instrument: “Her shrill voice embodied every discordant violin I had ever heard.”

A lover would hear only the best from his sweetheart: “Her voice resonated: a cooing dove amidst a symphony of crickets.”

However, after an angry breakup, his attitude might change: “Her hen-clucking pecked apart everything I did.”

Be bold. Experiment. Unusual comparisons will produce the most memorable moments in your writing.

While you create, remember that what seems pleasant to one person could be disagreeable to someone else. Provide context that illustrates your intent.

Watch point of view. Your protagonist could label another person’s voice as sweet but would be unlikely to use the same adjective for self-description.

More Than 250 Adjectives to Describe Voices

Some of the following words tell rather than show.

For instance, describing a voice as mocking tells in one word what might be better shown with dialogue and body language: “You’re no better at darts than your puny brother,” Jim said, eyebrows raised. “My kid sister could beat you with her eyes closed.”

A abrasive, accusatory, acerbic, acidic, acrimonious, adenoidal, alto, animated, appealing, astringent, authoritative

B barbed, baritone, barking, bass, big, biting, bitter, bland, bleak, blunt, bombastic, booming, bored, boyish, brash, braying, breathy, breezy, bright, brisk, brittle, broken, bubbly, burbling

C to E calm, caustic, cheerful, cold, colorless, contralto, countertenor, crisp, critical, croaky, cutting, dead, demanding, disembodied, disinterested, dispassionate, droning, dulcet, dull, effervescent, energetic

F and G faint, fawning, feathery, feeble, fierce, firm, flat, forceful, fretful, fruity, gentle, girlish, glum, goofy, gracious, grating, grave, gravelly, grim, growling, gruff, guttural

H to J hard, harsh, hearty, hesitant, high-pitched, hissing, hoarse, honeyed, hostile, hushed, husky, immense, impartial, indifferent, indistinct, ingratiating, insinuating, intense, ironic, jeering, joking, jubilant

L and M lifeless, light, lilting, lively, loud, loving , low, malicious, matter-of-fact, mellifluous, melodious, mezzo-soprano, mild, mocking, modulated, monotone, monotonous, mournful, muffled, musical, muted

N to Q nasal, nasty, neutral, nonchalant, obsequious, oily, orotund, passionate, penetrating, piercing, piping, placating, plummy, polished, pretentious, quavering, querulous, quiet

R ragged, raspy/rasping, raucous, raw, razor-edged, reedy, refined, relaxed, resonant, restrained, ringing, roaring, robust, rough, rumbling

Sa to Sn saccharine, sad , sarcastic, sardonic, savage, scathing, scornful, scratchy, screeching, searing, serene, severe, shaky, sharp, shrieking, shrill, sibilant, silken, silly, silvery, sincere, singsong, sleek, slippery, sluggish, slurred/slurring, sly, small, smarmy, smoky, smooth, snide

So to Sy soft, somber, sonorous, soothing, sophisticated, soprano, sotto-voce, sour, squeaky, squealing, staccato, stark, steely, stentorian, stern, stiff, stilted, stinging, stony, strained, strangled, strident, strong, suave, subdued, submissive, subservient, sugary, suggestive, surly, sweet, sympathetic

T and U tart, taut, teasing, tender, tenor, tense, thick, thin, throaty, thunderous, tight, toneless, trembling, tremulous, trilling, unctuous, unsteady, unsympathetic

V to W vague, velvet/velvety, venomous, vicious, virulent, vitriolic, warm, wavering, weak, weary, wheezy, whiny/whining, whispering, wistful, wobbly, wooden

Are You Interested in More Word Lists and Writing Tips?

If you haven’t done so already, please subscribe to my blog . (The link will take you to the subscription widget at the top left of this post.)

I usually post two to five times monthly, and you can discontinue your subscription at any time.

9 thoughts on “ 250+ Ways to Describe Voices: A Word List for Writers ”

Very interesting. A good way to overcome w. Block!

Thanks, Pat.

May 2023 turn out to be your best writing year ever.

Is this list of words in one of your lexicon books?

It’ll be in The Writer’s Body Lexicon , which won’t be published for a few months. The chapter in the book will contain even more options.

This table of contents shows what is available in both volumes of The Writer’s Lexicon .

Hi Kathy! I bought both your books, but I don’t see the list for voices (the list that is here). Can you tell me which page it’s on? Thank you!

Lynne, I just emailed you.

I’m sorry, Kathy! My eyes skimmed over the word Body in the title. I now see you have a new book coming out soon. Very exciting! I will definitely buy a copy when it comes out. Thank you!

Hi: Thank you for sharing this blog. I know so many times I find myself using the same descriptive words such as low, soft, angry and after a while, all the characters seem to be coming out the same. This list is most helpful as a creative, brainstorming part for me to use not only on the first write but the revisions as well. Also, thank you for taking the time to research and list the various authors and their descriptive terms. Again, thanks for sharing this great information.

Thanks for stopping by, Janice! Do you have any words you’d like me to research?

Comments are closed.

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32+ Vivid Adjectives That Describe a Person’s Voice

Last Updated: October 25, 2022 Fact Checked

This article was reviewed by Gerald Posner and by wikiHow staff writer, Caroline Heiderscheit . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. There are 26 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 167,685 times.

The English language is chock-full of unique, exciting words to describe a person's voice. Whether you're discussing someone real or writing a fictional character, there's one word that perfectly describes the way they speak—and you'll find it listed below! We've also included definitions and examples to help you get started; so what are you waiting for? Enjoy our complete list of adjectives that describe a person's voice!

Things You Should Know

  • Voices can be described by their volume. For example, "booming" and "feathery" are ways to describe loud and quiet voices.
  • Some adjectives help describe a voice's tone and pitch; "monotone" and "shrill," for instance.
  • You can also describe how someone's voice affects others. "Soporific" voices put people to sleep, and "hypnotic" voices hold them in a trance.

Adenoidal voices are nasally, and mainly come through the nose.

  • Example: “I couldn’t focus on what he was actually saying, just his annoying, adenoidal voice.”

Angelic voices are thought to be inherently good and kind.

  • Example: “They spoke to us in an angelic voice, and we trusted everything they had to say because of it.”
  • Example: “Listening to her animated voice, I knew she was really passionate about the topic at hand.”

Booming voices refer to loud, sometimes deep voices.

  • Example: “The camp counselor knew that her booming voice would get the kid’s attention.”

Brittle voices are hard, sharp, and fragile sounding.

  • Example: “The little boy’s hands were shaking and he responded in a brittle voice: 'I don’t want to go to bed yet.'"

Croaky voices are low, rough, and maybe a little hoarse.

  • Example: “Their voice was so croaky, it made them sound 10 years older than they actually were.”

Crisp voices are clear sounding, quick, and efficient.

  • Example: “Her speaking voice was so beautiful and crisp—you could tell she’d spent years doing theater.”
  • Example: “He gave the directions quickly in a crisp voice; he wasn’t messing around.”

Ethereal voices have a heavenly quality.

  • Example: “I’m so excited for the Weyes Blood concert this weekend. Her voice is the definition of ethereal!”

Feathery voices are thin, soft, and airy.

  • Example: “With his feathery voice, I could hardly hear him speak above the noise.”

Flat voices are monotone and emotionless.

  • Example: “If my professor’s voice gets any flatter, I’m going to start nodding off in lecture.”

Grating voices are extremely harsh and annoying.

  • Example: “Though I agree entirely with the politician’s stance, their voice is so grating—I don’t know if I could listen to this for 4 years…”

Gravelly voices are low, rough, and raspy.

  • Example: “The cowboy looked across the saloon and, in a gravelly voice, said: 'This town ain’t big enough for the both of us.'”

Hoarse voices are raspy, strained, and thin-sounding.

  • Example: “Their hoarse voice piped up from the bed, 'I’m really not feeling well—could you grab me some water?'”

Honeyed voices are pleasant, gentle, and sweet.

  • Example: “Her voice was honeyed while company was still hanging around, but I knew the second they left, she’d start yelling.”

Husky voices are low and hoarse—often in an attractive way.

  • Example: “Even though I knew we could never be together, her husky voice was so hard to resist.”

Hypnotic voices put audiences in a trance.

  • Example: “Her hypnotic voice grabbed me immediately. When my best friend got up to leave, I didn’t even notice.”

Mellifluous

Mellifluous voices are sweet, smooth, and musical.

  • Example: “I fell in love with him the second he spoke to me—his voice was mellifluous.”

Modulated voices are purposefully adjusted, usually to be clearer.

  • Example: “They spoke with a modulated voice and passionately argued for climate change reform—I knew that the whole audience was moved.”

Monotonous voices are flat, meaning that they rarely vary in tone.

  • Example: “As he continued telling his long story in a monotonous voice, I hit my wit's end: 'I’m going to go to the bathroom!'”

Orotund voices are strong and clear—sometimes even pompous.

  • Example: “Their orotund voice made for an amazing toast, though it did feel like they were talking down to us at times.”

Penetrating

Penetrating voices are disruptive, loud, and high-pitched.

  • Example: “Her penetrating scream was heard all the way from the next neighborhood.”

Plummy voices sound posh, formal, and upper-class.

  • Example: “I’ve heard just about enough of her plummy voice; who does she think she is?”

Raucous voices are loud, harsh, and disruptive.

  • Example: “He’s so rowdy. That raucous voice is going to get him into trouble one of these days.”

Resonant voices have a deep tone and a lasting effect.

  • Example: “My teacher told me that I have a resonant voice, so they suggested I join the speech team.”

Shrill voices are high-pitched, sharp, and at times, unpleasant.

  • Example: “They blathered on in a shrill voice for hours; I left their house needing an Advil.”

Silvery voices are clear, light, and pleasant.

  • Example: “As I listened to him speak in that gorgeous, silvery voice, I thought about how he’d be a great podcast host.”

Singsong voices rise and fall in pitch in a beautiful way.

  • Example: “She told the fairytale to kids in a singsong voice that had them all on the edges of their seats.”

Soporific voices cause people to sleep involuntarily.

  • Example: “His singing voice was soporific. Sitting by the campfire, I felt like I could fall asleep to his melodies.”

Stentorian voices are loud and obtrusive.

  • Example: “The whole room was chattering until she clapped her hands twice and spoke in a stentorian voice: 'Listen up!'”

Taut voices are tightly-drawn and strained sounding.

  • Example: “When I heard his taut voice, I knew that the stain I left on his jacket bothered him more than he’d let on.”

Throaty voices are thick and heavy—like they come from deep down.

  • Example: “His throaty laugh was so unique, I could recognize it anywhere.”

Tremulous voices are shaking slightly.

  • Example: “My coach’s tremulous voice made me question her confidence in us—did she think we were going to lose our lead?”

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  • ↑ https://www.ldoceonline.com/dictionary/adenoidal
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/angelic-voice
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/animated
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/brittle
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/croaky-voice
  • ↑ https://dictionary.cambridge.org/us/dictionary/english/crisp
  • ↑ https://www.merriam-webster.com/dictionary/ethereal
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/feathery
  • ↑ http://vocularapp.com/monotone-voice-myth/
  • ↑ https://www.vocabulary.com/dictionary/grating
  • ↑ https://www.nidcd.nih.gov/health/hoarseness
  • ↑ https://www.merriam-webster.com/dictionary/honeyed
  • ↑ https://dictionary.cambridge.org/us/dictionary/english/husky
  • ↑ https://www.ldoceonline.com/dictionary/hypnotic
  • ↑ https://www.vocabulary.com/dictionary/mellifluous
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/modulate
  • ↑ https://www.dictionary.com/browse/orotund
  • ↑ https://www.collinsdictionary.com/us/dictionary/english/plummy
  • ↑ https://www.merriam-webster.com/dictionary/raucous
  • ↑ https://www.vocabulary.com/dictionary/resonance
  • ↑ https://www.vocabulary.com/dictionary/shrill
  • ↑ ​​ https://www.merriam-webster.com/dictionary/silvery
  • ↑ https://www.wineverygame.com/words/soporific.html
  • ↑ https://www.vocabulary.com/dictionary/stentorian
  • ↑ https://www.oxfordlearnersdictionaries.com/us/definition/english/taut
  • ↑ https://www.oxfordlearnersdictionaries.com/us/definition/american_english/tremulous

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Different Ways To Describe A Voice—The 19 Best Character Voices To Use

  • December 30, 2022

The human voice is incredibly versatile. The way we speak says a lot about our physical, mental, and emotional states, and even the slightest change in tone can convey myriad meanings and interpretations. 

Some people speak with a loud, booming voice, while other voices are brittle or shrill. 

A soft voice is a hushed voice. Raucous voices are loud and grating. Each adjective adds a quality to the speaker that influences our understanding and feelings about them. 

This article will explore ways to describe a voice.

Since we cannot hear the sound of a voice in literature, it is the writer’s task to create that quality of sound in the readers’ minds. 

Proper use of adjectives and even verbs in dialogue tags help readers hear the characters and allow for greater immersion in the story.

Why is it essential to describe a voice?

As a writer, how you describe a character’s voice , both in general and in a particular moment, helps convey something important to the reader. 

It informs the reader about the character’s emotional state, thoughts, or reactions to the environment. It can also offer insight into that character’s personality or background.

As such, it’s crucial to develop a broad vocabulary when describing voices. The more specifically you can define a voice, the more opportunity you have to define the essence of a scene or moment, ultimately engaging your readers and thus making you a better writer.

“Be sure not to discuss your hero’s state of mind. Make it clear from his actions.” Anton Chekhov

This quote by Anton Chekhov highlights the importance of a good character description. Sometimes writers get lost in describing a character’s inner world and distract readers from the plot. 

A good description of a character’s voice allows writers to portray an entire inner state through a single verb or adjective. 

If a character is said to cry during their speech  – “I want to go home!” the young boy cried to his mother –  then we know how the character feels.

If someone speaks loudly, we know that they believe they have something important to say.

Ways to describe a voice

Describing a character’s voice well is an essential skill in writing characters .

A well-described voice helps the reader develop an image and opinion about a given character. This image/idea/opinion is further supported by other types of character description, such as their posture and stature, fashion style, physical appearance, and personality traits. 

Voice adds more complexity to a character description because the voice can change in a second, and even slight changes in the quality or tone of one’s voice can help a writer develop and progress a scene or an intercharacter relationship.

Ways To Describe A Voice

Words to describe tone of voice

Writers often use adjectives to describe the tone or quality of a character’s vice. One can also describe a voice with a verb, where the verb is used in a dialogue tag. 

Below you’ll find a list of adjectives writers often use to describe tones of voice. After, we’ll look at common dialogue tags for voice descriptions.

1. Adenoidal

An adenoid/nasal voice sounds as though it comes through the nose as if that’s where the breath tends to go in such a voice. 

Typically, a nasal voice sounds annoying, so such voices are attributed to annoying or overbearing characters, like Janice in Friends or Spongebob Squarepants.

A breathy voice sounds as though there is more air than the voice in the person’s speech. A person out of breath from exercise or other physical exertion may sound breathy. 

Someone aiming to seduce may also speak in a breathy tone. A writer might use the term breathy to describe who speaks with loud breathing noises.

A brittle voice is weak and quiet, making it sound like the speaker is about to cry. 

Someone trying to hold back tears may speak with a brittle voice.

‘His voice was brittle and weak, and everyone knew he was about to cry.’

A croaky voice is broken and weak. If someone’s voice sounds croaky, they may be ill or dehydrated. They may feel emotionally small or insignificant. Nervousness and shyness can result in a croaky voice.

5. Disembodied

A disembodied voice does not come from a person but from an unknown or invisible source. For example, a character may hear the disembodied voice of a ghost or may be experiencing an auditory hallucination.

If someone’s voice is flat, they keep the same intonation throughout the sentence. Their pitch doesn’t go up or down, and they don’t stress words. A person in shock or particularly sad may speak with a flat voice.

Ways To Describe A Voice

7. Enthusiastic

An enthusiastic voice is high in energy and optimistic in attitude. We know that a character who speaks enthusiastically is excited or passionate about something.

An annoying/unpleasant voice often heard by a character who is annoyed themselves.

9. Gravelly

A gravelly voice sounds low and rough and is typically spoken by older male characters.

10. Guttural

A low voice in which sound comes from the back of the throat.

A hoarse voice is a raspy or hoarse voice that may have been caused by excessive shouting, physical exertion, or dehydration.

12. Honeyed

The honeyed voice sounds sweet, smooth, and pleasant to listen to. A character pretending to be nice may adopt a honeyed tone of voice to deceive another. 

The husky voice is often hoarse but controlled, deep and low, and is often considered attractive. Husky voices often find their place in romantic or intimately charged moments or to describe an appealing character.

14. Modulated

A modulated voice is calm and controlled. It can contain various pitches and intonation, but these are in complete control of the speaker and are used with intention.

15. Raucous

A raucous voice is loud and harsh, pushed or forced rather than smooth or free-flowing. You may hear raucous voices at a loud party.

A shrill voice is high-pitched and unpleasant to listen to. It is piercing and is usually attributed to annoying or antagonistic characters.

17. Singsong

A singsong voice is musical. It rises and falls pleasantly and usually conveys a positive, happy, or uplifted state.

18. Soft-spoken

A soft-spoken voice is a gentle voice. Soft-spoken voices are usually caring, compassionate, and pleasant to listen to. 

A character who cares about another may address them with a soft-spoken voice. Similarly, a quiet and timid character may also be soft-spoken. 

Soft-spoken voices sometimes come from soft-spoken characters or can be used to refer to a character in one instance using a very quiet voice.

19. Stentorian

A stentorian voice sounds loud, booming, and typically authoritative. The term can describe a person or speak in a loud tone. A frustrated teacher may adopt a stentorian voice to bring order to an unruly classroom.

Describing voice with dialogue tags

Some of these adjectives can be used as verbs in a dialogue tag.

A dialogue tag is a part of a sentence that accompanies a piece of dialogue and informs the reader of the speaker and how they spoke. For example: “Are we there yet?” the children cried. ‘Almost there..,’ answered their mother in a honeyed voice.

You can say a character with a croaky voice ‘croaked,’ or a grating voice ‘grated.’ 

We often use verbs to describe voice when the character’s voice does not always have that quality but has it now in relation to what’s happening in and around them. 

For example, if someone croaks with their voice, they may be extremely dehydrated. ( ‘Water.. water!’ the man croaked. ) To use an adjective, we can say that “the dehydrated man’s voice was hoarse.”

The list above is not exhaustive – so you won’t find every possible way to describe a voice here – these are just some examples. 

However, try to avoid settling when it comes to describing your characters. If a character has a particular tone of voice, but you don’t know the term to describe it, make an extra effort to find it. 

Search similar words you know on Google and look for synonyms. It may only take a minute or two to find the most accurate term, and that search will pay off when your story reaches the reader. 

The more you can offer a reader a well-portrayed character or a well-conveyed moment, the better the story is told and the more appreciated you are as a writer.

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Master List of Words to Describe Voices

Master List of Voice Descriptions for Writers! Great Reference! #writing

Hey friends! A month or so ago, a reader named Katy told me that she was finding my book Master Lists for Writers “brilliant with helping me not overthinking about specifics.” Yay! She asked if I had ever done a list of descriptions of voices. I had not!

I’m a huge proponent of engaging all of the readers’ senses, not just sight. It’s a good idea to help readers hear your characters’ voices. So this post is an addendum to the lists in the book. Thanks for the great idea, Katy!

[AdSense-B]

These are adjectives, but some of them can be altered into verbs (“braying” / “brayed”) or nouns (“rasping” / “his voice was a rasp.”)

Some of these more often describe a voice quality. Some of them more often describe how a character says something in particular—a tone rather than a voice.

You may not need to describe a tone of voice much of the time. The dialogue itself may make it clear. However, sometimes you might, particularly when the tone of voice does not match what the person is saying.

A few of these also suggest habitual speech patterns. As always, it’s not a complete list, and will probably make you think of other descriptors as well! Pin or bookmark the page so you’ll have it for future reference.

A BIG list of descriptors of tone of voice and voice quality, for writers! #writing tips #fiction #novel #NaNoWriMo

authoritative

barely audible

cheery/cheerful

cracked/cracking

devoid of emotion

gravelly/like gravel

high/high-pitched

indifferent

insinuating

low/low-pitched

matter-of-fact

mellifluous

silken/like silk

spacey/spaced-out

sympathetic

thunderous/like thunder

velvet/velvety

Making this list got me in the mood to write some dialogue! I hope it’s a good reference for you, too. If you enjoyed it, you might also like my post about things characters can do while they’re talking .

I hope you found this helpful! And check out Master Lists for Writers , which is full of lists to help writing go faster.

Master Lists for Writers by Bryn Donovan

Thanks for reading, and happy writing!

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63 thoughts on “ master list of words to describe voices ”.

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It’s a comprehensive list. ‘Master Lists’ sits on my writing desk and is often referred to. It’s so useful.

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Ahh thank you Anne! And thank you so much for sharing on Twitter! <3

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I love tart – will have to find a way to use that now 🙂

Ha, that is actually my favorite. I don’t think I’ve ever used it to describe a tone of voice in a story!

I instantly saw the dowager from Downton Abbey in my mind – she can say something in a tart voice for sure LOL

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Very helpful and have your book in my To buy list. 😀

Sorry I just now saw this!! Thank you! 🙂

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Brilliant addition! Thanks 🙂

Sorry I’m late in the reply — glad you liked it! 🙂

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Reblogged this on TheKingsKidChronicles .

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Reblogged this on Chris The Story Reading Ape's Blog and commented: In case you’re running out of words ???

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Exactly what I needed today! Thank you!

Oh, so glad it helped! 🙂

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Brilliant. 😀

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That’s saying a mouthful. 😀 Thanks for supplying even more useful information!

I see what you did there 😉 Thank you John!

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This is very useful. Thank you.

So glad you liked it!

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Reblogged this on Musings on Life & Experience and commented: Helpful for describing characters.

Thanks for sharing!

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Reblogged this on Writing and Music and commented: This is an excellent reference for writers. Use it! Don’t be stuck with the same voice tags throughout your story.

Thanks for the kind words — and for sharing!

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Thanks so much! I’m currently writing a fantasy novel and I’m having trouble with describing my characters, but not so much that the reading becomes boring. This helps ’cause a voice can tell a lot about a character.

Thanks for the nice comment — so glad it was helpful!

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This is another really great list. I’m pinning it! Thank you! (she says heartily.)

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Hi, I got the Master Lists for Writers, and it is very helpful. I was wondering if you have the Master List of Facial Expressions and Master List of description for voices in a book that could be purchase?

Hi, Constance! I’m so glad you found the book helpful! The facial expressions list is in the book, but the voice list is not. If I ever do an updated edition (and I might!), I’ll put the voice list in there 🙂

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Thank you for this list. Help me to expand m ideas. I note this list have “tone words” and “speech words” altogether. For example “alto” is for the voice and “ironical” is for the speech – but really funny to imagine a character who always have an ironical voice… So I can make two sublists from this : one for the physical aspects inherent to the character and the other one for the tone used by the character to convey the message.

Hi there! Yes, that’s a good point: there’s a difference between someone’s voice quality and how someone says something in particular 🙂 Thanks for the kind words!

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Nice list! Hey, do you think it’s possible to write an entire book without using any visual descriptions? The entire story could be narrated using descriptions of sounds and textures or something. I just think it would be interesting to write an entire book filled with imagery that blind people could relate to.

Hey, thanks! I’m sure it’s possible. Most of us are very visual, so it would feel very different. In All the Light We Cannot See , the scenes from the blind girl’s point of view are of course like this, and it’s pretty interesting!

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Hi Bryn, I bought your book master list for writers the other day. It’s excellent. Great reference, gets my wheels turning again if I’m stuck. You’re very talented, thanks, Sal

Hi, Sal! Thank you so much for getting the book — and even more for the kind words! I really appreciate it. Here’s to more and more success with your writing!

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Velvet and Stiff are my fovourite while reading a book, it’s like I can hear the tone in my head..!

Yeah, I really like those, too!

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OF COURSE you had a masterlist for this. I don’t even know why I didn’t visit your blog directly when I went to search “how to describe voices”. Thank you! Also, your latest plot masterlist, the one for mystery story, has helped me get back on a story that had stalled since early spring. I didn’t take any of your prompts directly, but it made me think of all the ways I could add more conflict. Now I’m excited about that story again!

Hahaha, hi Noémie! I’m glad you found what you were looking for! Ahh, and I’m so happy to hear the mystery list was helpful. I always think they can work that way sometimes…just by spurring other ideas. Have fun with the story!

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I use Mater List for Writers almost every day. It’s extremely helpful for finding just what I need. I can’t recommend it enough.

Lynn I am so happy to hear it’s helpful! That makes my day.

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OH I am so happy I found your book! I just got it actually like a day ago, (Pintrest advertising worked for you! ) Anyway is this list in the book? I love everything I’ve seen so far!

Hi, Erika! Oh, thanks so much for getting the book — I hope it’s useful for you! This list isn’t in there…it’s one I thought of after the book came out! 🙂

WHEW! I thought I was losing it. I mean I started looking and I would get side tracked so I thought I was just missing it. I love it. You’ve done a great service to writers all over.

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Would it be possible to have short definitions for each of those voice types/descriptions?

  • Pingback: ? Writing Links Round Up 10/1-10/6 – B. Shaun Smith

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Please add short descriptions for those words pLeAsEeEeEeeE..!

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Go to this site (or any other Synonym thesaurus site) and type in any word you want and you will get several other words that have the same or similar meanings.

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Very useful!

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When one is learning anything means something. I am learning. Your list is worth a lifetime for me. Thank you so much!

Hi Vic! Thank you for the kind words. I’m so glad you liked it!

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creative writing description of voice

Tone, Timbre, Pitch: How to Describe Your Character's Voices

creative writing description of voice

One of the biggest challenges in writing a novel is ensuring your characters sound different from one another. You don’t want carbon copy characters who all talk the same. 

After all, reading isn’t a visual medium, so while you can use descriptions to differentiate characters, in the end, your readers are really going to differentiate them in how they speak and act. Your readers are building these characters in their heads, so you want to offer them as many cues to tell them apart as possible. It will make for a better reading experience and ensure your characters are more memorable. 

If this sounds hard, maybe it is a little, but it’s one of those things you’ll get better at with practice. And simply understanding that the concept of differentiating voices exists is already half the battle won. 

The good news is I’m going to help you break it down a little so this challenge feels a little more manageable. In this article we’ll talk about: 

  • Components of voice
  • Different types of voices

creative writing description of voice

Components of Voice

First, let's talk about what the components of voice are. Just to be clear, we aren’t talking about your writing voice, which is a term you’ve likely heard before. Writing voice is about how you as an author express yourself on the page. And you can read more about developing and finding your author voice in this article . 

No, what we’re talking about is literally how a character speaks. As in, what is their literal voice? This is an important distinction for the purposes of this discussion. 

This refers to the “quality” of someone’s voice. Someone might speak in a shocked or enthusiastic tone. Or their tone might be somber or sarcastic. You can imagine how making use of tone can be used to convey not only the mood of your character, but the story itself. 

This is a word that is often used to refer to musical instruments and the sound a particular instrument makes. You can use timbre for your characters as well. Timbre also refers to the specific texture or color of a voice. 

I know that sounds a little out there, but think about descriptions you’ve heard where this might work. His voice was like honey. Her voice sounded like smoke. Their voice reminded me of velvet-soft petals. When you put it like that, see how you can make use of timbre to convey how a character sounds. Even without hearing it, you get a sense of what someone with a voice like spun sugar sounds like. 

This refers to the highness or lowness of a voice. This is a great one used to help describe your character. You can expect that a small child is going to have a higher pitch than a grown man, for example. 

You can also use pitch to convey personality. Someone who is stoic and calm can have a low voice versus someone who’s excited and energetic who has a high voice. Or you can flip those expectations and really mess everyone up. 

This one is probably obvious. Volume is literally how loudly or quietly someone speaks. You can use this to convey character personality—a very confident character might speak loudly while a nervous and shy one speaks quietly. 

You can also use volume to convey the tone of the scene. If things are tense and your character is at risk of discovery by their enemy, then obviously they’re going to be speaking more quietly than a character trying to get the attention of a giant with the purpose of creating a distraction. 

Rate is the speed at which someone talks. If your character is a fast talker, this might suggest they’re impatient or lack good listening skills. Maybe they’re not particularly honest and like to speak quickly with the hopes that people won’t hear everything they’re saying. A fast talker is sometimes a nervous person who wants to get the words out quickly. 

Conversely, a slow talker might be a mentor type who has endless wisdom to share but is in no hurry to get there. A slow talker might be a character who thinks the person they’re dealing with isn’t very bright and is being a little condescending. You can also use slow speech to convey information that is extremely important and your character is taking their time to ensure every detail is accurate. 

The world is obviously made up of so many people from so many places, and that means we all have different accents, whether we’re speaking in our native tongues or not. You can, of course, use an accent to convey where someone is from, their class, or use it to convey the period in history that your story is taking place. 

To convey an accent, you can go the route of simply stating “this person has an upper crust British accent” or you can take it a step further and attempt to write the accent using visual text cues. We aren’t going to go into it in depth here, but there are resources out there on how to write a southern accent or Scottish brogue, for example. 

A word of caution, though. If you’re going the route of trying to write an accent through your dialogue, be mindful that you don’t go overboard. It can be really difficult for a reader to immerse themselves into your story if they’re spending too much effort trying to figure out what the heck your character is even saying. Less is more in this case. 

And finally, be very mindful of the accents you use and how you convey them. Going too far with accents can be at best annoying and, at worst, outright offensive to those whose real life accents mirror the ones you’re attempting to convey. Be careful you're not creating harmful stereotypes or caricatures of the people you’re writing. 

creative writing description of voice

Different types of voice

Below is a list of different voice types and how you can make use of them. It’s not an exhaustive list, but it should give you some ideas on how different voices can be used to demonstrate various personalities and moods. Voice isn’t just about the sound you hear but also the emotion it conveys. 

  • Adenoidal/Nasally - A voice where the sound seems to come through the nose. Often used to convey someone who is annoying. 
  • Appealing - A voice that suggests someone wants to be helpful or useful. Might be used when someone wants to win another person over. 
  • Breathy - A voice that sounds like someone is out of breath. Could be used after intense physical exertion or used when writing amorous scenes. 
  • Brittle - A voice that sounds hard and worn. Could be used for a character who is experiencing their lowest moment or is very angry. 
  • Croaky - A voice that sounds like someone has a sore throat or is having trouble speaking. Could be used for a character who hasn’t spoken in a long time or is ill. 
  • Dead - A voice that conveys no feeling or emotion. Used for characters who want to intimidate or for a character who has lost everything and feels they have nothing else to lose. Also a great one for a villain or evil character. 
  • Disembodied - A voice that’s coming from a source you can’t see. Good for using in ghost stories or for characters experiencing voices in their heads. 
  • Flat - A voice that lacks intonation and doesn’t go up and down. Might be used for a character trying to show no emotion or for one experiencing trauma or sadness. 
  • Grating - A voice that is unpleasant or annoying. Can be used to show an irritating character or even the mood of another character who perceives every voice around them to be grating. 
  • Gravelly -  A voice that is low and rough. Could be used for a grumpy character or during an intense moment. 
  • Gruff - Similar to gravelly, but a bit more impatient. Might also be used for a grumpy character or to convey irritation or frustration.
  • Guttural - This is a sound made deep in the back of your throat and could be used to show a character that is struggling with anger or frustration. Or perhaps arousal. 
  • High-pitched - A voice that is shrill and grating. Might be used on a character that is meant to be annoying or one that is trying to raise an alarm. 
  • Hoarse - A voice that is low or rough, usually due to a sore throat or a long period of screaming. Could be used for a character that has just undergone a long stretch of torture. 
  • Honeyed -  A voice that is sweet and mellifluous. Could be used to convey false niceness in a character or used to show a soft and kind character. 
  • Husky - A husky voice is deep and sounds hoarse, often in an attractive way. A great one for romance novels and romantic moments. 
  • Low - Either a deep voice or someone speaking quietly. Can be used to convey personality through someone who has trouble speaking up or the mood when your characters need to be stealthy. 
  • Matter-of-fact - A way of speaking that is plain and simple. Could be used for a character who’s trying to break a hard truth or is fed up. Also can be used to convey a character’s personality. 
  • Modulated - A voice that is controlled and pleasant to listen to. A good way to show a specific type of character’s temperament. 
  • Monotonous -  A voice that doesn’t change in loudness, pitch, or intonation, making it very boring to listen to. Could be used to convey a dry character or a boring moment for one of your characters. 
  • Orotund - A voice that is loud and clear. Could be used when very important information is conveyed or to show a character who is confident in themselves. 
  • Penetrating - A voice that is too high or loud to the point that it makes you uncomfortable. Could be used to show your character’s dealing with an antagonist or illustrate an overbearing character. 
  • Plummy - A voice that conveys a sense of them being “upper class”. Often associated with a British accent. Could be used to show a snobby or snooty character. 
  • Raucous -  A voice that is loud but with a rough edge. Could be used to convey the personality of a character or the mood of an event, like a party. 
  • Ringing -  A very loud and clear voice—good for the herald who’s come to bear some news. 
  • Rough - A voice that is hard and hard to listen to. Could be used for an evil or angry character.
  • Shrill -  A loud, high, and piercing voice that is unpleasant to listen to. Good for annoying characters or an unpleasant situation for your protagonist. 
  • Silvery - A voice that has a clear, light, pleasant sound. Could be used for an ethereal type of character, like an angel or a faerie. 
  • Singsong - A voice that rises and falls in a pleasing and musical way. A good one for your local bard or a character with a pleasant personality. Or perhaps an annoying character depending on how you frame it. 
  • Small - A voice that is gentle, timid, or quiet. Great for conveying an insecure or scared character. 
  • Smoky - A voice that conveys sexual attraction, sometimes for a mysterious character. Great for your cloaked or hooded character in the shadows or your hot love interest. 
  • Softly spoken - A voice that’s quiet or gentle. Good for a soft character. 
  • Stentorian - Someone who’s loud and severe. A good one to help convey a character’s personality. 
  • Strident -  Another variation of a loud voice, but in this case, it’s also specifically unpleasant. Can also be used to convey a specific character trait. 
  • Taut - A voice that is clipped or strained and can be used to show someone who is either scared or angry. 
  • Thick - A voice that sounds unclear due to emotion. Perfect for sad scenes and powerful moments. 
  • Thin -  A high voice without much substance. Might convey someone who is sick or injured or could be used to show an unpleasant character. 
  • Throaty - A growly type of voice that comes from deep in your throat. Great to use for angry characters or love scenes. 
  • Tight - Similar to taut with clipped words that can be used to demonstrate irritation or anger. 
  • Toneless - A voice that shows no emotion. Can be used for a character who is trying to put on a brave face or an evil character who truly feels no emotion. 
  • Tremulous - A voice that lacks steadiness due to fear or excitement. 

Non-Vocal Communication

Don’t forget that not all “voices” are auditory. You can also make use of body language and sign language to convey someone’s voice. 

Maybe you have a character that cannot speak and only uses hand signals or written notes to communicate. In this case, think about how you can use that to convey their personality and mood. You’ll want to pair that “voice” with their expressions and their body language to get the message across. 

Now that you’ve given unique voices to all your characters, it’s time to read up on other ways to make your characters shine. Check out our resources at DabbleU , where we’re creating new articles every week to help you write your best novel. 

Nisha J Tuli is a YA and adult fantasy and romance author who specializes in glitter-strewn settings and angst-filled kissing scenes. Give her a feisty heroine, a windswept castle, and a dash of true love and she’ll be lost in the pages forever. When Nisha isn’t writing, it’s probably because one of her two kids needs something (but she loves them anyway). After they’re finally asleep, she can be found curled up with her Kobo or knitting sweaters and scarves, perfect for surviving a Canadian winter.

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Ways To Describe A Voice: Similies & Adjectives You Can Use

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In the symphony of human interaction, voices play an essential role. When a character speaks in a story, their voice is more than just words. It’s a melody of personality, history, and emotion. It hints at their past, their dreams, and their secrets.

As writers, it’s our responsibility to capture the nuances of these voices. But how do we effectively convey the subtleties of a voice in writing, especially its tone? Let’s dive in and explore the art of describing voices, focusing on the tone of voice in written narratives.

How To Describe Voices In Writing

How Do You Describe Tone of Voice in Writing?

  • Understanding Tone: At its core, tone of voice conveys an emotion or attitude. It’s the difference between saying, “I can’t believe you did that!” in anger, amazement, or joy. As a writer, it’s crucial to determine the emotional state or attitude of a character when they speak.
  • Use Descriptive Adjectives: The quickest way to convey tone is through adjectives. Words like ‘shrill’, ‘melodious’, ‘gruff’, or ‘whispery’ immediately give the reader a sense of the voice’s quality. Think of how the voice feels in the ear – is it rough like sandpaper, or smooth like velvet?
  • Rely on Context: Often, the situation or setting can help convey the tone. A dialogue set at a funeral will likely have a different tone than one at a birthday party. Moreover, a character’s past experiences, relationships, and current emotions can all inform their tone of voice.
  • Use Action and Body Language: Sometimes, what a character does while speaking can highlight their tone. A character who’s pacing and wringing their hands while talking likely has a different tone than someone lounging lazily in a hammock.
  • Dialogue Tags Are Your Friends: Instead of the plain ‘said’, try tags like ‘whispered’, ‘shouted’, ‘murmured’, or ‘hissed’. But use them judiciously – overdoing it can feel forced.
  • Internal Monologue and Reflection: By diving into a character’s thoughts, you can often clarify the tone. For example: She said, “It’s lovely.” But in her mind, it was anything but lovely.

Feedback from Other Characters: How other characters react to what someone says can provide additional insight. If one character makes a statement and another wince, the reader gets a cue about the tone. Practice Listening: As a writer, becoming an active listener in real life can help. Pay attention to people’s tones in different situations. How do they vary? What emotions do they convey? This real-world insight can enrich your writing immensely.

Capturing the tone of voice in writing is both an art and a science. While the above tips provide a framework, the real magic happens when you combine them with your unique voice and observations. With practice and keen attention, you can master the art of conveying the melodies and nuances of spoken words on paper.

How to Describe Voice in Writing Using Adjectives and Similes

How to Describe Voice in Writing Using Adjectives and Similes

When we read a well-written narrative, the voices of the characters should be almost audible in our minds. This auditory illusion is crafted skillfully using language. Two potent tools in a writer’s arsenal for this task are adjectives and similes. Here’s how you can use them to describe voices in writing:

Using Adjectives

Texture and quality:.

  • Raspy: A voice that has a rough, grating quality.
  • Silken: A smooth and soft voice, often pleasant to hear.
  • Melodious: A voice that has a musical or tuneful quality.
  • Husky: A slightly rough sound, often considered attractive or intimate.
  • Nasal: A voice that resonates through the nose.

Volume and Pitch:

  • Shrill: A voice that is high-pitched, sometimes unpleasantly so.
  • Sonorous: A voice that is deep, loud, and resonant.
  • Sibilant: Hissing sounds, especially on the “s” sound.
  • Whispery: Soft and hushed, like someone is whispering.

Emotion and Intent:

  • Cheerful: A voice that sounds happy and light.
  • Sombre: Serious, grave, and filled with gravity.
  • Wistful: Full of longing or unfulfilled desire.
  • Sardonic: Disdainfully or skeptically humorous.

Using Simile

Similes compare two unlike things using ‘like’ or ‘as’, making the description vivid and relatable.

  • Her voice was raspy, like leaves scraping against each other.
  • His voice was as smooth as aged whiskey.
  • Her shrill voice pierced the air like a siren.
  • His words boomed, as deep and resonant as a church bell.
  • Her voice held a cheerfulness like sunlit meadows in spring.
  • His voice was sombre as if echoing through a long, empty corridor.

Tips for Effective Description:

  • Less is More: Don’t overdo it. One well-placed adjective or simile can be more effective than a flurry of descriptors.
  • Avoid Clichés: While it’s okay to use familiar similes, strive for unique comparisons that will surprise and delight your reader.
  • Ensure Context Matches: Ensure the situation or emotion in your story matches the description. A ‘silken’ voice might not fit in a stressful confrontation, just as a ‘raspy’ voice might feel out of place in a romantic serenade.
  • Mix and Match: Don’t stick to only adjectives or only similes. Combining them can give depth and layers to your voice descriptions.

Expert Tip: Describing a voice effectively can transport your reader into the heart of the scene, making characters and their interactions come alive. With the strategic use of adjectives and similes, your narratives can sing with the authentic sound of genuine voices.

Analyzing a Voice in Literature

Analyzing a Voice in Literature

Voice in literature refers to the distinct style, tone, and character that’s present in an author’s writing or the unique attributes given to a narrative persona. Analyzing it is akin to recognizing the unique cadence, pitch, and timbre of a person’s spoken voice. Here’s a guide to analyzing voice in literature:

  • Identify the Speaker: Is the voice that of the author? Or is it a character’s? Or perhaps an omniscient narrator;’? Understanding the source is the first step.
  • Determine the Tone: Is the voice serious, humorous, sarcastic, melancholic, joyful, or introspective? Tone can offer clues about the writer’s attitude toward their subject or audience.
  • Understand the Diction: Examine the choice of words. Are they formal, colloquial, archaic, jargon-filled, or poetic? This can give insight into the education, background, or mindset of the voice.
  • Assess the Structure and Syntax: Are the sentences short and choppy or long and flowing? The pacing and rhythm can reveal a lot about the voice’s mood and intent.
  • Examine the Perspective: Is it written in first-person, second-person, or third-person perspective? This can influence how intimate or detached the voice feels.
  • Look for Recurring Themes or Motifs: These can provide insights into the core concerns, obsessions, or values of the voice.
  • Consider the Overall Purpose: What is the voice trying to achieve? Inform, persuade, entertain, or perhaps confront?

Example of a Strong Voice in Writing

Example of a Strong Voice in Writing

One of the most distinctive voices in literature belongs to Mark Twain , particularly in “The Adventures of Huckleberry Finn.” Twain’s voice, channeled through the young Huck, is colloquial, witty, and observant. Here’s an excerpt:

“You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer, but that ain’t no matter. That book was written by Mr. Mark Twain, and he told the truth, mainly. There were things which he stretched, but mainly he told the truth.”

In this short passage, you can immediately sense Huck’s candid, youthful perspective. The language is informal and direct, and there’s a humorous undertone in his admission that Twain “stretched” the truth. It showcases Huck’s voice as authentic, skeptical, and refreshingly honest.

Analyzing voice requires keen observation and an understanding of various literary elements. A strong voice, like Twain’s, remains memorable and provides the narrative with authenticity, color, and depth.

How do you describe a voice in a poem?

How do you describe a voice in a poem?

Describing a voice in a poem is a delicate task, weaving emotion and imagery into the fabric of the narrative. Because poems often work within a limited scope, each word carries weight. Here’s how you can describe a voice in a poem:

  • Sensory Imagery: Use sensory details that evoke auditory images. Think of sounds in nature, like rustling leaves for a soft voice or booming thunder for a strong voice. Example: “Her voice, a whispering breeze, grazed my ears.”
  • Emotion and Mood: Express the emotion that the voice carries or instills in the listener. This can reflect sadness, joy, anger, or any other emotion. Example: “His voice, a mournful lullaby, sang tales of forgotten yesterdays.”
  • Metaphors and Similes: Compare the voice to something relatable, giving readers a vivid image or sensation. Example: “Her voice was like molten chocolate, smooth and rich.”
  • Texture and Tone: Use adjectives that express the texture (rough, smooth, raspy) or the tone (warm, cold, distant) of the voice. Example: “The gritty gravel of his voice echoed pain from years past.”
  • Rhythm and Musicality: Consider the rhythm or musical quality of the voice. Is it staccato, melodic, monotone, or rhythmic? Example: “In rhythmic cadence, her voice danced, a melody of hope in the dark.”
  • Volume and Pitch: Describe whether the voice is loud, soft, shrill, deep, etc. Example: “In hushed tones, lower than the evening’s shadow, he confessed his dreams.”
  • Personification: Grant the voice human-like characteristics or behaviors to enhance its essence. Example: “The voice, weary and aged, tiptoed through the corridors of memory.”
  • Physical Reaction: Describe the impact of the voice on the listener or the environment. Example: “With every word, her voice painted the room in shades of golden joy.”

Expert Tip: Incorporate these techniques based on the mood and theme of your poem. The ultimate goal is to evoke a strong auditory image in the reader’s mind, allowing them to “hear” the voice as they navigate the verses of your poem.

Literary Description of a Voice

Literary Description of a Voice

In literature, the voice can refer to two main concepts:

  • Authorial Voice: This is the distinct style or manner in which an author expresses themselves in writing. It’s a combination of the author’s tone, mood, diction, syntax, and overall writing style. It’s what makes one writer’s work distinguishable from another’s.
  • Narrative Voice: This pertains to the persona, tone, and style used by a writer to convey a story. It’s the perspective from which the events are told, which might be a character within the story (first-person) or an external, omniscient narrator, among other possibilities.

Descriptors of Vocal Quality

Descriptors of Vocal Quality

When describing the actual sound of a voice in literary works, writers use various descriptors to convey vocal quality. Here are some of the most common ones:

Texture/Timbre:

● Raspy: Rough or scratchy, like sandpaper. ● Smooth: Without any noticeable bumps or interruptions; pleasing to hear. ● Husky: Deep and slightly rough, often in an attractive way. ● Crisp: Clear and concise, easy to understand.

● Hushed: Soft and quiet. ● Booming: Very loud and resonating. ● Piercing: High-pitched and sharp, almost painful to hear. ● Muted: Softened or subdued.

● High-pitched: More towards the treble end of the scale. ● Low-pitched: More towards the bass end of the scale. ● Shrill: Unpleasantly high and sharp. ● Sonorous: Deep, resonant, and often impressive.

Emotional Quality:

● Cheerful: Reflecting happiness or positivity. ● Melancholic: Sad or sorrowful. ● Animated: Lively and spirited. ● Monotonous: Lacking in variety, flat, without inflection.

● Clear: Easily understood, distinct. ● Muffled: Difficult to hear clearly. ● Slurred: Words run together, often due to intoxication or tiredness. ● Articulate: Spoken clearly with distinct syllables.

Rhythm and Pace:

● Staccato: Short and detached; abrupt. ● Legato: Smooth and connected; flowing. ● Rapid: Fast-paced. ● Languid: Slow and relaxed.

  • Nasal: Resonating in the nose.
  • Throaty: Deep and resonant, coming from the throat.
  • Breathy: With a lot of audible breath.
  • Resonant: Having a deep, full, reverberating sound.

Using these descriptors can help paint a vivid auditory image for the reader, adding depth to characters and enhancing the overall atmosphere of a scene.

How does the narrative voice influence the reader’s perception of a story?

The narrative voice is akin to a guide that walks a reader through the landscape of a story. It has the power to shape a reader’s understanding and engagement with the narrative.

A strong, relatable voice can make readers feel emotionally connected as if they’re experiencing events firsthand, while a detached or unfamiliar voice might provide an objective or even alien perspective.

For instance, an intimate first-person narrative voice can immerse readers into the character’s personal experiences, feelings, and inner conflicts, fostering a deeper emotional bond.

On the other hand, an omniscient third-person voice can offer a broader perspective, allowing the reader to understand the larger scope of events and the interplay of multiple characters’ motivations and actions.

Why is the authorial voice significant in distinguishing one writer from another?

The authorial voice is a writer’s unique fingerprint in the realm of literature. Just as no two people speak or express themselves in the exact same manner, no two writers have the same authorial voice. This voice comprises their choice of words (diction), sentence structures, rhythms, tones, and themes they often gravitate toward.

For instance, Ernest Hemingway’s minimalist, straightforward prose is easily distinguishable from the ornate, intricate sentences of F. Scott Fitzgerald. Readers often find themselves drawn to certain authors because of this unique voice, associating it with specific emotional experiences, insights, or narrative styles they enjoy.

How can a writer develop their unique authorial voice?

Developing an authorial voice is a journey of self-discovery, continuous learning, and immense practice. It begins with extensive reading. By exposing oneself to a plethora of styles, genres, and voices, a writer can discern what resonates with them. Writing regularly, experimenting with different styles, and seeking feedback are also crucial.

Over time, patterns will emerge, reflecting the writer’s preferences, beliefs, and idiosyncrasies. Personal experiences, values, and cultural background also play a role in shaping this voice. It’s essential to understand that this voice isn’t static; it evolves as the writer grows, both in skill and as an individual.

In what ways can a mismatched tone or voice detract from the narrative?

A mismatched tone of voice can create a jarring experience for the reader. Imagine a dark, tragic event described with a cheerful or humorous voice it would seem out of place and could diminish the gravity of the situation. Similarly, using a casual, colloquial voice in a historical epic might feel anachronistic and disrupt the immersion.

Quick Fact: When the voice or tone doesn’t align with the content or the setting, readers might struggle to connect emotionally or intellectually with the story, leading to a sense of detachment or even confusion.

How does the use of diction influence the perception of vocal clarity in literature?

Diction, or word choice, is pivotal in conveying vocal clarity. Using precise, evocative words can paint a vivid picture of a voice’s sound and emotion. For instance, describing a voice as “whispered” rather than just “soft” gives a clearer auditory image.

Similarly, words like “articulate” or “slurred” not only describe the sound but also give insights into the speaker’s state of mind or physical condition. A well-chosen word can provide layers of meaning, allowing the reader to hear the voice in their mind and understand the nuances behind its modulation.

Why might an author choose to use a variety of vocal descriptors across different characters in a story?

Variety in vocal descriptors aids in character differentiation and development. Each character is a unique entity with its own background, experiences, and emotions. By giving each character a distinctive voice, authors add depth to their personalities, making them more relatable and real to the readers.

For example, a wise old character might have a “sonorous, slow-paced” voice, reflecting age and gravitas, while an energetic young character might have a “crisp, rapid” voice, reflecting youth and vivacity.

These variations not only enhance the auditory landscape of the narrative but also provide subtle cues about characters’ personalities, histories, and current emotional states.

How do rhythm and pace in vocal descriptors mirror or contrast a scene’s atmosphere?

Rhythm and pace in vocal descriptors can be used strategically to amplify or counterpoint a scene’s mood. In an intense, fast-paced scene, a character’s “staccato” voice might echo the urgency of the situation. Conversely, in a calm, reflective scene, a “languid” voice could emphasize the relaxed nature of the moment.

However, authors can also use contrast to striking effect. For instance, amidst the chaos, a character speaking with a “smooth, rhythmic” voice might stand out, highlighting their control or detachment from the surrounding turmoil. Through such alignment or juxtaposition, the voice becomes an instrumental tool in setting or subverting the atmosphere of a scene.

What is the potential impact of using sensory imagery in depicting a voice in literature?

Utilizing sensory imagery when depicting a voice is akin to painting a vibrant scene with words . By allowing readers to “hear” the voice in their minds, the narrative becomes richer and more immersive. Descriptions such as “a voice as cold as a winter breeze” or “a laugh reminiscent of tinkling glass” evoke specific auditory and sensory reactions.

As humans, we’re innately wired to respond to sensory stimuli; therefore, the use of such imagery makes characters and situations more relatable, grounding fantastical or unfamiliar narratives in sensory experiences readers can understand and empathize with.

How can emotion and mood in a voice guide the reader’s feelings about a particular scene or character?

Voices, as described in literature, often act as windows into characters’ souls. A “melancholic lilt” or a “cheerful hum” not only informs about the current state of the character but also nudges readers towards feeling a certain way. When we read about a voice “quivering with suppressed rage,” we can sense the tension, perhaps evoking fear or anticipation.

Conversely, a voice described as “warm as a comforting hug” can evoke feelings of safety and affection. In essence, by depicting the emotion and mood in a character’s voice, authors guide readers’ emotions, ensuring they’re aligned with the intended atmosphere of the scene.

Why is the use of metaphors and similes especially potent in describing voices?

Metaphors and similes draw parallels between the unfamiliar and the familiar. By comparing a voice to something relatable, like “molten chocolate” or “a rushing stream,” the reader can instantly grasp its quality, even if they’ve never “heard” that particular voice.

This association bridges the gap between the textual description and the reader’s imagination, providing them with a tangible anchor. Furthermore, such comparisons often carry additional connotations; “molten chocolate” doesn’t just suggest smoothness, but also warmth, richness, and maybe even a hint of indulgence or sensuality.

How do descriptors of rhythm and pace influence the perceived personality or mindset of a character?

Rhythm and pace in vocal descriptions can reveal much about a character’s state of mind or even their personality. A character with a “rapid, staccato voice” might be perceived as anxious, impatient, or excited. In contrast, one with a “languid, flowing voice” might come across as relaxed, confident, or contemplative.

Over time, these vocal rhythms can be associated with consistent character traits, allowing readers to make quick judgments or anticipate reactions. For instance, a methodical character might always speak at a measured pace, and any deviation from this could signify a significant emotional upheaval for them.

How can personification add depth to the description of a voice?

Personifying a voice giving it human-like characteristics or behaviors can add layers of meaning to a narrative. Describing a voice as “tired” or “elusive” personifies it, suggesting not just sound quality but also emotion or intent. A voice that “tiptoes” might imply secrecy or caution; one that “roars” suggests not just loudness but also power and possibly anger.

By personifying a voice, authors grant it agency, turning it into an active participant in the narrative rather than just a passive descriptor.

What is the relationship between vocal clarity descriptors and character backstory or development?

Descriptors of vocal clarity, such as “muffled,” “articulate,” or “slurred,” can offer subtle hints about a character’s history or current state. A character who consistently speaks in muffled tones might have a history of repression or a reason to hide their feelings. On the other hand, an articulate voice might indicate education or a background that values clear communication.

Similarly, a sudden slurred speech could hint at intoxication, illness, or fatigue. By paying attention to these vocal nuances, astute readers can glean insights into characters’ backgrounds, motivations, or upcoming arcs.

How does resonance play a role in setting the atmosphere of a scene or reflecting character dynamics?

Resonance in vocal description isn’t just about the sound; it’s also about the impact. A voice with a deep resonance might fill a room, demanding attention and possibly indicating authority or gravitas.

A nasal resonance could be comedic, annoying, or indicative of a cold. Furthermore, the interplay of resonances between characters can reflect dynamics a scene where one voice drowns out another in resonance could signify dominance or suppression.

Resonance, in essence, adds another layer of auditory texture, helping set the scene’s tone and highlighting inter-character relationships.

The art of describing voice in literature is intricate, requiring a balance of precision and creativity. Beyond mere auditory representation, it serves as a portal into characters’ souls, reflecting their emotions, histories, and relationships.

As readers, we often underestimate the power of these vocal descriptions, but they’re instrumental in shaping our engagement with the narrative. A well-described voice doesn’t just echo in our ears but resonates in our hearts, making stories come alive in our minds.

About Ben Hudd

Hi, my name is Ben, and I am part of the writing crew for TheWritersHQ! I have a roaring passion for books and writing, and have written 2 books throughout my life! I am now excited to share my writing and book knowledge with the world!

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Comprehensive Guide to Describing Voices in Writing

Describing Voices in Writing

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A writer’s ability to describe voices in their writing can greatly impact the effectiveness of their storytelling. Whether it’s the tone, pitch, or accent, the way a character speaks can reveal important information about their personality, emotions, and background. However, finding the right words to accurately describe voices can be a challenge for many writers. That’s where a comprehensive guide to describing voices in writing can come in handy.

This guide offers over 300 words and examples to help writers effectively describe voices in their writing. From describing a character’s accent to conveying their emotional state through their tone of voice, this guide covers a wide range of voice-related topics. By using these descriptive words and examples, writers can create more vivid and engaging characters that readers can easily imagine and connect with.

The Fundamentals of Voice in Writing

creative writing description of voice

Defining Voice

Voice in writing refers to the unique style and personality of a writer that is reflected in their work . It encompasses a range of elements such as tone, syntax, perspective, and point of view, among others. A writer’s voice can be described as the way they express themselves through their writing , and it is what sets them apart from other writers.

Importance of Voice in Narrative

The voice of a writer is crucial in creating a compelling narrative. It helps to engage the reader by establishing a connection between the writer and the audience. A strong voice can make a story more relatable and memorable, while a weak voice can make it dull and forgettable. A writer’s voice can also influence the tone of the story, setting the mood and atmosphere for the reader.

Elements of a Writer’s Voice

A writer’s voice is made up of several different elements, each of which contributes to the overall style and personality of their writing. These elements include:

The tone of voice: This refers to the writer’s attitude or emotional state, which is conveyed through their choice of words and sentence structure.

Personality: This refers to the unique traits and characteristics that a writer brings to their work, such as humor, wit, or sarcasm.

Content: This refers to the subject matter of the writing, as well as the writer’s perspective on that subject.

Point of view: This refers to the perspective from which the story is told, such as first-person, second-person, or third-person.

Syntax: This refers to the way that words are arranged in a sentence, which can affect the rhythm and flow of the writing.

In conclusion, understanding the fundamentals of voice in writing is essential for any writer who wants to create a compelling narrative. By mastering the elements of voice, writers can develop their own unique style and establish a connection with their audience that will keep them engaged and invested in the story.

Describing Voice Qualities

creative writing description of voice

When it comes to describing voice qualities, writers need to be mindful of several factors that contribute to the overall impression of a character’s voice. These factors include pitch, tone, volume, timbre, and texture. In this section, we’ll explore each of these elements in more detail.

Pitch and Tone

Pitch refers to the highness or lowness of a person’s voice. A high-pitched voice is typically associated with youthfulness, femininity, and vulnerability, while a low-pitched voice is often associated with masculinity, authority, and power. Tone, on the other hand, refers to the emotional quality of a person’s voice. A voice can be described as warm, friendly, cold, harsh, or sarcastic, among other things.

Volume and Intensity

Volume refers to the loudness or softness of a person’s voice. A loud voice can convey confidence, assertiveness, and even aggression, while a soft voice can suggest shyness, insecurity, or intimacy. Intensity, on the other hand, refers to the strength or forcefulness of a person’s voice. A voice can be described as passionate, forceful, or subdued, depending on the situation.

Timbre and Texture

Timbre refers to the unique quality of a person’s voice that distinguishes it from others. It can be described as smooth, rough, nasal, or breathy, among other things. Texture, on the other hand, refers to the overall impression of a person’s voice. A voice can be described as rich, velvety, thin, or raspy, depending on the listener’s perception.

By paying attention to these voice qualities, writers can create more vivid and believable characters that readers can relate to and empathize with. Whether you’re writing dialogue or narration, describing voice qualities can add depth and nuance to your writing, making it more engaging and memorable.

Voice Descriptors and Adjectives

creative writing description of voice

When it comes to describing voices in writing, one of the most effective ways to do so is by using descriptive adjectives. These adjectives can help convey the tone, mood, and personality of the character who is speaking, and can make the dialogue more engaging and memorable for the reader.

Warmth and Depth

Adjectives like “deep,” “rich,” and “resonant” can be used to describe voices that have a warm and inviting quality to them. These voices are often associated with characters who are confident, authoritative, and trustworthy.

On the other hand, voices that are described as “thin,” “reedy,” or “nasal” may be perceived as less trustworthy or less authoritative. These voices may be associated with characters who are nervous, insecure, or unconfident.

Clarity and Sharpness

The clarity and sharpness of a voice can also be described using adjectives like “clear,” “crisp,” and “precise.” These voices are often associated with characters who are intelligent, articulate, and well-spoken.

Conversely, voices that are described as “muddled,” “slurred,” or “garbled” may be associated with characters who are drunk, confused, or uneducated.

Roughness and Harshness

Finally, adjectives like “grating,” “harsh,” and “raspy” can be used to describe voices that have a rough or abrasive quality to them. These voices are often associated with characters who are angry, aggressive, or hostile.

On the other hand, voices that are described as “soft,” “mellifluous,” or “velvety” may be associated with characters who are gentle, kind, or nurturing.

By using descriptive adjectives to describe voices in writing, authors can create more engaging and memorable dialogue that helps bring their characters to life.

Conveying Character Through Voice

creative writing description of voice

One of the most effective ways to convey the character of a fictional person is through their voice. The way a character speaks can reveal a lot about their personality, emotions, power, accent, caring, enthusiasm, and passion. In this section, we will explore how to use voice to convey character in writing .

Emotions and Attitudes

The emotions and attitudes of a character can be conveyed through the tone, pitch, and volume of their voice. For example, a character with a soft, gentle voice may be perceived as caring and empathetic, while a character with a harsh, loud voice may be perceived as aggressive and confrontational. Similarly, the pitch of a character’s voice can convey their emotional state, with a high-pitched voice indicating excitement or fear, and a low-pitched voice indicating sadness or anger.

Socio-Cultural Influences

The socio-cultural background of a character can also influence their voice. For example, a character from the southern United States may have a distinctive drawl, while a character from New York City may have a fast-paced, clipped accent. These regional accents can reveal a lot about a character’s background and upbringing, as well as their social status and education level.

Psychological Underpinnings

Finally, a character’s voice can also reveal underlying psychological traits and motivations. For example, a character who speaks in a monotone voice may be perceived as detached or emotionally repressed, while a character who speaks in a rapid, frenetic manner may be perceived as anxious or manic. Additionally, the use of pauses, hesitations, and stutters can convey a character’s uncertainty or lack of confidence.

In conclusion, voice is a powerful tool for conveying character in writing. By paying attention to the tone, pitch, volume, accent, and other vocal characteristics of your characters, you can create rich, nuanced portraits that will engage and captivate your readers.

Technical Aspects of Voice

When it comes to describing voices in writing, it’s important to understand the technical aspects of voice. This includes factors like rate and rhythm, resonance and articulation, and accent and dialect.

Rate and Rhythm

The rate and rhythm of a person’s voice can have a significant impact on how they are perceived. A fast rate of speech can make a person sound energetic or nervous, while a slower rate can make them sound more thoughtful or deliberate. Rhythm refers to the pattern of stressed and unstressed syllables in a person’s speech, which can also affect how they are perceived.

Resonance and Articulation

Resonance refers to the quality of a person’s voice, which can range from deep and rich to thin and nasal. This can be affected by factors like the shape of the vocal cords and the size of the throat. Articulation, on the other hand, refers to how a person pronounces their words. This can be affected by factors like the position of the tongue and lips.

Accent and Dialect

Accents and dialects can also play a role in how a person’s voice is perceived. An accent refers to the way a person pronounces words based on their regional or cultural background, while a dialect refers to the unique vocabulary and grammar used by a particular group of people. Both accents and dialects can add depth and complexity to a character’s voice in writing.

By understanding these technical aspects of voice, writers can create more nuanced and realistic characters in their writing. Whether it’s the fast-paced speech of a nervous character or the rich resonance of a confident one, paying attention to these details can help bring a character’s voice to life on the page.

Utilizing Voice in Dialogue

When it comes to writing dialogue, the way a character speaks can reveal a lot about their personality, background, and emotions. By utilizing different voices in dialogue, writers can create a more dynamic and realistic cast of characters.

Characterization Through Dialogue

One way to use voice in dialogue is to create distinct voices for each character. This can be achieved through word choice, sentence structure, and even dialect. For example, a character who is animated and energetic might speak in short, punchy sentences with lots of exclamation points. On the other hand, a character who is more authoritative might use longer, more complex sentences with a more formal tone.

Dialogue Tags and Voice

Dialogue tags can also be used to convey a character’s voice. Instead of simply using “said,” writers can use tags like “whispered,” “shouted,” or “muttered” to give the reader a better sense of how the character is speaking. However, it’s important to use these tags sparingly and only when they add something to the scene. Overusing tags can make dialogue feel clunky and slow down the pacing of the story.

Balancing Dialogue and Narrative

While dialogue is an important tool for characterization, it’s important to balance it with narrative. Too much dialogue can make a story feel like a script rather than a novel, and can also slow down the pacing. By interspersing dialogue with narrative, writers can create a more immersive reading experience.

In conclusion, utilizing voice in dialogue is an effective way to create dynamic and realistic characters. By paying attention to word choice, sentence structure, and dialogue tags, writers can create distinct voices for each character. However, it’s important to balance dialogue with narrative to keep the pacing of the story moving forward.

Expressive Voice Techniques

Expressive voice techniques are an essential part of writing that can help authors create vivid and memorable characters. By using literary devices, manipulating syntax, and employing rhetorical strategies, writers can create dynamic voices that engage readers and bring their stories to life.

Literary Devices for Voice

One way to create expressive voices is to use literary devices that convey a character’s personality, emotions, and attitudes. For example, using metaphors, similes, and personification can help readers visualize a character’s voice and make it more memorable. Alliteration, onomatopoeia, and other sound devices can create a musical or rhythmic quality to a character’s voice, making it more lively and engaging.

Manipulating Syntax for Effect

Another way to create expressive voices is by manipulating syntax. Sentence structure, word choice, and punctuation can all affect the tone and mood of a character’s voice. For example, using short, choppy sentences can create a sense of urgency or excitement, while longer, more complex sentences can convey a more thoughtful or contemplative tone.

Rhetorical Strategies

Finally, employing rhetorical strategies can help writers create expressive voices that engage readers and convey their message effectively. Using repetition, rhetorical questions, and other persuasive techniques can create a sense of urgency or importance in a character’s voice, while irony, sarcasm, and other forms of humor can create a more playful or sarcastic tone.

Overall, expressive voice techniques are an essential part of writing that can help authors create dynamic and memorable characters. By using literary devices, manipulating syntax, and employing rhetorical strategies, writers can create voices that engage readers and bring their stories to life.

Voice in Various Literary Genres

Voice in fiction.

In fiction, the voice is an essential element that helps to convey the author’s message and engage the reader. The voice can be used to create a specific mood, tone, and atmosphere that aligns with the genre of the story. For example, in a horror story, the voice can be used to create a sense of fear and suspense, while in a romance novel, the voice can be used to create a sense of intimacy and passion.

The voice in fiction can be categorized into two types: the narrator’s voice and the character’s voice. The narrator’s voice is the voice of the person telling the story, while the character’s voice is the voice of the character speaking in the story. The author can use different techniques to create a unique voice for each character, such as dialect, vocabulary, and syntax.

Voice in Non-Fiction

In non-fiction, the voice is used to convey the author’s perspective and expertise on a particular subject. The voice can be used to establish credibility, authority, and trust with the reader. The author’s voice in non-fiction can be categorized into two types: the objective voice and the subjective voice.

The objective voice is used when the author wants to present the facts without any personal bias. The author uses a neutral tone and avoids using personal pronouns. On the other hand, the subjective voice is used when the author wants to express their opinion or point of view. The author uses a more personal tone and may use personal pronouns.

Voice in Poetry

In poetry, the voice is used to create a specific rhythm, tone, and mood. The voice in poetry can be categorized into two types: the speaker’s voice and the poet’s voice. The speaker’s voice is the voice of the person speaking in the poem, while the poet’s voice is the voice of the person writing the poem.

The poet’s voice can be used to create a specific style and tone that aligns with the genre of the poem. For example, in a sonnet, the poet’s voice can be used to create a sense of romance and love, while in a haiku, the poet’s voice can be used to create a sense of tranquility and simplicity. The speaker’s voice, on the other hand, can be used to create a specific character or persona that speaks in the poem.

Challenges and Solutions in Describing Voices

When it comes to describing voices in writing, there are several challenges that writers may face. However, with some careful consideration and attention to detail, these challenges can be overcome. In this section, we will discuss some of the most common challenges that writers face when describing voices, as well as some solutions to these challenges.

Overcoming Clichés

One of the biggest challenges that writers face when describing voices is avoiding clichés. It can be tempting to rely on tired old phrases like “her voice was like music” or “his voice was like gravel,” but these kinds of clichés can make your writing feel stale and unoriginal. To overcome this challenge, try to come up with fresh and unique ways of describing voices. Consider the tone, pitch, and timbre of the voice, as well as any accents or dialects that may be present. Use comparisons sparingly and only when they add something new to the description.

Avoiding Ambiguity

Another challenge that writers face when describing voices is avoiding ambiguity. It’s important to be clear and specific in your descriptions so that readers can easily understand what you’re trying to convey. To avoid ambiguity, use precise language and avoid vague or general terms. For example, instead of saying “her voice was deep,” you might say “her voice had a rich, resonant quality.” This provides a more specific and detailed description that helps readers form a clearer mental image of the voice.

Ensuring Consistency

Finally, it’s important to ensure consistency when describing voices. If a character’s voice is described in one way early on in the story, it should be described the same way throughout the rest of the story. Inconsistencies can be jarring for readers and can detract from the overall reading experience. To ensure consistency, keep a list of the adjectives and phrases you use to describe each character’s voice and refer back to it whenever you need to describe their voice again.

In summary, describing voices in writing can be a challenge, but with some careful consideration and attention to detail, it’s possible to overcome these challenges. By avoiding clichés, being specific and clear in your descriptions, and ensuring consistency, you can create vivid and memorable descriptions of your characters’ voices that will bring your writing to life.

Examples and Exercises

Analyzing voice in literature.

Before diving into descriptive exercises and creative prompts, it can be helpful to analyze how authors use voice in literature. This can help writers better understand how to use voice effectively in their own writing.

One way to analyze voice is to pay attention to the word choice and sentence structure used by the author. For example, a character who speaks in short, choppy sentences may come across as nervous or anxious, while a character who speaks in long, flowing sentences may come across as confident or relaxed.

Another aspect to consider is the tone of voice used by the author. Is the tone formal or informal? Sarcastic or sincere? This can have a big impact on how readers perceive the characters and the story as a whole.

Practical Descriptive Exercises

Describing voices in writing can be challenging, but with practice, writers can develop their skills and create more vivid, engaging characters. Here are a few practical exercises to try:

  • Record yourself speaking and transcribe the recording. Pay attention to the rhythm and cadence of your voice, and use this as a starting point for describing your characters’ voices.
  • Listen to people speaking in a public place, such as a coffee shop or park. Take note of the different accents, tones, and inflections you hear, and use these as inspiration for your own writing.
  • Choose a character from a book or movie and describe their voice in detail. What does their voice sound like? How does it make you feel?

Creative Writing Prompts

Finally, here are a few creative writing prompts to help you practice describing voices in your own writing:

  • Write a scene in which two characters have a heated argument. Describe each character’s voice in detail, including their tone, volume, and word choice.
  • Create a character who is known for their distinctive voice. Maybe they have a thick accent, a stutter, or a lisp. Write a scene in which this character’s voice plays a key role.
  • Write a story from the perspective of a character who is deaf or hard of hearing. How do they experience the world around them, and how do they communicate with others?

Remember, the key to describing voices in writing is to be specific and detailed. By paying attention to the nuances of speech and using vivid language, writers can bring their characters to life and create a more immersive reading experience.

In conclusion, describing voices in writing is a critical skill for any writer who wants to create believable and engaging characters. This comprehensive guide has provided over 300 words and examples to help writers accurately and effectively describe voices.

By using descriptive language, writers can convey a character’s personality, emotions, and even physical characteristics through speaking. From the pitch and tone of their voice to their accent and dialect, every detail can add depth and complexity to a character.

It is important to remember that voice description should be used sparingly and strategically. Too much description can slow down the pacing of a story and distract from the plot. However, when used effectively, voice description can enhance the reader’s experience and bring characters to life.

Overall, this guide provides a valuable resource for writers looking to improve their craft and create compelling characters. By incorporating these techniques into their writing, writers can transport readers into their stories and leave a lasting impression.

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Words to Describe a Voice: A Comprehensive List

By: Author Paul Jenkins

Posted on September 28, 2023

Categories Creativity , Creative Writing , Storytelling , Writing

Have you ever struggled to find the right words to describe someone’s voice? Whether you’re trying to describe a character in your writing or simply trying to explain how someone sounds to a friend, finding the right words can be a challenge.

Fortunately, there are hundreds of words that can help you capture the nuances of someone’s voice.

Understanding voice descriptions can be tricky, as there are many different characteristics that can contribute to how someone sounds.

Tone, pitch, volume, and accent are just a few of the many factors that can affect the way someone’s voice comes across. By learning more about these characteristics, you can start to develop a vocabulary for describing voices that is both nuanced and accurate.

In this article, we’ll explore the many different ways you can describe someone’s voice. We’ll look at the different characteristics that can affect how someone sounds, and we’ll provide you with a range of words and phrases that you can use to describe voices in a variety of contexts. Whether you’re a writer looking to create more vivid characters or simply someone who wants to be able to describe voices more accurately, this article is for you.

Key Takeaways

  • Describing someone’s voice can be challenging, but there are hundreds of words and phrases that can help you capture the nuances of how someone sounds.
  • Understanding the different characteristics that can affect someone’s voice, such as tone, pitch, and volume, is key to being able to describe voices accurately.
  • By developing a vocabulary for describing voices, you can create more vivid characters in your writing and communicate more effectively in everyday life.

Understanding Voice Descriptions

When it comes to describing a voice, there are a few key elements that you should consider. These include the tone of voice, the quality of the voice, and the overall impression that the voice creates. By paying attention to these factors, you can create a description that is both accurate and vivid.

Tone of Voice

The tone of voice refers to the emotional quality of the voice. It can be described using adjectives such as angry, sad, happy, or anxious. When describing the tone of voice, it is important to consider the context in which it is being used. For example, a voice that sounds angry in one situation might sound passionate or determined in another.

Quality of the Voice

The quality of the voice refers to the physical characteristics of the sound. This includes factors such as pitch, volume, and timbre. When describing the quality of the voice, it is helpful to use adjectives that convey a sense of texture or color. For example, a voice might be described as smooth, raspy, or velvety.

Overall Impression

The overall impression created by a voice is a combination of the tone and quality of the voice, as well as other factors such as pacing and intonation. When describing the overall impression of a voice, it is important to consider how the voice makes you feel. For example, a voice might be described as soothing, commanding, or reassuring.

In order to create a vivid and accurate description of a voice, it is important to pay attention to all of these factors. By using descriptive language and considering the context in which the voice is being used, you can create a description that truly captures the essence of the speaker.

Characteristics of Voice

When describing a voice, there are several characteristics to consider. These include the pitch, tone, volume, and quality of the voice. Each of these characteristics can be used to describe different aspects of a voice.

Pitch refers to the highness or lowness of a voice. A high-pitched voice is one that is higher in tone, while a low-pitched voice is deeper in tone. A voice can also be described as having a range of pitches, meaning it can go from high to low or vice versa.

Tone refers to the quality or character of a voice. It can be described as raspy, rough, soft, breathy, ill, passionate, croaky, grating, flat, husky, strong, booming, loud, quiet, shrill, nasal, sweet, deep, high-pitched, gentle, grave, authoritative, brittle, gravelly, guttural, hoarse, piercing, weak, harsh, clear, musical, pleasant, caring, enthusiastic, firm, serious, monotone, resonant, raucous, smooth, calm, dulcet, monotonous, sincere, friendly, sarcastic, wavering, whiny, gruff, tremulous, faint, feeble, penetrating, honeyed, modulated, throaty, growl, whisper, engaging, baritone, delicate, cheerful, smoky, nervous, raw, silvery, hesitant, sympathetic, upbeat, pompous, pretentious, nasally, mellow, scratchy, trembling, orotund, ringing, or soft-spoken.

Volume refers to the loudness or softness of a voice. A voice can be described as loud, booming, or quiet, depending on the volume.

Quality refers to the overall sound of a voice. It can be described as clear, musical, pleasant, caring, enthusiastic, firm, serious, monotone, resonant, raucous, smooth, calm, dulcet, monotonous, sincere, friendly, sarcastic, wavering, whiny, gruff, tremulous, faint, feeble, penetrating, honeyed, modulated, throaty, growl, whisper, engaging, baritone, delicate, cheerful, smoky, nervous, raw, silvery, hesitant, sympathetic, upbeat, pompous, pretentious, nasally, mellow, scratchy, trembling, orotund, ringing, or soft-spoken.

In summary, there are several characteristics of a voice that can be used to describe it. These include pitch, tone, volume, and quality. By considering these characteristics, you can create a vivid description of a voice that will help bring your writing to life.

Emotion and Voice

When it comes to describing a voice, one important aspect to consider is the emotion behind it. A voice can convey a wide range of emotions, from excitement to sadness, and everything in between. Here are some words to describe a voice based on the emotions it conveys:

  • Friendly : If someone has a friendly voice, they sound warm and welcoming. This can be conveyed through a cheerful tone, a smile in their voice, or a general sense of openness.
  • Sarcastic : A sarcastic voice is one that is full of irony and mocking humor. This can be conveyed through a dry tone, exaggerated inflection, or a sense of detachment.
  • Sincere : A sincere voice is one that is genuine and honest. This can be conveyed through a straightforward tone, a sense of vulnerability, or a lack of pretense.
  • Nervous : A nervous voice is one that is shaky and uncertain. This can be conveyed through a quavering tone, a sense of hesitation, or a lack of confidence.
  • Sympathetic : A sympathetic voice is one that is full of empathy and understanding. This can be conveyed through a gentle tone, a sense of concern, or a willingness to listen.
  • Upbeat : An upbeat voice is one that is positive and energetic. This can be conveyed through a lively tone, a sense of enthusiasm, or a general sense of optimism.
  • Pompous : A pompous voice is one that is full of self-importance and arrogance. This can be conveyed through a haughty tone, a sense of superiority, or a general sense of condescension.

When describing a voice, it’s important to keep in mind the context in which it is being used. A voice that sounds friendly in one situation may come across as insincere in another. Similarly, a voice that sounds pompous in one context may be appropriate in another. By paying attention to the emotions behind a voice, you can choose the right words to accurately describe it.

Voice in Writing

When it comes to writing, describing a character’s voice is an essential aspect of creating a vivid and engaging story. A character’s voice can reveal a lot about their personality, emotions, and even their physical state. As a writer, it’s your job to choose the right words to convey these aspects of a character’s voice to your reader.

To describe a voice in writing, you can start by identifying elements like tone, pace, timbre, volume, and accent. These elements can help you create a more detailed and nuanced description of the character’s voice. For example, you might describe a voice as “gravelly” to convey a rough, low-pitched tone, or “breathy” to suggest a soft, whispery quality.

Another way to describe a character’s voice is to use adjectives that convey a sense of depth or speed. For example, you might describe a voice as “rich” or “sonorous” to suggest a full, resonant quality, or “rapid” or “staccato” to convey a fast, clipped pace.

It’s also important to consider the emotional state, age, and physical circumstance of the character when describing their voice. For example, a character who is nervous or scared might have a shaky or trembling voice, while an older character might have a more raspy or strained tone.

By differentiating the voices of your characters, you can create a better reading experience for your audience. This can help your readers to more easily identify and connect with your characters, and can make your story more engaging and memorable overall.

Role of Voice in Communication

Your voice plays a crucial role in communication. It is the primary tool that you use to convey your message to others. The way you speak can have a significant impact on how your message is received and understood.

Your voice has the power to influence and persuade others. A strong, confident voice can command attention and convey authority. On the other hand, a weak or hesitant voice can undermine your message and make you appear less credible.

An appealing voice can draw people in and make them want to listen to what you have to say. A pleasant tone and clear pronunciation can make your message more engaging and memorable.

An attractive voice can be a valuable asset in many situations. In fields like broadcasting, acting, and singing, having an attractive voice can be a significant advantage. However, it is important to remember that an attractive voice alone is not enough to succeed in these fields. You must also have the talent and skills to back it up.

A beautiful voice can be a joy to listen to and can evoke strong emotions in listeners. Whether it is the rich, velvety tones of a baritone or the soaring soprano of an opera singer, a beautiful voice can be a powerful tool for communication and expression.

Pretentious

Finally, it is important to avoid coming across as pretentious when using your voice to communicate. Using overly complicated language or trying too hard to sound impressive can actually undermine your message and make you appear insincere. It is important to speak clearly and naturally, using language that is appropriate for your audience and the situation.

In conclusion, your voice is a powerful tool for communication. By using it effectively, you can convey your message with clarity and impact, and connect with others on a deeper level.

Voice Modulation

One of the most important aspects of describing a voice is understanding its modulation. Modulation refers to the ability to vary the pitch, tone, and volume of your voice to convey different emotions and meanings.

A well-modulated voice is one that is controlled, pleasant to listen to, and able to convey a wide range of emotions. When describing a voice, you may want to consider the following:

  • Pitch : The pitch of a voice refers to how high or low it sounds. A high-pitched voice is often associated with youthfulness, while a low-pitched voice is often associated with authority and power.
  • Tone : The tone of a voice refers to its overall character or quality. A voice can be described as warm, friendly, cold, or harsh, among other things.
  • Volume : The volume of a voice refers to how loud or soft it is. A loud voice can convey confidence and authority, while a soft voice can convey intimacy and vulnerability.
  • Cast : The cast of a voice refers to its unique sound or timbre. Some voices have a raspy, gravelly quality, while others are smooth and silky.

When describing a voice, it’s important to pay attention to how these different elements work together to create a particular effect. For example, a voice that is high-pitched, cold, and soft might convey a sense of insecurity or vulnerability, while a voice that is low-pitched, warm, and loud might convey confidence and authority.

In order to describe a voice’s modulation, you may want to use adjectives like “smooth,” “controlled,” “harsh,” or “gravelly.” You may also want to use comparisons to help your reader understand what the voice sounds like. For example, you might describe a voice as “smooth as silk” or “rough as sandpaper.”

Overall, understanding voice modulation is key to being able to describe a voice in vivid and accurate detail. By paying attention to pitch, tone, volume, and cast, you can create a rich and nuanced portrait of any voice you encounter.

Using Technology to Describe Voice

Technology has made it easier to describe a voice accurately. With the help of various apps and tools, you can analyze and describe a voice in great detail. Here are some ways you can use technology to describe voice:

Voice Analysis Apps

There are many voice analysis apps available that can help you describe a voice. These apps use algorithms to analyze the pitch, tone, and other characteristics of a voice. Some popular voice analysis apps include:

  • Voice Analyst : This app allows you to record and analyze your voice. It provides a detailed analysis of your voice, including pitch, tone, and volume.
  • Voice Pitch Analyzer : This app is available for Android devices and allows you to analyze your voice pitch. It provides a graph of your voice pitch over time and allows you to compare your voice to others.

Find Relevant Words

Another way to describe a voice is to find relevant words that describe its characteristics. You can use online resources like YourDictionary to find words that accurately describe a voice. Some words you can use to describe a voice include:

Voice Recognition Software

Voice recognition software can also be used to describe a voice. This software uses machine learning algorithms to analyze and recognize different voices. Some popular voice recognition software includes:

  • Dragon NaturallySpeaking : This software allows you to dictate text using your voice. It can recognize different voices and adapt to your voice over time.
  • Google Voice Recognition : This software uses Google’s machine learning algorithms to recognize and transcribe speech.

In conclusion, technology has made it easier to describe a voice accurately. With the help of voice analysis apps, relevant words, and voice recognition software, you can describe a voice in great detail.

In conclusion, describing a voice can be a challenging task, but with the right words and phrases, you can paint a vivid picture for your readers. Keep in mind that the tone, pitch, volume, and timbre of a voice can all contribute to its overall character.

When describing a voice, it’s important to consider the context in which it is being used. For example, a deep, booming voice might be perfect for a villainous character in a movie, while a soft, gentle voice might be better suited for a romantic lead.

Some of the most common words used to describe a voice include raspy, breathy, husky, silky, and gravelly. You can also use words like nasal, throaty, or guttural to describe the sound of a voice.

Remember to use descriptive language and sensory details to help your readers imagine the voice in their minds. Use alliteration, metaphors, and similes to make the description more engaging and memorable.

Overall, describing a voice is an art form that requires practice and attention to detail. With the right words and phrases, you can bring your characters to life and create a more immersive reading experience for your audience.

Frequently Asked Questions

How can you describe an attractive male voice in writing.

An attractive male voice in writing can be described in various ways depending on the writer’s preference. Some words that can be used to describe an attractive male voice include rich, deep, resonant, smooth, velvety, and soothing. A voice that is described as attractive can also convey confidence, charm, and warmth.

What are some words to describe a voice on Tumblr?

Tumblr is a platform where users can share their creative work, including writing. When describing a voice on Tumblr, some words that can be used include raspy, breathy, sultry, honeyed, and melodic. These words can help create a vivid image of the voice in the reader’s mind and add depth to the writing.

How can you describe a deep voice in writing?

A deep voice in writing can be described using words such as rumbling, resonant, sonorous, velvety, and bassy. These words can help convey the depth and richness of the voice. A deep voice can also be described as commanding, authoritative, or powerful.

What are some words to describe a female singing voice?

A female singing voice can be described using words such as angelic, sweet, pure, ethereal, and melodic. These words can help convey the beauty and grace of the voice. A female singing voice can also be described as powerful, emotive, or soulful depending on the style of music being sung.

How can you describe tone of voice in writing?

Tone of voice in writing can be described using words such as sharp, flat, nasal, breathy, or husky. These words can help convey the emotions and intentions behind the words being spoken. A tone of voice can also be described as sarcastic, angry, joyful, or sad depending on the context.

What are some words to describe a beautiful singing voice?

A beautiful singing voice can be described using words such as angelic, pure, melodious, captivating, and enchanting. These words can help convey the beauty and emotional depth of the voice. A beautiful singing voice can also be described as soulful, powerful, or transcendent depending on the style of music being sung.

Writing Forward

Tips for Developing Your Voice in Writing

by Melissa Donovan | May 6, 2021 | Creative Writing | 12 comments

voice in writing

Develop your voice in writing.

Each and every writer has a distinct way of writing. We repeat certain words, phrases, and expressions; there are patterns in how we arrange words in sentences and paragraphs, and our writing often carries a recognizable tone and rhythm.

The term for this is voice .

Wikipedia defines one’s voice in writing as “ a combination of common usage of syntax, diction, punctuation, character development, dialogue, etc., within a given body of text (or across several works). ”

In several of my college literature courses, we were given long lists of quotes from literary works, and we had to identify the author of each one. The professors didn’t expect us to memorize the entire literary canon; we were to have learned how to identify each author’s voice.

How to Develop Your Voice in Writing

It can take years for a writer to develop a distinct voice. Some writers have a natural voice. Others work at crafting a unique voice with a particular tone or attitude. And plenty of writers don’t think about voice at all. But voice is a key element of writing, because it represents you as a writer and can help readers connect with your work. For example, some readers will be turned off by a sarcastic tone whereas others may be drawn to it. By cultivating your voice, you can exert more creative control over your work and its performance in the marketplace.

Here are some tips for developing your voice in writing:

  • Study literature. You can do this in a formal setting, but you can also study on your own. Read several works by the same author. Take notes about the identifying features of the writer’s voice. Compare the voices of two or more authors.
  • Describe authors’ voices, including your own. After reading a piece, make a list of five words that describe the author’s voice. Was it serious? Funny? Witty? Review your own work and do the same.
  • Talk to someone. Not literally. Your tone and manner changes, depending on whom you’re speaking with. You probably don’t talk to your grandmother the same way you talk to your best friend. Now apply that to your writing. Who are your readers? How do you talk to them?
  • Get an outside opinion. Show your work to some friends and ask them to describe your voice in three words or fewer. Do their descriptions of your voice in writing match the voice you want to project?
  • Be your best self. Try writing as naturally as you can. Don’t think too much as you put the words down. Focus more on the thoughts, ideas, and images that you’re expressing. Review the piece to examine your voice. Is that the real you? Are there parts of your voice that you want to work on, like phrases you repeat too often or words that are unnecessary? Fine-tune your voice in writing.
  • Personality: If you’re writing a history text, the style should be without any discernible personality. But in creative writing, readers connect with prose that shows style and personality. Does your writing match your personality? Does it take on a new persona, depending on what you’re writing? Ask some friends if they detect your personality in your prose.
  • Emotion: Many creative works are emotional. Horror stories often have a scary or brooding tone. Romance can range from passionate to humorous. Does the emotional tone of your voice match the emotional tone of your work?

The best way to develop your voice in writing is to simply pay attention. Examine other writers’ voices as well as your own. Ask challenging questions about how your voice comes across, put some effort into crafting a voice that is identifiable and uniquely yours, and keep writing!

Ready Set Write a Guide to Creative Writing

12 Comments

opsimath

I have often noticed that writers tend to have a favourite way of putting things, and that they often have ‘pet incidents’ that seem to find their way into more than one novel, even if the characters are not continuations of those in earlier books. Linton Barclay is a fine example of this is his excellent crime novels, and even Stephen King has recurring and ‘ouchy’ references to poison ivy!

I don’t know if you are aware of the website ‘I write like’? You probably wouldn’t approve of it, but it can be quite interesting; I have got the same author each time I have submitted my stuff to it, so at least it is consistent!

Have a good day, Melissam

Best wishes,

Melissa Donovan

I haven’t heard of the website I Write Like , but it looks interesting. I’m not sure about the technology behind it, but if it really compares our prose to that of established authors, then it would be interesting to see who we write like. Right now I cannot get the site to load, so I’ll have to check it out later.

Dee Vaal

I know I have a writing style, and I believe I am consistent -but I haven’t the foggiest idea what that would be.

Words flow through me, with little forethought. The stories come alive as I type them on my screen. I hope that others will enjoy my words, but I am as untrained as a new born babe. Scary, uh?

I liked this article. Thanks for giving all of us these wonderful tips.

Sherrie Miranda

People find their style in different ways. Some of us write a lot and may even change according to people’s reactions. Although I have learned to be more careful when commenting to posts and others’ comments, I chose the way I wrote in my novel and I wasn’t about to change it for anyone but myself. Though I did discover from my editor certain pesky words or phrases that I tended to repeat. I may have used the word “just” about 50 times! Sherrie

Me too — the best thing about working with an editor was discovering my own writing quirks!

I don’t think it’s scary. I think it’s pretty cool! You’re welcome.

Bridget-Now Novel (@nownovel)

Great post, Melissa. I like the advice to compare several works by the same author to get a handle on what makes their voice distinct. Will share this on Twitter.

Kind regards, Bridget

Thanks, Bridget!

Vivienne

An interesting post. I’m unsure what my voice is. It’s not humerous, that I do know. You Talk about favourite words and phrases, or particular incidents as part of ‘voice’. But we are often told to check for these writing ‘tics’ and eliminate them. Wouldn’t this alter the writer’s voice?

I’m not sure what is meant by writing “tics.” Yes, any writer can have favorite words, phrases, or habits that are either good or bad (or neutral). Of course, if it weakens the writing, we should try to eliminate a habit. As an example of what I was describing, one person might always say, “Terrific!” upon receiving good news while another person might always say, “That’s awesome!” It’s just a preferred word or phrase that is one part of someone’s voice (in writing).

Mellisa

You have covered a really interesting topic here. And from what I have experienced, the voice keeps evolving through time, experiences, and emotions. And I think that is the reason that when I look back at my own work, that once I loved, now seems a little less appealing. It is truly intriguing to be able to notice changes in your own voice because of how much your personality is different yet similar to the person you were before.

Thanks for sharing such a thought-provoking article, I admire your voice 🙂

I agree that many writers’ voices change over time. Interesting, isn’t it?

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creative writing description of voice

106 Ways To Describe Sounds – A Resource For Writers

Writers know that using the senses is a great way to make stories come alive. Use this comprehensive list of words that describe sounds when you write.

According to Oxford Dictionary, to hear is to ‘perceive with the ear the sound made by (someone or something)’.  Sounds  are ‘vibrations that travel through the air or another medium and can be heard when they reach a person’s ear’.

You have to use the five senses when you write. Readers want to experience what your characters see, smell, hear, taste, and touch. Using the senses is one of the best ways for writers to learn how to show and not tell.

Writers Write is a resource for writers and we have written about words that describe taste , smell , and  touch  in previous posts. (We even have one for words that describe colours .) In this post I have included words that describe sounds.

106 Ways To Describe Sounds

General words describing sounds.

  • audible – a sound that is loud enough to hear
  • broken – a sound that has spaces in it
  • emit – to make a sound
  • grinding – a sound of one hard thing moving against another
  • hushed – a sound that is quiet
  • inaudible – a sound that is difficult to hear
  • monotonous – a sound that is always the same and never gets louder or quieter, or higher or lower
  • muffled – a sound that is not easy to hear because it is blocked by something
  • plaintive – a sound that has a sad quality
  • rhythmic – a sound that has a clear, regular pattern
  • staccato – a sound where each word or sound is clearly separate

Describing Pleasing Sounds

  • dulcet – soft and pleasant
  • lilting – a sound that has a rising and falling pattern
  • listenable – easy to listen to
  • mellow – a soft, smooth, pleasant sound
  • melodic – beautiful sound
  • musical – sounds like music
  • pure – a clear, beautiful sound
  • rich – a sound that is strong in a pleasant way
  • soft – quiet and peaceful
  • sonorous – a sound that is deep and strong in a pleasant way
  • sweet – a pleasant sound

Describing Noisy Sounds

  • at full blast – as loudly as possible
  • almighty – used for emphasising how loud something is
  • brassy – a sound that is loud and unpleasant
  • deafening – a sound so loud you cannot hear anything else
  • ear-splitting – extremely loud
  • explosive – a sound that is loud and unexpected
  • howling – a continuous, low, loud noise
  • insistent – a continuous, loud, strong noise
  • loud – a sound that is strong and very easy to hear
  • noisy – a sound that is full of  noise
  • percussive – a sound that is short, like someone hitting a drum
  • piercing – a sound that is very  loud, high, and unpleasant
  • pulsating – strong, regular pattern
  • raucous – rude, violent, noisy
  • resounding – a sound that is loud and that continues for a while
  • riotous – lively and noisy
  • roaring – a deep, loud noise
  • rowdy – noisy and causing trouble
  • sharp – a sound that is sudden and loud
  • shrill – a sound that is loud, high, and unpleasant
  • thundering – extremely loud
  • thunderous – loud
  • tumultuous –  a sound that includes noise, excitement, activity, or violence
  • uproarious – extremely noisy

Words That Help You Show And Not Tell

Many of these words that help you show and not tell are examples of onomatopoeia . These words imitate natural sounds. ‘It creates a sound effect that mimics the thing described, making the description more expressive and interesting.’

Here are some examples:

  • The bees buzzed outside my window.
  • The wind sighed .
  • The leaves crackled and crunched under his feet.

Use this list to make your writing come alive.

  • babble – a gentle, pleasant sound of water as it moves along in a river
  • bang – to move, making loud noises
  • beep – a short high sound or several short high sounds
  • blare – to make a loud and unpleasant noise
  • blast – to make a loud sound with a car horn
  • bleep – a short high sound or several short high sounds
  • boom – to make a deep loud sound that continues for some time
  • caterwaul – an unpleasant loud high noise
  • chime – a high ringing sound like a bell or set of bells
  • chink – a high ringing sound when knocked together, or to make something do this
  • clack -to make a short loud sound like one hard object hitting against another
  • clang – a loud, metallic sound
  • clank – a short, loud sound
  • clash – a loud, metallic sound
  • clatter – a series of short, sharp noises
  • click – a short sound like the sound when you press a switch
  • clink – to make the short high sound of glass or metal objects hitting each other, or to cause objects to make this sound
  • cluck – to make a short, low sound with your tongue
  • crash – a sudden loud noise, as if something is being hit
  • creak – if something creaks, especially something wooden, it makes a high noise when it moves or when you put weight on it
  • drone – to make a low continuous noise
  • fizz – a soft sound that small gas bubbles make when they burst
  • groan – a long, low, sound
  • growl – a low, unpleasant noise
  • grunt – to make a short low sound in your throat and nose at the same time
  • gurgle – the low sound water makes when it is poured quickly from a bottle
  • honk – to make a loud noise using a horn, especially the horn of a car
  • hoot – to make a short loud sound as a warning
  • mewl – crying with a soft, high sound
  • moan – a long, low sound
  • neigh – to make a high loud sound like a horse’s neigh
  • peal – if a bell peals, or if someone peals it, it makes a loud sound
  • peep – if a car’s horn peeps, it makes a sound
  • ping – to make a short high sound like the sound of a small bell
  • pipe – to make a very high sound, or to speak in a very high voice
  • pop – a sudden noise like a small explosion
  • putter – a short, quiet, low sound at a slow speed
  • ring – to make a bell produce a sound
  • roar – to make a continuous, very loud noise
  • rumble – a continuous deep sound
  • scream – to make a very loud high noise
  • screech – to make a loud, high, and unpleasant noise
  • scrunch – to make a loud noise like something being crushed
  • sigh – a long, soft, low sound
  • squeak – to make a short, high noise
  • squeal – to make a long high sound
  • squee – to make a loud high noise because you are excited or happy
  • thrum- to make a low regular noise like one object gently hitting another many times
  • thud – a dull sound when falling or hitting something
  • thump – to hit against something with a low loud sound
  • tinkle – to make a high, ringing sound
  • wail – to make a long, high sound
  • wheeze – a high sound, as though a lot of air is being pushed through it
  • whine – a high, loud sound
  • whirr – a fast, repeated, quiet sound
  • whisper – to make a quiet, gentle sound
  • whistle – to make a high sound by forcing air through your mouth in order to get someone’s attention
  • yelp – a short, loud, high sound, usually caused by excitement, anger, or pain
  • yowl – a long, loud, unhappy sound or complaint

Use these words to describe sounds and make your writing come alive.

Top Tip : Find out more about our workbooks and online courses in our shop .

creative writing description of voice

© Amanda Patterson

If you enjoyed this post, read:

  • 75 Words That Describe Smells
  • 20 Words Used To Describe Specific Tastes And Flavours
  • 209 Words To Describe Touch
  • Three Simple Ways To Show And Not Tell
  • 12 Crucial Things To Remember About Setting
  • Cheat Sheets for Writing Body Language
  • 20 Fun Ways To Find An Idea For A Plot

Sources: https://www.macmillandictionary.com/thesaurus-category/british/miscellaneous-words-used-to-describe-sounds https://www.macmillandictionary.com/thesaurus-category/british/describing-sounds-that-are-unpleasant-to-listen-to https://www.macmillandictionary.com/thesaurus-category/british/describing-sounds-that-are-low-and-or-deep https://www.macmillandictionary.com/thesaurus-category/british/describing-sounds-that-are-quiet-and-or-soft https://www.macmillandictionary.com/thesaurus-category/british/describing-sounds-that-are-high-and-short https://www.macmillandictionary.com/thesaurus-category/british/to-make-a-loud-sound https://www.macmillandictionary.com/thesaurus-category/british/to-make-a-high-sound https://www.macmillandictionary.com/thesaurus-category/british/to-make-a-quiet-or-low-sound

creative writing description of voice

  • Description , Show Don't Tell , Writing Resource , Writing Tips from Amanda Patterson

6 thoughts on “106 Ways To Describe Sounds – A Resource For Writers”

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Nice one, Amanda. I’m finding your website extraordinarily useful. I’m very new to the novel-writing scene, and for all my working life, the stuff I wrote was mainly serious business items – frightfully formal. Minutes of meetings, reports, training manuals – these were my bread-and-butter. Creative writing is proving to be much more fun, and I’m enjoying spreading my verbal wings. Many thanks for your help and guidance.

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Thank you so much, Anne. Creative writing is much more fun. We’re so glad you’re finding the site to be useful.

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I found this really useful. Thank you. The first thing I’m going to do is show it to my daughter, too! We’ve been talking about her using her senses more in her writing and your list is so practical. I’m sure it will really help her writing. I’m looking forward to exploring your links to the other sensory words, as well.

BTW – is there a typo in the heading ‘show and note tell’?

Thank you, Rowena. We really appreciate the feedback. And we fixed the typo.

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This list will be quite useful for my poetry and Gothic Horror novel. If you don’t have one already, I’d love to see a list of touch, taste, and smell words.

Thanks, Sarah. We have these for taste: https://writerswrite.co.za/20-words-used-to-describe-specific-tastes-and-flavours/ and these for touch: https://writerswrite.co.za/209-words-to-describe-touch/ and these for smell: https://writerswrite.co.za/75-words-that-describe-smells/

Comments are closed.

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What is Voice in Creative Writing?

creative writing description of voice

Voice Lessons

“Voice” is a term that gets bandied about in the writing world a lot, as in “He hasn’t found his voice,” or in reviews, such as: “She has created a unique, lovely and deceptively unsophisticated voice for her narrator.”  Sometimes readers will exclaim to a writer, “I love your voice!” or an editor will reject a piece because “the voice isn’t fresh or original enough.”  Voice seems to be a crucial yet elusive aspect of writing.  Is it simply personality in writing?  Like personality or style, don’t you either have it or not? Can it be developed, or learned?  What is it, really?

For starters, voice is the opposite of silence.  Voice is what allows us to say it, whatever “it” is.  It’s what allows the reader to hear the writing, instead of simply reading black marks on white paper.  Voice is the breath or spirit that animates the writing – the life in the writing, one might say.  It can also coalesce and synthesize all the many complex and mysterious elements that must work together to produce a successful piece of writing.

Just to complicate things, we can use voice to refer to the voice of the narrator in an individual poem, work of fiction or memoir; or we can use the term to describe the recognizable unique “signature” often associated with mature artists and found throughout much of their work.

In a review of Alice Adam’s collected stories, we have a good description of a mature writer’s signature voice: “Reading these stories over again, one is struck by their remarkable consistency of voice, recognizable through a wide spectrum of circumstance and character…It is this voice – direct, clear-sighted, indelibly marked by Freud and the women’s movement – that gives the stories their feeling of authenticity.”  Voice as it is used here is the external manifestation, in language, of the writer’s sensibility: how she sees the world; her values; what she is attracted to in terms of subject matter; her style as expressed through diction, syntax, tone.  Her expression and essence as an artist and person, really.

Then there’s the narrator’s voice in individual pieces.  In fiction, when writers adopt a first person narrator to tell the story, that character’s voice – the manner of speaking, the personality, the intelligence or lack thereof, the values and perspective – is as important to the success of the work as the plot itself.  In fact, it is impossible to separate the narrator from the plot, since character drives action, and action drives character.  Often finding the right narrator – and therefore the right voice – is the key to being able to tell (and therefore write) the story.  Two popular contemporary novels employ narrators whose voices are the perfect vehicles for rendering the authors’ material.  In The Lovely Bones , Alice Siebold uses the voice of a teenage girl who was raped and murdered, and who now narrates from Heaven:  “The odd thing about Earth was what we saw when we looked down.  Besides the initial view that you might suspect, the old ants-from-the-skyscraper phenomenon, there were souls leaving bodies all over the world.”  The use of this young, dead, heaven-inhabiting narrator, unusual to say the least, is arresting both in terms of perspective and poignancy.  Jonathan Safran Foer in Everything is Illuminated creates an irresistible narrator in a Ukranian translator whose command of English is hilariously off base: “My legal name is Alexander Perchov.  But all of my many friends dub me Alex, because that is a more flaccid-to-utter version of my legal name.”  Alex’s voice expresses an exuberant personality and his flubbing of English keeps us entertained and alert.   It’s easy to imagine that finding these distinctive narrative voices is what allowed the writers to actually write their books.

In memoir, certainly the first person voice contains elements of the personality of the writer herself, as if she’s just speaking to us directly.  But in literary memoir, the author is shaping herself as a character, making critical choices regarding the narration of her own story and the presentation of self.  She has to access or develop the best voice that will let her tell the story she really wants to tell, in all its complexity and truth.  I recently heard a wonderful memoir writer, Laura Flynn, author of Swallow the Ocean, say to really write something you have to know the material so deeply and that takes a long time.

In The Situation and The Story : The Art of Personal Narrative , Vivian Gornick describes her own experience of finding a persona that would allow her to write her memoir Fierce Attachments :  “To tell that tale, I soon discovered, I had to find the right tone of voice; the one I habitually lived with wouldn’t do at all: it whined, it grated, it accused; above all, it accused. Then there was the matter of syntax: my own ordinary, everyday sentence—fragmented, interjecting, overriding—also wouldn’t do; it had to be altered, modified, brought under control… What I didn’t see and that for a long while, was that this point of view could only emerge from a narrator who was me and at the same time not me.”  Through a slow, painful process, Gornick “began to correct for myself.”  Eventually, through what I assume were trial and error attempts to get at “the right tone, syntax, and perspective,” she realizes that she has found the right voice.  “I had a narrator on the page strong enough to do battle for me….I saw what I had done: I had created a persona.”  This persona, Gornick explains, was not only a relief from her usual self, but also “the instrument of my illumination.”

In my memoir, Crossing the Moon , I was aware that I couldn’t just “express myself”; I couldn’t just be my usual boring old self!  To me the reader is always saying, But what have you done for me lately ? I don’t take it for granted that anyone will necessarily read what I write.  I have to deliver.  It’s amazing, in a way, how much has to get accomplished in the opening pages of a memoir.  You have to give the reader some idea of who you are, where you are in time and place, and what the story is about ; you also have to seduce, interest, entertain and hold the reader, infusing the writing with personality, style, candor, wit, drama or whatever it takes.  This is where voice comes in.  Only voice can pull it all together.  It’s hard to describe how one arrives at the right voice in memoir.  It is both you and not you .  It’s a kind of stylized or distilled you, a you in service to the story and the reader.

“Find” is the verb most often used in conjunction with “voice,” as in a reviewer describing a recent memoir: “…he has found in his own book a narrative voice that accommodates both parts of his temperament: an irreverent but meditative voice…”  Apparently the author didn’t just “have” this voice available: he had to “find” it.  It probably involved, as most searches do, plenty of false starts, dead ends and luck.   So are there any tips that might aid one in the search?

One place to start is with subject matter.  Obviously some people know their subject matter, their stories, from the start.  But for others it’s a matter of hit or miss.  The best description I know of what characterizes one’s true subject matter is in Sean O’Faolain’s On Writing the Short Story :  “What one searches for and what one enjoys in a short story [or poem, memoir, story or novel] is a special distillation of personality, a unique sensibility which has recognized and selected at once a subject that, above all other subjects, is of value to the writer’s temperament and to his [and hers] alone – his counterpart, his perfect opportunity to project himself.”

If we think of certain works, this pithy but somewhat abstract quote takes on body and meaning. Don’t we recognize intuitively in a Mary Oliver poem, for example, that she has found her “perfect opportunity to project herself” in writing about the natural world, or that Julie Hecht, in creating a narrator whose “tone of voice mocks her own narcissism” in her first novel The Unprofessionals , has found what is uniquely her own?

Sometimes teachers may help you identify what your best subject matter is. Sometimes what the writer wants to avoid is, in the end, the richest vein to tap.   Reading writers who have similar or simpatico backgrounds, locales, issues or styles can point one in the right direction. Finding the right subject matter takes experimentation, patience, and a lot of writing that doesn’t amount to much but which moves the writer along in ways that we don’t necessarily understand.  It means writing not what you think you should write, but what you actually want to write.  Sometimes it is a matter of maturing and developing one’s self.  Peter Elbow believes that the attainment of what he calls “real voice” is “a matter of growth and development rather than mere learning.”  Happily, writing itself feeds one’s knowledge of self, and knowledge of self feeds one’s writing.

Another way to develop voice is by learning to “hear” one’s own writing, in much the same way the reader does. In One Writer’s Beginnings , Eudora Welty talks about how from an early age, she always heard the sentences on the page in a voice “…saying it silently to me.  It isn’t my mother’s voice or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly I listen to it.  It is to me the voice of the story or the poem itself…  I have supposed, but never found out, that this is the case with all readers – to read as listeners – and with all writers, to write as listeners… My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books.  When I write and the sound of it comes back to my ears, then I act to make my changes.  I have always trusted this voice.”

Most successful writers, I’d wager, have developed the ability to “hear” their own writing in the way Welty describes. You have to be able not only to write — but also – at some point — to be able to hear the voice in the writing that the reader will hear and the voice of the piece itself.  I remember Grace Paley saying when she was a Loft Mentor that she writes with her ear, reading everything aloud as she goes.

In a fascinating example of letting the voice of the story take over, Dorothy Allison describes in her contributor’s note in The Best American Short Stories 2003 how she had worked on her story “Compassion” through many unsatisfactory drafts, but finally decided to just finish it to read for a large audience.  But at the reading, when she got to the last two pages of the story, they weren’t there.  She had brought the wrong draft.  “I let myself unfocus, opened my mouth, and spoke the story’s voice.  It took me up and carried me through, finished itself the only way it could.”  I don’t recommend trying this in front of an audience!  And I’m pretty sure that voice wouldn’t have taken over if Allison hadn’t done as much processing and writing of the story as she had.  But while discounting for a certain amount of natural storytelling bull, I do like to believe that that story knew what it wanted, and did indeed speak for itself.

One thing the writer who listens to his or her own writing will be listening for is tone.  Tone has to do with the writer’s attitude towards the material.  Tone is one of the cues that the reader picks up automatically as he gets his bearing and begins to grasp what is intended.  It is a large part of what he “hears” in the writing.  Tone is what happens when the writer feels the material, is in synch with the emotions behind the writing.  Tone doesn’t have to be one dimensional, either.  It can consist of a lot of notes, ranging up and down the scale, as long as there is a cohesive feel to the work, the overall key, we might say.

The writer Norman Podhoretz has said that “the poem, the story, the essay…is already there, much in the way that Socrates said mathematical knowledge was already there, before a word is ever put to paper, and that the act of writing is the act of finding the magical key that will unlock the floodgates and let the flow begin…. The key… is literally a key in that it is musical…it is the tone of voice, the only tone of voice in which this particular piece of writing will permit itself to be written.

It’s an appealing idea that if we just find the right tone, we can channel the whole thing onto paper effortlessly.  And sometimes it does work that way.  More often, however, the poem or story may be “there,” but getting it “here” is different matter.  Try as we might we can’t find that magical key.  What then?  The problem may be that we don’t know how we feel about the material, or there hasn’t been enough inner processing, which is often unconscious and certainly not amenable to our deadlines, to have a voice ready to speak.  I find just writing itself, piling up a huge mountain of words, may in fact be a way of both accessing and creating what is not immediately available.  Out of that effort and let’s face it, waste, a thread may appear, one you can pluck if you’re lucky to unwind the whole spool.

It’s hard to overestimate the importance of reading other people’s good writing in the process of developing one’s own writing and voice.  People think writing comes from experience, and it does, but it also comes from reading .  At a literary conference I heard Billy Collins say that beginning writers sometimes think that by reading other writers, they will be too influenced and not develop their own unique voice, but that it’s just the opposite.  The more you read, the more likely you are to write with originality, and the less you read, the more likely it is you’ll write cliched or generic stuff.

Seeing what other writers have done opens up possibilities for us.  Here’s a passage I wrote about caring for my mother:  “I had arrived at the moment when I myself and no one else had to give my mother an enema.  It was called Fleet, a name I turned over and over in my mind, conjuring up the curious associations of speed or naval ships.  How did it get that name?  A family name?  Who would want enemas to bear the family name?  Not me.  I had slunk around like a criminal at the drugstore when I bought it.  It seemed childishly shameful, a dark secret, “excrement problems,” something so private I wished to be far far away.  But I was the only one around.  Life had brought me to this moment, which involved squirting a vial of liquid into my mother’s rectum as she lay curled on her left side of the bed.  I looked around for someone else to do this, to take over.  But no one else was there. It was one of those bald moments in life, the realization that no one else is going to do it, whatever it is.  You have to do it yourself.  And I did.”  I probably wouldn’t have written that passage if I hadn’t read Philip Roth’s description of cleaning up his father’s shit in Patrimony .

To achieve voice in writing – either in an individual piece or the singular voice of the mature artist – is usually a long process involving the three R’s: reading, writing and revision.  Though I’m sure there were glimmers of it from the start, I imagine that Alice Adam’s distinctive voice evolved over time, story by story, as she came to be – and trust – herself more and more as a writer and a person.  I imagine she listened for the voice on the page, the voice of the story itself.  Each successful line, paragraph and completion built her confidence – and confidence is no small thing, in writing and just about everything else.  It seems the only way to attain confidence is to hang in there, to keep on trucking, “screwing one’s courage to the sticking point,” coming closer each time to what is truly one’s own.

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Thanks for this breathtaking post. I'm practically hyperventilating. You've explored and "nailed" not only that ineffable force called a writer's "voice," but the difficulty of locating it.

Reading the text aloud helps me; it's as if I'm presenting a speech (which I'm experienced at). I can hear and say to myself: "Ooh. That doesn't sound like me."

Tx again for this wonderful post. I'm going to share it with my writing students.

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I agree with Lynette, and would add that your discussion of tone is especially apt.

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I found this really helpful as I try and understand the creative writing basics. Thanks!

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Haze-world

Haze-world Active Member

Ways to describe a voice.

Discussion in ' Character Development ' started by Haze-world , Dec 24, 2015 .

googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Does anyone know of a resource which we can go to for ideas on how to describe someone's voice? I would love to be able to add that detail to my WIP because voices are important to me and would make my characters easier to imagine.  

Necronox

Necronox Contributor Contributor

googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); A quick google has revealed this article.  

Cave Troll

Cave Troll It's Coffee O'clock everywhere. Contributor

googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); This might be of some help. adenoidal (adj): if someone’s voice is adenoidal, some of the sound seems to come through their nose appealing (adj): an appealing look/voice shows that you want help, approval, or agreement breathy (adj): with loud breathing noises brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry croaky (adj): if someone’s voice sounds croaky, they speak in a low, rough voice that sounds as if they have a sore throat dead (adj): if someone’s eyes or voice are dead, they feel or show no emotion disembodied (adj): a disembodied voice comes from someone who you cannot see flat (adj): spoken in a voice that does not go up and down; this word is often used for describing the speech of people from a particular region fruity (adj): a fruity voice or laugh is deep and strong in a pleasant way grating (adj): a grating voice, laugh, or sound is unpleasant and annoying gravelly (adj): a gravelly voice sounds low and rough gruff (adj): this voice has a rough, low sound guttural (adj): a guttural sound is deep and made at the back of your throat high-pitched (adj): true to its name, a high-pitched voice or sound is very high hoarse (adj): someone who is hoarse, or has a hoarse voice, speaks in a low, rough voice, usually because their throat is sore honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking husky (adj): a husky voice is deep and sounds hoarse (as if you have a sore throat), often in an attractive way low (adj): a low voice is quiet and difficult to hear; also used for describing a deep voice that has a long wavelength matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about) modulated (adj): a modulated voice is controlled and pleasant to listen to monotonous (adj): this kind of voice is boring and unpleasant due to the fact that it does not change in loudness or become higher/lower nasal (adj): someone with a nasal voice sounds as if they are speaking through their nose orotund (adj): an orotund voice is loud and clear penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable plummy (adj): a plummy voice or way of speaking is considered to be typical of an English person of a high social class; this word shows that you dislike people who speak like this quietly (adj): in a soft, quiet voice raucous (adj): a raucous voice or noise is loud and sounds rough ringing (adj): a ringing voice is very loud and clear rough (adj): a rough voice is not soft and is unpleasant to listen to shrill (adj): a shrill voice is very loud, high, and unpleasant silvery (adj): this voice is clear, light, and pleasant singsong (adj): if you speak in a singsong voice, your voice rises and falls in a musical way small (adj): a small voice is quiet smoky (adj): a smoky voice is sexually attractive in a slightly mysterious way softly spoken (adj): someone who is softly spoken has a quiet, gentle voice soft-spoken (adj): speaking or said in a quiet, gentle voice sotto voce (adj, adv): in a very quiet voice stentorian (adj): a stentorian voice sounds very loud and severe strangled (adj): a strangled sound is one that someone stops before they finish making it strident (adj): this voice is loud and unpleasant taut (adj): used about something such as a voice that shows someone is nervous or angry thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion thickly (adv): with a low voice that comes mostly from your throat thin (adj): a thin voice or sound is high and unpleasant to listen to throaty (adj): a throaty sound is low and seems to come from deep in your throat tight (adj): shows that you are nervous or annoyed toneless (adj): does not express any emotion tremulous (adj): if your voice is tremulous, it is not steady; for example, because you are afraid or excited wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing wobbly (adj): if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry booming (adj): very loud and attention-getting quavering (adv): if your voice quavers, it is not steady because you are feeling nervous or afraid a voice like a foghorn: very loud voice in an undertone: using a quiet voice so that someone cannot hear you someone’s dulcet tones: the sound of someone’s voice as they speak  

Lifeline

Lifeline South. Staff Supporter Contributor

googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Oh I think that will be a resource to a whole lot of people, not only the OP. Not to mention, me!  
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Necronox said: ↑ A quick google has revealed this article. Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Cave Troll said: ↑ This might be of some help. adenoidal (adj): if someone’s voice is adenoidal, some of the sound seems to come through their nose appealing (adj): an appealing look/voice shows that you want help, approval, or agreement breathy (adj): with loud breathing noises brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry croaky (adj): if someone’s voice sounds croaky, they speak in a low, rough voice that sounds as if they have a sore throat dead (adj): if someone’s eyes or voice are dead, they feel or show no emotion disembodied (adj): a disembodied voice comes from someone who you cannot see flat (adj): spoken in a voice that does not go up and down; this word is often used for describing the speech of people from a particular region fruity (adj): a fruity voice or laugh is deep and strong in a pleasant way grating (adj): a grating voice, laugh, or sound is unpleasant and annoying gravelly (adj): a gravelly voice sounds low and rough gruff (adj): this voice has a rough, low sound guttural (adj): a guttural sound is deep and made at the back of your throat high-pitched (adj): true to its name, a high-pitched voice or sound is very high hoarse (adj): someone who is hoarse, or has a hoarse voice, speaks in a low, rough voice, usually because their throat is sore honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking husky (adj): a husky voice is deep and sounds hoarse (as if you have a sore throat), often in an attractive way low (adj): a low voice is quiet and difficult to hear; also used for describing a deep voice that has a long wavelength matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about) modulated (adj): a modulated voice is controlled and pleasant to listen to monotonous (adj): this kind of voice is boring and unpleasant due to the fact that it does not change in loudness or become higher/lower nasal (adj): someone with a nasal voice sounds as if they are speaking through their nose orotund (adj): an orotund voice is loud and clear penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable plummy (adj): a plummy voice or way of speaking is considered to be typical of an English person of a high social class; this word shows that you dislike people who speak like this quietly (adj): in a soft, quiet voice raucous (adj): a raucous voice or noise is loud and sounds rough ringing (adj): a ringing voice is very loud and clear rough (adj): a rough voice is not soft and is unpleasant to listen to shrill (adj): a shrill voice is very loud, high, and unpleasant silvery (adj): this voice is clear, light, and pleasant singsong (adj): if you speak in a singsong voice, your voice rises and falls in a musical way small (adj): a small voice is quiet smoky (adj): a smoky voice is sexually attractive in a slightly mysterious way softly spoken (adj): someone who is softly spoken has a quiet, gentle voice soft-spoken (adj): speaking or said in a quiet, gentle voice sotto voce (adj, adv): in a very quiet voice stentorian (adj): a stentorian voice sounds very loud and severe strangled (adj): a strangled sound is one that someone stops before they finish making it strident (adj): this voice is loud and unpleasant taut (adj): used about something such as a voice that shows someone is nervous or angry thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion thickly (adv): with a low voice that comes mostly from your throat thin (adj): a thin voice or sound is high and unpleasant to listen to throaty (adj): a throaty sound is low and seems to come from deep in your throat tight (adj): shows that you are nervous or annoyed toneless (adj): does not express any emotion tremulous (adj): if your voice is tremulous, it is not steady; for example, because you are afraid or excited wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing wobbly (adj): if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry booming (adj): very loud and attention-getting quavering (adv): if your voice quavers, it is not steady because you are feeling nervous or afraid a voice like a foghorn: very loud voice in an undertone: using a quiet voice so that someone cannot hear you someone’s dulcet tones: the sound of someone’s voice as they speak Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); You mean melodic.  
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Lifeline said: ↑ Oh I think that will be a resource to a whole lot of people, not only the OP. Not to mention, me! Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Cave Troll said: ↑ You mean melodic. Click to expand...

BrianIff

BrianIff I'm so piano, a bad punctuator. Contributor

googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Haze-world said: ↑ OK, thanks. I don't think Melodic is right. I know people who speak with melodic voices and their voices are almost in a melody and definitely different from what I am trying to describe. Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); BrianIff said: ↑ Cadenced? Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); For a bit, I was thinking of how newscasters talk and their inflections, but didn't know that 'cadence' could be something besides a noun till I looked it up. Glad I could help.  
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); BrianIff said: ↑ For a bit, I was thinking of how newscasters talk and their inflections, but didn't know that 'cadence' could be something besides a noun till I looked it up. Glad I could help. Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Haze-world said: ↑ That makes sense. When I checked the definition I saw cadence is often used to describe poetry, is that what you write? Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); BrianIff said: ↑ Not often, but aside from hearing it a few times, I was living there when this guy was named Edmonton's poet laureate: https://en.wikipedia.org/wiki/Cadence_Weapon Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Haze-world said: ↑ It appears that I just keep on learning new things all the time... Click to expand...

GingerCoffee

GingerCoffee Web Surfer Girl Contributor

creative writing description of voice

googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); GingerCoffee said: ↑ Not sure if you used this source but it's always a good idea to credit the source. Click to expand...
googletag.cmd.push(function() { googletag.display('funpub_8541ed9e829b0ab98bd80fef5588a039'); }); Well I would have sourced it if I had not already posted the important part. Saves time that way. Besides I am not using this for monetary gain anywho.  

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Creative Primer

What is Creative Writing? A Key Piece of the Writer’s Toolbox

Brooks Manley

As we delve into the world of writing, it becomes apparent that not all writing is the same. One form that stands out due to its unique approach and focus on imagination is creative writing. This section will explore the question, “ what is creative writing ” and highlight its key characteristics.

Definition of Creative Writing

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as poetry, novels, short stories, plays, screenplays, and more. It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way. It’s about using the power of words to transport readers into a world created by the writer.

Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing one’s creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share one’s perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces. For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , one must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques. The styles we’ll explore in this section are poetry , short stories , novels , screenplays , and plays .

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing. For those interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you. For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits, including developing creativity and imagination , enhancing communication skills , and exploring emotions and ideas .

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages individuals to think outside the box, explore different perspectives, and create unique and original content. This can lead to improved problem-solving skills and a broader worldview, both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively.

Moreover, creative writing encourages empathy as writers often need to portray a variety of characters from different backgrounds and perspectives. This can lead to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings, allowing writers to express themselves in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping individuals process complex emotions, navigate difficult life events, and gain insight into their own experiences and perceptions. It can also be a means of self-discovery, helping writers to understand themselves and the world around them better.

In conclusion, the importance of creative writing extends beyond the realm of literature and academia. It fosters creativity, enhances communication skills, and provides a platform for self-expression and exploration. Whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start with creative writing .

Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining the main points, characters, settings, and plot. This can serve as a roadmap to guide your writing process.

Remember, a plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper. You can always refine and polish your work later.

And if you don’t have a great place to write that first draft, consider a journal for writing .

Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling. You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice. Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Reading Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques. Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practicing Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice. Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attending Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like.

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing.

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree . Happy writing!

Brooks Manley

Brooks Manley

creative writing description of voice

Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

the five minute journal

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

Inspiring Ink: Expert Tips on How to Teach Creative Writing

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19,890 quotes, descriptions and writing prompts, 4,964 themes

Voices - quotes and descriptions to inspire creative writing

  • a deep voice
  • mama's voice
  • raspy voice
Their voices were our flashlight when we need one for sight.
In the vibrations of their voices were the oldest stories of emotion and honesty, for the great artists of the voice have well tuned souls.
Voices wove together to form a tapestry of the heart visible to the souls present.
The voices raised up as if on ever spread wings.
Their voices became the water in our air, for it both quenched and cleansed the soul.

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COMMENTS

  1. How to Describe Voices in Writing (300+ Words & Examples)

    Describing voices accurately in writing can transform your story or screenplay, giving your characters depth and making them feel real to your readers. Here is how to describe voices in writing: Describe a voice in writing by identifying elements like tone, pace, timbre, volume, and accent. Use adjectives for depth or speed.

  2. 200+ Words to Describe a Voice in Vivid Ways

    Vocabulary Glossaries 200+ Words to Describe a Voice in Vivid Ways By Mary Gormandy White, M.A. , Staff Writer Updated December 7, 2020 Image Credits There are many ways to describe a voice from the tone of voice a person uses to what the voice actually sounds like.

  3. 250+ Ways to Describe Voices: A Word List for Writers

    250+ Ways to Describe Voices: A Word List for Writers (Discover even more words in The Writer's Body Lexicon .) Your protagonist's voice will evoke varied reactions. As a writer, your job is to make readers hear what you want them to hear. In context, dulcet tones could imply a beautiful woman. Abrasive barks might work for an impatient CEO.

  4. How To Describe Voice In Writing: Check Out The Top 82 Words To Use

    A Abrasive - an unpleasant or irritating voice Accusatory - a way of speaking that suggests blame or criticism Animated - lively, the character is expressive with their feelings Appealing - indicates a desire to help or to receive help Authoritative - a way of speaking that asserts power and control B

  5. How to Describe a Voice: 32+ Unique Definitions & Examples

    Voices can be described by their volume. For example, "booming" and "feathery" are ways to describe loud and quiet voices. Some adjectives help describe a voice's tone and pitch; "monotone" and "shrill," for instance. You can also describe how someone's voice affects others.

  6. Different Ways To Describe A Voice—The 19 Best Character Voices To Use

    Tools Different Ways To Describe A Voice—The 19 Best Character Voices To Use December 30, 2022 The human voice is incredibly versatile. The way we speak says a lot about our physical, mental, and emotional states, and even the slightest change in tone can convey myriad meanings and interpretations.

  7. How to Describe Voices in Writing: A Concise Guide for Writers

    Voice refers to the unique combination of tone, word choice, point of view, syntax, punctuation, and rhythm that characterizes the way a sentence or paragraph is written. A strong voice can make all the difference in engaging your readers and conveying emotions effectively.

  8. Master List of Words to Describe Voices

    It's a good idea to help readers hear your characters' voices. So this post is an addendum to the lists in the book. Thanks for the great idea, Katy! [AdSense-B] These are adjectives, but some of them can be altered into verbs ("braying" / "brayed") or nouns ("rasping" / "his voice was a rasp.") Some of these more often ...

  9. Tone, Timbre, Pitch: How to Describe Your Character's Voices

    Writing voice is about how you as an author express yourself on the page. And you can read more about developing and finding your author voice in this article . No, what we're talking about is literally how a character speaks. As in, what is their literal voice? This is an important distinction for the purposes of this discussion. Tone

  10. Ways To Describe A Voice: Similies & Adjectives You Can Use

    Capturing the tone of voice in writing is both an art and a science. ... Combining them can give depth and layers to your voice descriptions. Expert Tip: Describing a voice effectively can transport your reader into the heart of the scene, making characters and their interactions come alive. With the strategic use of adjectives and similes ...

  11. Comprehensive Guide to Describing Voices in Writing

    Voice in writing refers to the unique style and personality of a writer that is reflected in their work. It encompasses a range of elements such as tone, syntax, perspective, and point of view, among others. A writer's voice can be described as the way they express themselves through their writing, and it is what sets them apart from other writers.

  12. How to Describe a Voice: The Art of Vocal Selection

    March 25, 2021 How to Describe a Voice: The Art of Vocal Selection Voice There's just something iconic about Morgan Freeman's voice isn't there? When we think documentaries, dramatic readings or narration, we picture Morgan Freeman in our mind's eye. So what is so unique about certain voice profiles that make them memorable?

  13. Words to Describe a Voice: A Comprehensive List

    Creativity, Creative Writing, Storytelling, Writing Have you ever struggled to find the right words to describe someone's voice? Whether you're trying to describe a character in your writing or simply trying to explain how someone sounds to a friend, finding the right words can be a challenge.

  14. Describing Tone of Voice

    Her voice is accusing. Peremptory tone - insisting on immediate attention or obedience. His voice, strident. He says urgently. Her voice anguished. She says, a little defiantly. He regards them both with a serious expression. He has a calm measured voice. His voice was mild and even.

  15. Tips for Creating Voice in Your Writing

    Character Voice on the other hand, that I will talk about. A strong voice is what will make your character feel authentic to readers. Several friends who have read The Wolf Road have given me the same comment—I forgot you, my friend, wrote it. They don't hear me or my voice in the book at all. Even my mother said the same. This is a good thing.

  16. Tips for Developing Your Voice in Writing

    Here are some tips for developing your voice in writing: Study literature. You can do this in a formal setting, but you can also study on your own. Read several works by the same author. Take notes about the identifying features of the writer's voice. Compare the voices of two or more authors. Describe authors' voices, including your own.

  17. 106 Ways To Describe Sounds

    listenable - easy to listen to. mellow - a soft, smooth, pleasant sound. melodic - beautiful sound. musical - sounds like music. pure - a clear, beautiful sound. rich - a sound that is strong in a pleasant way. soft - quiet and peaceful. sonorous - a sound that is deep and strong in a pleasant way.

  18. What is Voice in Creative Writing?

    What is Voice in Creative Writing? Voice Lessons "Voice" is a term that gets bandied about in the writing world a lot, as in "He hasn't found his voice," or in reviews, such as: "She has created a unique, lovely and deceptively unsophisticated voice for her narrator."

  19. What Is the Writer's Voice? How to Find Your Writing Voice

    Many poets also have clearly pronounced literary voices—from Ezra Pound to Billy Collins to even the Bard himself, William Shakespeare. Part of the timeless appeal of many famous novelists is their clearly defined literary voice. Certain authors' voices can be recognized in a single sentence. Novelists like Ernest Hemingway, Toni Morrison ...

  20. Ways to describe a voice

    51 Location: UK Ways to describe a voice Discussion in ' Character Development ' started by Haze-world, Dec 24, 2015 . Does anyone know of a resource which we can go to for ideas on how to describe someone's voice? I would love to be able to add that detail to my WIP because voices are important to me and would make my characters easier to imagine.

  21. What is Creative Writing? A Key Piece of the Writer's Toolbox

    Creative Primer is a resource on all things journaling, creativity, and productivity. We'll help you produce better ideas, get more done, and live a more effective life. My name is Brooks. I do a ton of journaling, like to think I'm a creative (jury's out), and spend a lot of time thinking about productivity. I hope these resources and ...

  22. Voices

    Voices | Quotes and descriptions to inspire creative writing Voices - quotes and descriptions to inspire creative writing Their voices were our flashlight when we need one for sight. By Angela Abraham, @daisydescriptionari, January 8, 2021 .

  23. OpenAI will now let you create videos from verbal cues

    Artificial intelligence leader OpenAI introduced a new AI model called Sora which it claims can create "realistic" and "imaginative" 60-second videos from quick text prompts.