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51 Creative Writing Activities For Elementary-Aged Kids

January 4, 2024 //  by  Milka Kariuki

Creative writing can be tough for learners of any age. From knowing where to start to establishing the vocabulary to develop their story, there are a bunch of different skills they’ll need to perfect their creative writing pieces. There are so many creative writing activities out there, but which ones are best for your kiddos? Our list of 51 creative writing activities is the perfect place to start looking if you’ve got a creative writing unit coming up! Read on and see which ones might grab your little writers’ attention!

1. Make Your Own Comic Books

how to teach creative writing to elementary students

We bet your kiddos just love comic books! Let them create their very own in the style of the super popular Diary of a Wimpy Kid books! Encourage your students to come up with their own plot, dialogue, and illustrations to spark their creativity. Even your most reluctant writers will love this fun activity! 

Learn More: Puffin Schools

2. Mad Libs

how to teach creative writing to elementary students

Using Mad Libs is a super popular way to develop your little creative writers! Use these free printables to get their creative juices flowing as they try to come up with words to fill the gaps to create weird and wonderful new stories. The best thing is that you can use these printables as many times as you like as their answers will be different each time!

Learn More: Teacher Vision

3. Flash Fiction

how to teach creative writing to elementary students

Flash fiction is a fantastic way to get your kiddies writing creatively while keeping things short and sweet! Use the range you prompts included in this resource to challenge them to write a creative story in less than 100 words. Flash fiction is amazing because your students won’t be overwhelmed by a huge writing task and it also means that your more confident writers will need to focus on the quality of their work, not the quantity! 

Learn More: TES

4. Write a Story Based on the Ending

how to teach creative writing to elementary students

Test your students’ creativity by providing them with writing prompts that start at the end! In backward story writing, your budding writers will need to plan and pen a story that eventually leads to the ending you give them. This idea is a fantastic way to turn your traditional creative writing lesson on its head and in many ways take the pressure off your kids, as ending their stories is often the most difficult part for them!

Learn More: Teachers Pay Teachers

5. Found Poetry

how to teach creative writing to elementary students

Your learners will love this fun and creative found poetry activity. You can encourage them to collect words or a group of words from a favorite story or song then write them on a piece of paper or cut them out of a printed page. The overall goal is to have them rearrange the words differently to make an interesting poem with a unique writing style or genre!

Learn More: Homeschooling Ideas

6. Picture Dictionary

how to teach creative writing to elementary students

A picture dictionary is a brilliant way to support every member of your younger elementary class in their creative writing. The words paired with pictures give your writers a ‘dictionary’ that they can use pretty independently, so your less confident writers or non-native English-speaking students can still access your writing lessons! 

Learn More: Twinkl

7. Creative Journal Writing

how to teach creative writing to elementary students

Why not start a creative journal with your kiddos? Have them engage in daily journaling activities by giving them a different creative prompt each day. For instance, write a story about what would happen if dogs took over the world or what would you do if you were the security guard at a zoo and someone stole an animal? The fun is never-ending with these prompts!  

Learn More: Think Written  

8. Roll a Story

how to teach creative writing to elementary students

Roll-a-Story is one of the best ways to help any of your kids who are suffering from a bout of writer’s block! They’ll roll the dice to discover the character, setting, and problem for their story then set to work weaving their creative tale! It could be a story about a wise doctor being chased by a mysterious creature in a casino, or maybe a rich artist losing their wallet in a library. Then it’s up to your students to fill in the gaps!

Learn More: TPT

9. Pass-it-on Story Writing

how to teach creative writing to elementary students

There’s no telling quite where this fun writing game will end up! Start by writing the first sentence of a story on a piece of paper then pass it around your class, having your kids come up with a sentence that continues the story. The paper is then passed around the whole class until every student has contributed. Finally, once it makes its way back to you, read out your collaborative story to the whole class!

Learn More: Minds In Bloom

10. Picture Writing Prompts

how to teach creative writing to elementary students

Creative writing prompts activities test not only your little ones’ imaginations but also their ability to craft a story and dialogue from that. Display an intriguing picture prompt for your class and have a discussion about it, recording their ideas. You could discuss what the person or animal in the picture is doing or what they’re thinking, where they think the picture was taken, and much more. They can use your collective notes to inspire their story!

Learn More: Pandora Post

11. What’s the Question?

how to teach creative writing to elementary students

What’s the Question is a simple, yet super engaging game that requires your young learners to think creatively. Spark their creativity by writing an answer on the whiteboard such as “the moon would explode,” and task your kiddos with coming up with a question to match it. There’ll be lots of laughs as everyone shares what they came up with!

Learn More: That Afterschool Life

12. Creative Writing Printables

how to teach creative writing to elementary students

This website is absolutely full of quick and fun graphics for children that’ll encourage their creative writing! The cute graphics and simple directions make it an easy bellringer activity for your writing class. Just print out some of these cool sheets and let your students get creative as they write thank-you notes to helpful heroes or finish little cartoon comics!

Learn More: Jarrett Lerner

13. Paint Chip Poetry

Nothing says creative writing quite like figurative language! Grab some of these free paint swatches from your local home improvement store and have your students create metaphors about their chosen color! We love this low-prep activity as once your kids have finished their poems, they’re a ready-made multi-colored display that’ll brighten the walls of your classroom! 

Learn More: Fabulous In Fifth

14. Story Storm Activities

how to teach creative writing to elementary students

Once again, these Jarrett Lerner activities do not disappoint! Your students will have a blast pretending they are the principal for a day and they’ll get to create their very own rules for the school. Not only will this be an engaging writing exercise that we’re sure they’ll love getting creative with, but it also challenges children to think about why rules in school are important.

Learn More: Tara Lazar

15. Story Bag

how to teach creative writing to elementary students

Story bags are a fantastic way to destroy any kind of writer’s block! Grab an assortment of random objects from your home or classroom and pop them into the story bag. Next, gather your students around and pull out all the objects in the bag. Can they then write a story connecting all the items? Be sure to leave time to let them share their stories at the end of the lesson!

Learn More: Life Hack

16. Change the Ending

how to teach creative writing to elementary students

An easy way to ease your kiddos into the writing process is by having them rewrite part of a story. Grab their favorite read-aloud, and challenge them to come up with a new ending! They’ll need to finish the story in a way that makes sense, but aside from that, they can be as creative as they like! Your reluctant readers will like this one as much of the work on setting and characters has already been done! 

Learn More: Make Beliefs Comix

17. Plot Twist Writing Prompts

how to teach creative writing to elementary students

BUT WAIT – there’s a twist…This fun writing practice is perfect for older middle or high school but could also be simplified for younger students. Write these twist prompts on notecards and have your kids draw one each before letting them go off and write a story around their chosen twist! They’ll be eager to share their finished work with classmates at the end. After all, who doesn’t love a good plot twist?

Learn More: Pinterest

18.  Craft Box Craft

how to teach creative writing to elementary students

Every kid loves the book The Day the Crayons Quit for its creative narrative about this familiar box of coloring supplies! This extension activity rolls art and creative writing into one! Your students will have fun coming up with dialogue for each of the different crayons and you could even make it into a fun display for your classroom walls!

Learn More: Buggy And Buddy

19. Dialogue Pictures

how to teach creative writing to elementary students

Personalizing writing activities always makes it more engaging for kids! Print out a picture of yourself with a blank speech bubble, and model how to add in some dialogue. Then, let your kiddos practice speech bubbling with a photo of themselves, a pet, or a favorite celebrity, and have them come up with some interesting things for each of their subjects to say!

Learn More: SSS Teaching

20. Figurative Language Tasting

how to teach creative writing to elementary students

Your students will be creative writers in no time after practicing their figurative language with food tasting! Not only do tasty treats make this activity incredibly fun, but it also brings the writing process of metaphors and hyperbole to life. Just give each of your kids a few pieces of candy or snacks, and have them practice writing figures of speech relating to each one! They’ll have the words on the tip of their tongue- literally! 

Learn More: It’s Lit Teaching

21. Explode the Moment

how to teach creative writing to elementary students

One of my favorite writing concepts as a teacher is ‘exploding the moment’. This method is perfect for showing your kiddies that even the smallest moment can be turned into an imaginative, descriptive story! Start by having them brainstorm some ideas and expand on tiny memories like losing a tooth, getting a pet, or making a winning goal in a soccer game!

Learn More: Raise The Bar Reading

22. Round-Robin Storytelling

how to teach creative writing to elementary students

Round-robin storytelling is the perfect collaborative creative writing activity! This one can be done verbally or in writing, and it challenges your class to build a story using a given set of words. They’ll have a fun and challenging time figuring out how to incorporate each piece into one cohesive story.

Learn More: Random Acts Of Kindness

23. Acrostic Poems

how to teach creative writing to elementary students

Acrostic poetry is one of the least intimidating creative writing exercises as there are no rules other than starting each line with the letter from a word. Challenge your kiddies to use each letter in their name to write lines of poetry about themselves, or they could choose to write about their favorite food or animal!

Learn More: Surfin’ Through Second

24. Sentence Sticks

how to teach creative writing to elementary students

This exercise requires minimal prep and can be used in so many different ways. All you’ll need are some craft sticks in which you will write sentences with blanks and word banks. Your young writers can then pull a stick and fill in the blanks to practice creative thinking! Task them with a different goal each time; can they make the sentence silly or sad for example?

Learn More: Liz’s Early Learning Spot

25. Conversation Prompts

These fun prompts require your kids to think creatively and answer a range of interesting questions. They’ll be excited to write stories about waking up with a mermaid tail or describe what is in a mystery package delivered to their doorstep! These creative prompts are perfect for bellringers or transitions throughout the school day!

Learn More: Twitter

26. Pretend Play Writing

how to teach creative writing to elementary students

Do you remember playing with fake money and fake food when you were younger? This idea takes it a step further by incorporating some writing practice! All you’ll have to do is print the templates for dollars, shopping lists, and recipes then let your little learners have fun with these play-pretend writing ideas!

Learn More: Prekinders

27. Question Cubes

Your class will be on a roll with these amazing question cubes! Whether the cubes are used for responding to a story, brainstorming the plot of a story, or practicing speech and listening, they are an easy, affordable tool for your little readers and writers! You can snag some foam dice at the dollar store and hot glue questions on each side to spark some creative writing ideas for your class.

Learn More: A Love 4 Teaching

28. Balderdash

how to teach creative writing to elementary students

Not only is Balderdash an addicting board game, but it can even be used in the classroom! Your little learners will have a blast as they create made-up, imaginative definitions for words, important people, and dates. Whoever guesses the real answer out of the mix wins the points!

Learn More: EB Academics

29. Two Sentence Horror Story

how to teach creative writing to elementary students

This creative writing exercise is best for older students and would be a great one to try out around Halloween! You’ll be challenging your learners to write a story that runs chills up their readers’ spines, but there’s a twist…the story can only be two sentences long! Your kiddos will love writing and sharing their writing to see who can come up with the spookiest short story!

30. Telephone Pictionary

how to teach creative writing to elementary students

Another game that your kids will be begging to play over and over again is telephone pictionary! The first player will write down a random phrase, and the next person must draw their interpretation of the phrase. The third player will write what they think the picture is and so on!

Learn More: Imagine Forest

31. Consequences

You need at least two players for this fun creative writing game. Each pair or group of kids will start by having one person write a random phrase and conceal it by folding the paper. Then, they pass it to the next student to fill in the blank using the prompt. Once all the blanks are filled in, let them unfold the paper and get ready to reveal some seriously silly stories!

32. Story Wands

how to teach creative writing to elementary students

​​Story wands are a fun way to have your kids respond to stories and study what makes something their favorite. Responding to what they’re reading is a super helpful exercise in preparing them for creative writing as it allows your students to connect to their favorite stories. By figuring out what elements make stories great, this is sure to help them in their own creative writing assignments!

Learn More: Little Lifelong Learners

33. The Best Part of Me

how to teach creative writing to elementary students

Probably my favorite creative writing activity, this one is infused with social-emotional learning and self-esteem building! Let your students get to choose their favorite physical characteristics about themselves; whether it be their eyes, hands, feet, etc. Then, they take a picture to attach to their written reasoning! Make sure to boost the creative element of this writing task by encouraging your learners to use a bunch of adjectives and some figurative language!

Learn More: Sarah Gardner Teaching

34. Me From A-Z

how to teach creative writing to elementary students

Challenge your kiddos to get creative by coming up with 26 different words to describe themselves! Me From A-Z gives your students the opportunity to explore who they are by coming up with words describing them in some way using each letter of the alphabet. Why not let them decorate their lists and turn them into a display celebrating the uniqueness of each of your class members?

35. How to Make Hot Chocolate

how to teach creative writing to elementary students

How-to writing is a great way to get the creative writing wheels turning in your kiddies’ brains! They’ll have a fun time coming up with their instructions and ways to explain how to make hot chocolate! Do they have a secret recipe that’ll make the best-ever hot cocoa!? Once they’ve written their instructions, be sure to try them out and do a taste-test of their recipes!

Learn More: Teacher Mama

36. Give Yourself a Hand

how to teach creative writing to elementary students

Hands up if you love this idea! For this creative writing activity, have your little ones trace their hand on a piece of paper and decorate it with accessories. Then, encourage them to write a list of all the different things they do with their hands all over their tracing! This is a great warm-up to get the creative gears turning.

Learn More: Write Now Troup

37. Word Picture Poem

how to teach creative writing to elementary students

A word picture poem is a fantastic way to challenge your kids to write descriptive poetry about a common object! Your little poets will learn to find beauty in ordinary things and strengthen their sensory language skills and their vocabulary. For some added fun, you can even task them with writing a short story about the item as well! The results are sure to be fun to read!

Learn More: Teaching With Terhune

38. Shape Poem

how to teach creative writing to elementary students

Shape poems are some of the most creative poetry as they combine words and art into one! First, your young poets can choose an object to use as their muse and lightly trace an outline onto some paper. Then, they’ll write words along the outlined shape in the form of a poem that describes the object! The result is a bunch of fun and striking poems that’ll look great displayed around your classroom!

39. Crazy Hair Poetry

how to teach creative writing to elementary students

Here’s another one that combines writing and art! Start by guiding your kiddos in drawing a self-portrait then adding some crazy hair by blowing watercolor paints around! After the paint dries, have your kids come up with a short but creative poem describing their hair art.

Learn More: Grade School Giggles

40. Fingerprint Poetry

how to teach creative writing to elementary students

Nothing is more creative than getting your kiddies to let down the barriers in their mind and tap into their stream of consciousness! Show them how to pick a topic and then let their words flow straight from mind to paper in a swirling pattern. This fingerprint idea can be used for a get-to-know-you activity as well!

Learn More: Kristen Dembroski

41. Doggie Haiku Poems

how to teach creative writing to elementary students

Put a fun twist on classic haiku poetry! Your students will have a paw-some time writing three-line poems about dogs which they can then illustrate afterwards! Before starting the activity, you can use Dogku by Andrew Clements as a read-aloud to get your class hooked on this idea!

Learn More: Teaching Fourth

42. Fractured Fairy Tale

how to teach creative writing to elementary students

Ever wondered if the Big Bad Wolf was framed? Or if Sleeping Beauty was actually a snorer? Your writers in training will have a fun time taking a classic fairytale and putting their own spin on it! Following five simple steps, your kids will be funky fairytale authors in no time!

43. Letter Writing

how to teach creative writing to elementary students

These creative letter-writing prompts are sure to boost your kiddies’ imaginative writing skills! Whether writing to a pen pal or a favorite celebrity, letter writing is a great way to practice handwriting, word flow, descriptive language, and communicating all rolled into one! Have your writers grab their pencils and let the creativity flow as they write fun response letters to these prompts!

44. Hersey’s Kisses Similes

how to teach creative writing to elementary students

Teach sensory language and similes by connecting this tasty treat with the sense of taste! Your students will have a lovely time brainstorming how chocolate connects to each of our senses and applying that knowledge by writing some sweet similies! What a fantastic way to teach them how to use these essential creative writing tools!

Learn More: Teacher By The Beach

45. Sensory Poetry

how to teach creative writing to elementary students

Another great way to teach sensory details is to have your learners write poems about their favorite foods! Task them with writing a line for each sense to describe the food! Everyone will be hungry after this creative writing lesson so it might be a good idea to have some snacks on hand!

Learn More: Mrs. Tice’s Class

46. Season Personification

how to teach creative writing to elementary students

Each season of weather has an array of characteristics making this the perfect activity to practice personification in creative writing! Allow your little writers to choose a season to write about as if it were a person with human characteristics. Winter is a no-brainer! It’s Elsa!

Learn More: Write Shop

47. Class Book of Character Traits

how to teach creative writing to elementary students

To be creative writers, your kids need to know how to create realistic characters for their stories. For this class book, you’ll start by giving each student two opposing character traits. Next, have them demonstrate these traits by illustrating two characters and displaying them through dialogue!

Learn More: Crafting Connections

48. Socialgrams

how to teach creative writing to elementary students

With Instagram being all the rage these days, your kiddos will have a fun time creating a ‘socialgram’ on paper! Challenge them to create a descriptive and engaging caption to go along with their “photo” in the post. Then, classmates can comment on each other’s work! 

Learn More: Breezy Special Ed

49. Story Introduction Worksheets

how to teach creative writing to elementary students

Creative writing worksheets are a simple, minimal-prep tool to use in your creative writing units. Print out a variety of options, and have your kids practice their skills by finishing imaginative story introductions. By giving them a place to start their story, you can really take the pressure off your kids which will help ease them into the creative writing process!

Learn More: Lanternfish ESL

50. Dialogue Worksheets

how to teach creative writing to elementary students

Here’s another low-prep option for the last-minute planners! Pre-written dialogue can help guide the mood of the story and allow your kiddies to just focus on filling in the characters’ actions. This is also a great way to model how dialogue is spaced out and balanced in a story!

Learn More: ESL Writing Worksheets

51. Character Trait Posters

how to teach creative writing to elementary students

In this personalized character trait activity, your students will create a poster of themselves and label it with a bunch of different character traits. Descriptive, interesting characters are what make a story captivating, so this is a great introduction to understanding characters and their physical as well as personality traits! This is an activity that’s sure to help them build a strong foundation for their creative writing skills to build from!

Learn More: Life In First Grade

20 Creative Writing Activities for Elementary Students

  • November 23, 2021

Did you know that November is National Novel Writing Month? While your young learners are probably not ready to write an entire book, this month is a great time to practice creative writing skills with your students. Not only can creative writing be helpful for teaching vocabulary and sentence structure, but it can also encourage students to use imaginative thinkin g —and even find a genuine love of writing!

All of these 20 creative writing activities can be used with elementary school students to practice reading and writing skills. We’ve included options for both early elementary students, who may still be learning to write, and elementary students in upper grades who are ready to work on projects of their choosing.

how to teach creative writing to elementary students

1. Join the NaNoWriMo organization’s Young Writers Program (YWP) ! Together, your students can work on all sorts of age-appropriate writing challenges and activities throughout the year—including a project of their choice in November!

2. To practice pre-writing skills and collaborating on a project, try these shared writing project activities .

3. If you have any budding cartoonists in your class, this Finish the Comic activity from author Jarrett Lerner can be a great way for younger students to practice writing dialogue.

4. Teach your students about adjectives and writing descriptions with this Popcorn Adjectives activity .

5. Students can learn about creative writing by studying imagery and poetry by established authors. Using this writing worksheet , kids can write out their thoughts about a poem and draw images that stand out to them.

6. To teach creative thinking skills with kindergarteners and early elementary students, try this Mystery Seed writing activity .

7. Get families involved, too! Share these fun home writing activities with your student’s families to help them practice at home.

8. Print out and put together a Writing Jar with tons of creative writing prompts to inspire your students.

9. Check out this resource for even more writing prompts focused on imaginative thinking.

how to teach creative writing to elementary students

10. Try blackout poetry , an activity that encourages students to make their own beautiful art from a work that already exists.

11. Creative writing isn’t limited to fiction. This narrative writing activity can teach students to write events clearly and in sequence from their real life.

12. For a creative writing project that’s just plain fun, try this Roll a Story activity.

13. This nonfiction project helps children learn to write a letter as they write to a loved one of their choice.

14. If you want to give your students some freedom in choosing a writing assignment, hang up this Writing Prompt Choice Board in your classroom and let them answer whichever prompt they’d like!

15. Encourage students to keep their own journal throughout the year. You could even give them time each morning to respond to a journal prompt .

16. Use this journal page template to help students structure and compile journal entries.

17. These printable Mad Libs can teach children different parts of a sentence while they use their imaginations to create a story.

18. Use this What? So What? Now What? exercise (#6 at the link) to help students structure their creative writing projects.

19. To teach children how to create descriptive sentences, play this Show, Don’t Tell writing activity .

20. If you’d like to hold a month-long creative writing activity, try this 30-Day Writing Challenge for kids .

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How to Effectively Teach Creative Writing in Elementary

Today let’s discuss how to  effectively teach creative writing at the elementary level.  Creative writing is such an important writing skill to teach students from a young age. Young writers need to understand the concept of creative writing as using their imagination to express themselves freely through words. 

It’s not just about proper grammar and spelling  (though those are important too!) , but rather about sparking their  creativity , allowing them to dream up  unique characters , exciting adventures, and incredible worlds. By nurturing their storytelling abilities early on, we’re not just helping them become better writers, but also fostering their confidence, encouraging self-expression, and igniting a lifelong love for writing. So, let’s dive into some strategies and tips to make your creative writing lesson plans a hit in your elementary classroom!

How to effectively teach creative writing in elementary

What is Creative Writing?

Creative writing is essentially writing in which the author uses his or her imagination to create a story. Creative writing in simple terms refers to the process of expressing thoughts, ideas and stories in a unique and imaginative way.

It’s about letting children’s minds wander  freely,  encouraging them to use their  imagination  to create characters, settings, and plots. Creative writing isn’t just about grammar and spelling; it’s about fostering a love for storytelling, allowing kids to explore their creativity, and helping them find their voice through words on paper. It’s a journey that encourages self-expression, builds confidence, and nurtures a lifelong appreciation for writing. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. 

Creative writing falls under one of the 5 categories of writing but it also combines a lot of these styles together:

  • Narrative Writing
  • Descriptive Writing
  • Persuasive Writing
  • Expository Writing
  • Creative Writing

Creative Writing Lesson Plans Don’t Have to Be Difficult

Finding creative ways for students to write using their imaginations doesn’t have to be difficult. No matter the grade level, creative writing lessons should offer plenty of opportunities for students to tell their point of view on a subject. Don’t let creating lesson plans for creative writing be a headache! It’s all about giving kids the chance to let loose and share their thoughts in their own special way. 

Whether they’re in 2nd grade, 3rd grade, or 5th grade, the key is to let their imagination run wild. Get them talking about what interests them, throw in some fun prompts, and watch the magic happen! Mix things up with different writing styles – stories, poems, even real-life tales. Make it a safe space where they feel free to jot down whatever comes to mind. By balancing a bit of structure with loads of creative freedom, teaching creative writing becomes a blast for both the teachers and the students!

creative writing lessons don't have to be difficult

Here’s How to Teach a Creative Writing Activity to Elementary Students:

1. start with creative writing prompts.

One of the first activities you can try is using writing prompts with students. Writing prompts are a great tool to get students’ brain juices flowing, no matter if they are elementary, middle school, or high school students! Coming up with writing topics for younger students can be especially challenging sometimes. 

Inside   the   How to Write a Paragraph Year-Long Bundle   there are specific writing prompts that are  scaffolded and differentiated  to meet  all  learner’s needs. You will find everything you need inside this resource to  help your students who struggle with writing understand how to write a paragraph  all   YEAR LONG …  trust us! It allows for easy planning for your writing lessons because it’s got different seasonal writing resources and prompts inside no matter what time of year it is. These are the perfect place to start to get your students writing based on themes. 

Once they are comfortable in this category, then it’s time to actually get them to come up with some of their own ideas to write about now   (after all that is the ENTIRE point of a creative writing lesson!)

Try with these juicy writing prompts below to help get your student’s creativity flowing if they need help coming up with a topic to write about :

  • Personal memories: “Tell about someone who taught you something really important.”
  • Imaginative scenarios: “Let’s create a wild story set in a world where anything goes!”
  • Prompts based on a familiar mentor text: “What if your favorite book ended differently? Give it a new twist!”
  • Lead-in sentences: “I saw myself in the mirror and couldn’t believe what I saw. Overnight, I…”
  • Fascinating or thought-provoking images with a directive: “Who do you think calls this log cabin home? Tell us their story and what they’re up to!”

2. Break Down the Prompts Together

Do NOT rush this next step! We need to make sure our students are coming up with unique and creative writing ideas. During this first week’s lesson plan, you want to make sure students know exactly what they are getting themselves into with the creative writing process. Make it known that these prompts above are to help guide them and their imagination. Help to break down what each prompt is asking/ looking for:

For example, if the prompt says “I saw myself in the mirror and couldn’t believe what I saw. Overnight, I…,” then what questions should the students be asking?

Hopefully, they will tell you they want to know what they look like in the mirror right now.

Then you can have students think of 5 possible situations for what happened and how they look.

3. Do a 5 Minute “Free Write Brain Dump”

During the next step of a creative writing lesson plan, encourage students to do a brain dump in their writing journals on all of their  prior knowledge  on the subject that they will be writing about. This lets you know a couple of things as the teacher: Do they have their own experience on this topic and enough background knowledge? Does the subject areas that they are free-writing about make sense for the creative writing topic? This should only take about 5 minutes and you are NOT worried about spelling or grammar during this step.

For example: if they are planning to write about the solar system but they don’t have much to say during this free write brain dump, this is where you may want to incorporate a mini lesson or guided conference with you to make sure they are picking a topic that they have a lot of background knowledge about or can at least figure out where to find the answers they might need for their writing.

The “free write brain dump” is helpful for students to see a couple of things- okay I know enough information about this topic and am ready to organize my thoughts  OR  I had a hard time just coming up with random thoughts to write about…maybe I need a need a new topic. It will truly help decide their confidence factor for this assignment.

creative writing lesson plans

4. Start Your Planning Process

The next step in your creative writing unit should be having students take their decided-upon creative writing topic and  organize  their thoughts and ideas. This step is super important because you want the information to be in the students’ own writing but you also want to make sure they have a plan for how to get their point across.  Your stronger writers may be ready to go but some may need a bit more structure set up to help them.

There are a couple of different ways they can organize their ideas:

Use Graphic Organizers

Graphic organizers are the perfect thing to use if students want to stick with a paragraph-type writing structure. For your lower writers, this might be the way to go because graphic organizers make planning a lot easier and the structure makes it super easy to follow. Graphic organizers also help break down the writing process into chunks so it doesn’t feel like such a difficult task to students who may struggle more with their writing skills or for  ESL students.

Character Development Worksheets

Provide worksheets that prompt students to describe the characters in detail that they want in their story. Include sections for physical appearance, personality traits, motivations, and character arcs. This helps students develop well-rounded characters before they start writing.

Peer Brainstorming

Organize small group brainstorming sessions where students can share their ideas and receive feedback from their peers. This way can totally help students polish up their ideas and come up with fresh new ones for their creative writing.

use peer writing in a creative writing lesson

Story Boarding

Encourage students to create a visual storyboard for their story. They can draw a series of pictures or scenes that outline the plot, helping them visualize the sequence of events in their narrative. We really love this idea for planning for students who are learning English as a second language and students who have more difficulties communicating their thoughts out loud.

Voice Recording

Finally, one last idea: If your students are feeling unsure about writing things down, suggest they talk it out and record their thoughts on a device such as a classroom iPad.

They might be amazed at how easily their spoken words turn into great written stuff on the page! This is another favorite of ours for those students who struggle with getting their thoughts on paper or are learning English as a second language.

During the planning phase , it is a good time to take the opportunity to do any  mini lessons  you feel needed with students on any of the skills above.

5. Write the Rough Draft

Next is taking the creative narrative and putting it into a rough draft version using their planning method. It’s time for them to start coming up with their own creative short story. Do they have a main character? Is there a problem and solution? Does the writing make sense? After the rough draft, it can be super beneficial to meet with students individually or in small groups to give feedback before they move forward on the final copy. 

Word of advice: Don’t worry about spelling or grammar too much in the rough draft phase! Just help students get their thoughts out onto paper!

6. Time To Write the Final Draft

As the creative writing journey nears its conclusion, it’s time to guide your students toward the crucial phase of crafting their final drafts. This stage marks a shift towards independent work, where students take ownership of refining their narratives. Encourage them to enrich their stories with vibrant sensory details to help bring the writing to life.

This isn’t just about polishing; it’s about infusing their words with emotions and imagination. The final draft represents all of their hard work! Make sure you help them reach their fullest potential with their creative writing and storytelling skills!

A Final Word on Teaching Creative Writing to Elementary Students

When planning your creative writing lesson plans for the school year, it’s best to think about the  overall entire writing process.  For students that you KNOW creative writing will be a challenge for, take some time during English language arts sessions and work with them on the simple structures of writing to help build their confidence. If they struggle with the mechanics and confidence to write, they honestly may not be ready for the creative writing process just yet. Use the resource below to help them refine their writing skills so that all of your students can be a confident and creative writer!

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How to Teach Creative Writing | 7 Steps to Get Students Wordsmithing

how to teach creative writing to elementary students

“I don’t have any ideas!”

“I can’t think of anything!”

While we see creative writing as a world of limitless imagination, our students often see an overwhelming desert of “no idea.”

But when you teach creative writing effectively, you’ll notice that  every  student is brimming over with ideas that just have to get out.

So what does teaching creative writing effectively look like?

We’ve outlined a  seven-step method  that will  scaffold your students through each phase of the creative process  from idea generation through to final edits.

7. Create inspiring and original prompts

Use the following formats to generate prompts that get students inspired:

  • personal memories (“Write about a person who taught you an important lesson”)
  • imaginative scenarios
  • prompts based on a familiar mentor text (e.g. “Write an alternative ending to your favorite book”). These are especially useful for giving struggling students an easy starting point.
  • lead-in sentences (“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”).
  • fascinating or thought-provoking images with a directive (“Who do you think lives in this mountain cabin? Tell their story”).

student writing prompts for kids

Don’t have the time or stuck for ideas? Check out our list of 100 student writing prompts

6. unpack the prompts together.

Explicitly teach your students how to dig deeper into the prompt for engaging and original ideas.

Probing questions are an effective strategy for digging into a prompt. Take this one for example:

“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”

Ask “What questions need answering here?” The first thing students will want to know is:

What happened overnight?

No doubt they’ll be able to come up with plenty of zany answers to that question, but there’s another one they could ask to make things much more interesting:

Who might “I” be?

In this way, you subtly push students to go beyond the obvious and into more original and thoughtful territory. It’s even more useful with a deep prompt:

“Write a story where the main character starts to question something they’ve always believed.”

Here students could ask:

  • What sorts of beliefs do people take for granted?
  • What might make us question those beliefs?
  • What happens when we question something we’ve always thought is true?
  • How do we feel when we discover that something isn’t true?

Try splitting students into groups, having each group come up with probing questions for a prompt, and then discussing potential “answers” to these questions as a class.

The most important lesson at this point should be that good ideas take time to generate. So don’t rush this step!

5. Warm-up for writing

A quick warm-up activity will:

  • allow students to see what their discussed ideas look like on paper
  • help fix the “I don’t know how to start” problem
  • warm up writing muscles quite literally (especially important for young learners who are still developing handwriting and fine motor skills).

Freewriting  is a particularly effective warm-up. Give students 5–10 minutes to “dump” all their ideas for a prompt onto the page for without worrying about structure, spelling, or grammar.

After about five minutes you’ll notice them starting to get into the groove, and when you call time, they’ll have a better idea of what captures their interest.

Did you know? The Story Factory in Reading Eggs allows your students to write and publish their own storybooks using an easy step-by-step guide.

The Story factory in Reading Eggs

4. Start planning

Now it’s time for students to piece all these raw ideas together and generate a plan. This will synthesize disjointed ideas and give them a roadmap for the writing process.

Note:  at this stage your strong writers might be more than ready to get started on a creative piece. If so, let them go for it – use planning for students who are still puzzling things out.

Here are four ideas for planning:

Graphic organisers

A graphic organiser will allow your students to plan out the overall structure of their writing. They’re also particularly useful in “chunking” the writing process, so students don’t see it as one big wall of text.

Storyboards and illustrations

These will engage your artistically-minded students and give greater depth to settings and characters. Just make sure that drawing doesn’t overshadow the writing process.

Voice recordings

If you have students who are hesitant to commit words to paper, tell them to think out loud and record it on their device. Often they’ll be surprised at how well their spoken words translate to the page.

Write a blurb

This takes a bit more explicit teaching, but it gets students to concisely summarize all their main ideas (without giving away spoilers). Look at some blurbs on the back of published books before getting them to write their own. Afterward they could test it out on a friend – based on the blurb, would they borrow it from the library?

3. Produce rough drafts

Warmed up and with a plan at the ready, your students are now ready to start wordsmithing. But before they start on a draft, remind them of what a draft is supposed to be:

  • a work in progress.

Remind them that  if they wait for the perfect words to come, they’ll end up with blank pages .

Instead, it’s time to take some writing risks and get messy. Encourage this by:

  • demonstrating the writing process to students yourself
  • taking the focus off spelling and grammar (during the drafting stage)
  • providing meaningful and in-depth feedback (using words, not ticks!).

Reading Eggs Library New Books

Reading Eggs also gives you access to an ever-expanding collection of over 3,500 online books!

2. share drafts for peer feedback.

Don’t saddle yourself with 30 drafts for marking. Peer assessment is a better (and less exhausting) way to ensure everyone receives the feedback they need.

Why? Because for something as personal as creative writing, feedback often translates better when it’s in the familiar and friendly language that only a peer can produce. Looking at each other’s work will also give students more ideas about how they can improve their own.

Scaffold peer feedback to ensure it’s constructive. The following methods work well:

Student rubrics

A simple rubric allows students to deliver more in-depth feedback than “It was pretty good.” The criteria will depend on what you are ultimately looking for, but students could assess each other’s:

  • use of language.

Whatever you opt for, just make sure the language you use in the rubric is student-friendly.

Two positives and a focus area

Have students identify two things their peer did well, and one area that they could focus on further, then turn this into written feedback. Model the process for creating specific comments so you get something more constructive than “It was pretty good.” It helps to use stems such as:

I really liked this character because…

I found this idea interesting because it made me think…

I was a bit confused by…

I wonder why you… Maybe you could… instead.

1. The editing stage

Now that students have a draft and feedback, here’s where we teachers often tell them to “go over it” or “give it some final touches.”

But our students don’t always know how to edit.

Scaffold the process with questions that encourage students to think critically about their writing, such as:

  • Are there any parts that would be confusing if I wasn’t there to explain them?
  • Are there any parts that seem irrelevant to the rest?
  • Which parts am I most uncertain about?
  • Does the whole thing flow together, or are there parts that seem out of place?
  • Are there places where I could have used a better word?
  • Are there any grammatical or spelling errors I notice?

Key to this process is getting students to  read their creative writing from start to finish .

Important note:  if your students are using a word processor, show them where the spell-check is and how to use it. Sounds obvious, but in the age of autocorrect, many students simply don’t know.

A final word on teaching creative writing

Remember that the best writers write regularly.

Incorporate them into your lessons as often as possible, and soon enough, you’ll have just as much fun  marking  your students’ creative writing as they do producing it.

Need more help supporting your students’ writing?

Read up on  how to get reluctant writers writing , strategies for  supporting struggling secondary writers , or check out our huge list of writing prompts for kids .

reading-eggs-story-factory-comp-header

Watch your students get excited about writing and publishing their own storybooks in the Story Factory

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How to Teach Creative Writing

Last Updated: January 22, 2024 References

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 15 references cited in this article, which can be found at the bottom of the page. This article has been viewed 116,093 times.

Creative writing is one of the most enjoyable types of writing for students. Not only does it allow students to explore their imaginations, but it helps them to structure their ideas and produce writing that they can be proud of. However, creative writing is a relatively difficult type of writing to teach and offers challenges to both new and seasoned teachers alike. Fortunately, though, with some work of their own, teachers can better develop their own abilities to teach creative writing.

Providing Students with the Fundamentals

Step 1 Introduce the important elements of storytelling.

  • Theme. The theme of a story is its message or the main idea behind it.
  • Setting. The setting of a story is the location or time it takes place in.
  • Plot. The plot is the overall story, narrative, or sequence of events.
  • Characterization. Characterization is how a character or person in a story is explained or presented to the reader.
  • Conflict and dramatic action. Conflict and dramatic action are the main events of focus in the story. These events are often tense or exciting and are used to lure the reader in. [1] X Research source

Step 2 Encourage students to engage the reader.

  • Explain how your students, as writers, can appeal to the humanity of their readers. One great way to do this is to ask them to explore character development. By developing the characters in their story, readers will become invested in the story.
  • Discuss the triggers that engage readers in an effective story. Most great stories start with a problem, which is solved with the resolution, or conclusion of the story. Encourage students to create an engaging problem that will hook the readers in the first few pages of a short story or novel. [2] X Research source

Step 3 Explain the importance of tone and atmosphere.

  • By setting the tone and atmosphere of a story, the author will establish his or her attitude to the subject and the feel of the story.
  • Tone can be positive, neutral, or negative. [3] X Research source
  • Atmosphere can be dark, happy, or neither.
  • Descriptive words like “darkness” or “sunshine” can help set both the tone and atmosphere. [4] X Research source

Step 4 Promote the use of active verbs.

  • Active verbs are used to show action in the story.
  • Active verbs are very often a better alternative to passive voice, as it keeps your writing clear and concise for your readers. [5] X Research source
  • For example, instead of writing “The cat was chased by the dog” your student can write “The dog chased the cat.” [6] X Research source

Guiding Students through the Process

Step 1 Allow students to pick their topic.

  • Tell your students to brainstorm about ideas they are truly interested in.
  • If you must restrict the general topic, make sure that your students have a good amount of wiggle room within the broad topic of the assignment.
  • Never assign specific topics and force students to write. This will undermine the entire process. [7] X Research source

Step 2 Have your students write a flexible outline.

  • Letting your students know that the outline is non-binding. They don’t have to follow it in later steps of the writing process.
  • Telling your students that the parts of their outline should be written very generally.
  • Recommending that your students create several outlines, or outlines that go in different directions (in terms of plot and other elements of storytelling). The more avenues your students explore, the better. [8] X Research source

Step 3 Avoid teaching a story “formula.”

  • Tell students that there is no “right” way to write a story.
  • Let students know that their imaginations should guide their way.
  • Show students examples of famous writing that breaks normal patterns, like the works of E.E. Cummings, William Faulkner, Charles Dickens, and William Shakespeare.
  • Ask students to forget about any expectations they think you have for how a story should be written. [9] X Research source

Step 4 Provide feedback on rough drafts.

  • Gather the first drafts and comment on the student's work. For first drafts, you want to check on the overall structure of the draft, proper word use, punctuation, spelling, and overall cohesion of the piece. [10] X Research source
  • Remind them that great writers usually wrote several drafts before they were happy with their stories.
  • Avoid grading drafts for anything other than completion.

Step 5 Organize editing groups.

  • Let students pair off to edit each others' papers.
  • Have your students join groups of 3 or 4 and ask them to go edit and provide feedback on each member’s story.
  • Provide guidance so students contribute constructively to the group discussion. [11] X Research source

Step 6 Evaluate your students based on their creativity.

  • Reward your students if they are innovative or do something unique and truly creative.
  • Avoid evaluating your students based on a formula.
  • Assess and review your own standards as often as you can. Remember that the point is to encourage your students' creativity. [12] X Research source

Spurring Creativity

Step 1 Inspire students with an appreciation of literature.

  • Teach your students about a variety of writers and genres.
  • Have your students read examples of different genres.
  • Promote a discussion within your class of the importance of studying literature.
  • Ask students to consider the many ways literature improves the world and asks individuals to think about their own lives. [13] X Research source

Step 2 Provide your students with a large number of resources.

  • Make sure your room is stocked with a wide variety of fiction stories.
  • Make sure your room is stocked with plenty of paper for your students to write on.
  • Line up other writing teachers or bring in writers from the community to talk to and encourage your students.

Step 3 Have your students write practice stories based on random photos or pictures you provide.

  • Cut out pictures and photographs from magazines, comic books, and newspapers.
  • Have your students cut out photographs and pictures and contribute them to your bank.
  • Consider having your students randomly draw a given number of photos and pictures and writing a short story based on what they draw.
  • This technique can help students overcome writer's block and inspire students who think that they're "not creative." [14] X Research source

Step 4 Arrange an audience.

  • Pair your students with students from another grade in your school.
  • Allow your students to write stories that younger students in your school would like to read.
  • Pair your students with another student in the class and have them evaluate each others' work. [15] X Research source

Step 5 Create a writing space.

  • If you just have a typical classroom to work with, make sure to put inspirational posters or other pictures on the walls.
  • Open any curtains so students can see outside.
  • If you have the luxury of having an extra classroom or subdividing your own classroom, create a comfortable space with a lot of inspirational visuals.
  • Writing spaces can help break writer's block and inspire students who think that they're "not creative." [16] X Research source

Step 6 Publish your students’ work.

  • Involve students in the printing process.
  • Publication does not have to be expensive or glossy.
  • Copies can be made in the school workroom if possible or each student might provide a copy for the others in the group.
  • A collection of the stories can be bound with a simple stapler or brads.
  • Seek out other opportunities for your students to publish their stories. [17] X Research source

Expert Q&A

Christopher Taylor, PhD

You Might Also Like

Teach Storytelling

  • ↑ https://www.writersonlineworkshops.com/courses/creative-writing-101
  • ↑ https://kobowritinglife.com/2012/10/14/six-tips-for-engaging-readers-within-two-seconds-the-hook-in-fiction-and-memoir/
  • ↑ https://www.dailywritingtips.com/in-writing-tone-is-the-author%E2%80%99s-attitude/
  • ↑ http://ourenglishclass.net/class-notes/writing/the-writing-process/craft/tone-and-mood/
  • ↑ https://owl.english.purdue.edu/owl/resource/539/02/
  • ↑ https://archive.nwp.org/cs/public/print/resource/922
  • ↑ http://www.alfiekohn.org/article/choices-children/
  • ↑ https://www.writersdigest.com/write-better-fiction/7-steps-to-creating-a-flexible-outline-for-any-story
  • ↑ http://thewritepractice.com/the-formula-to-write-a-novel/
  • ↑ https://student.unsw.edu.au/editing-your-essay
  • ↑ http://orelt.col.org/module/unit/5-promoting-creative-writing
  • ↑ http://education.seattlepi.com/grade-creative-writing-paper-3698.html
  • ↑ http://www.theatlantic.com/education/archive/2016/04/educating-teenagers-emotions-through-literature/476790/
  • ↑ http://www.wrightingwords.com/for-teachers/5-tips-for-teaching-creative-writing/
  • ↑ http://www.nwp.org/cs/public/print/resource/3138

About This Article

Christopher Taylor, PhD

To teach creative writing, start by introducing your students to the core elements of storytelling, like theme, setting, and plot, while reminding them that there’s no formula for combining these elements to create a story. Additionally, explain how important it is to use tone and atmosphere, along with active verbs, to write compelling stories that come alive. When your students have chosen their topics, have them create story outlines before they begin writing. Then, read their rough drafts and provide feedback to keep them on the right path to storytelling success. For tips from our English reviewer on how to spur creativity in your students, read on! Did this summary help you? Yes No

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Strategies for Teaching Writing

Practical, Teacher-Tested Ways to Improve Your Students' Writing

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One of our most important tasks has is to introduce their young students to the written language and how to use it creatively and effectively in order to communicate. Whether you teach primary or upper elementary grades, your administrator is counting on you to teach your students to quantifiably improve in writing this school year. Here are a few effective teaching strategies to try out in your classroom -- implement a few or try them all.

1. Writing Instruction Doesn't Have To Be Intimidating -- For You Or The Students

Many educators find teaching writing a real challenge. Sure there are all the rules of grammar and punctuation , but outside of those boundaries, there are as many stories to be told as there are people in the world. How do we corral our students' enthusiasm and creative minds so that their writing is coherent, engaging, and purposeful?

2. A Strong Beginning Is Crucial --Then Move Onto The Basics

Start by teaching your students how to write a strong beginning to their stories. With this skill in hand, your students will then be ready to learn about the importance of word choice and avoiding boring, flat, overused words.

3. More Advanced Descriptive Techniques Don't Have To Be Hard To Teach

Even the youngest elementary school students will enjoy trying their hand at tongue twisters. And what do tongue twisters have to do with writing? Well, it's an easy way to introduce the concept of alliteration .

Achoo! Slam! Kaboom! Not only do children love sound effects, but they come to the classroom with a strong familiarity with this subject. Sound effects add power and imagery to writing, and not to mention it's easy to teach students how to appropriately use this skill to kick their writing up a notch.

4. Writing Applications You Might Not Have Considered

Obviously, writing enters into all aspects of human life, especially nowadays in the age of the Internet and email. Use a pen pal program to teach your students how to effectively communicate with their peers in letter format. It's an invaluable skill and a dying art. Or, try practice letter-writing and compile weekly parent newsletters all in one fell swoop! That's another time-saver that practices writing skills at the same time.

Another important aspect of language arts is oral communication and listening skills. Through this easy and fun impromptu speeches lesson, your students will write a speech, perform it out loud, and practice listening to each other.

5. A Well-Rounded Writing Curriculum Is Within Your Grasp

These real life, classroom-tested writing lessons are proven, fun, and easy-to-implement. With practice and diligence, you will watch your students' writing soar and improve daily.

Edited by  Janelle Cox

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How to teach ... creative writing

Summer is the perfect time of year for a spot of creative writing. Inspire young imaginations to put pen to paper with our lesson plans and ideas

From birds chirping aloft the trees to sapphire blue lakes sparkling in the sun, the sights and sounds of summer make it the perfect time of year for a spot of creative writing. Getting students to put pen to paper is a good way to spark their imaginations, develop reading and writing skills, and teach about empathy.

To help you and your class get inventive, this week’s how to teach brings you a selection of ideas and resources to inspire the creativity of young wordsmiths.

Primary students

Author Nick Hesketh recommends that before children start writing, you should discuss what makes a good story. He shares this and other advice in his creative writing video series for the Scottish Book Trust . Get students thinking with these “badly written” exemplars , which provide a handy baseline to work from.

Next, capture young imaginations by getting students to think about the story they want to tell. Where is it set? At what time of day? What is the weather like? What can you hear, see, smell or feel? This worksheet by Creative Writing Now will help students get to know their main character, while this plot questionnaire will encourage them think about what is going to happen. Then get your class penning their masterpieces, writing just a few sentences to begin with. Stress that they shouldn’t worry about spelling, instead, just put a wavy line under any words they are unsure of. There are examples of well thought-out sentences here .

Creative writing should be fun, and playing games is good way to help students develop story ideas. Try an alternative word association game in which you think of words that are at odds with each other (such as “boat” and “rock”) instead of words that are connected (such as “boat” and “water”). The aim is to show that good story ideas often involve some sort of tension. We also have instructions for a fun game called The Invisible Book , which involves students coming up with the first three sentences of a story on the spot, which helps them find their writer’s voice.

If ideas aren’t flowing, kickstart things by stepping outside of the classroom and into the playground as suggested in this resource by WordSpace . Give students unusual things to write on, such as the back of an envelope, a leaf, or a rough piece of wallpaper. Or challenge them to write a short story in just 50 words.

A quick way to conjure up story ideas is through pictures. Use prompts such as this image of two boys sitting on the wing of an aeroplane or this one of a dinosaur in the garden , which can work really well. Another tip from writer and teacher Heather Wright is to ask students to start several stories then choose the one they want to finish. This writing checklist will help students evaluate their work when it’s finished.

Secondary students

Challenge secondary students to write a story in just six words or get them to compile a list of objects for an imaginary cabinet of curiosity. These are just some ideas offered by the Writers’ Centre Norwich , a literature development agency based in England’s only UNESCO City of Literature . They have produced an easy-to-use 20-page activity pack for the classroom, which introduces a range of genres and draws on a variety of writing stimuli including photographs and poems.

If students want to get to the heart of a character, ask them to address the audience as their favourite fictitious creations. Writing a monologue is the focus of this key stage 4 resource by the Poetry Society . A second resource encourages students to create a piece of writing based on what they can – and can’t – see out of an imaginary window. The aim is for students to make effective use of descriptive detail as they write short lines of poetry in response to a series of prompts. As a homework task, ask students to repeat the exercise while looking out of a real window.

Students doing creative writing at A-level need to work in a whole range of written forms and genres including creative non-fiction and web content. They should be prepared to share work-in-progress with others, responding to feedback and developing drafting and editing skills. They should also write regularly to deadlines and keep a journal of writing ideas. You’ll find useful advice on approaching the first term of teaching in this guide by AQA . You’ll also find additional ideas to support learning and teaching here .

For those who are eager to take creative writing even further, this resource offers useful information on how to set up a creative writing club.

Finally, remember to encourage young people to read as often and as widely as possible – this is one of the most effective ways to teach creative writing. With this in mind, be sure to set your students off on the Summer Reading Challenge . You’ll find lots of reading and writing activities in this year’s pack .

Follow us on Twitter via @GuardianTeach . Join the Guardian Teacher Network for lesson resources, comment and job opportunities , direct to your inbox.

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A Step-by-Step Plan for Teaching Narrative Writing

July 29, 2018

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“Those who tell the stories rule the world.”  This proverb, attributed to the Hopi Indians, is one I wish I’d known a long time ago, because I would have used it when teaching my students the craft of storytelling. With a well-told story we can help a person see things in an entirely new way. We can forge new relationships and strengthen the ones we already have. We can change a law, inspire a movement, make people care fiercely about things they’d never given a passing thought.

But when we study storytelling with our students, we forget all that. Or at least I did. When my students asked why we read novels and stories, and why we wrote personal narratives and fiction, my defense was pretty lame: I probably said something about the importance of having a shared body of knowledge, or about the enjoyment of losing yourself in a book, or about the benefits of having writing skills in general.

I forgot to talk about the  power of story. I didn’t bother to tell them that the ability to tell a captivating story is one of the things that makes human beings extraordinary. It’s how we connect to each other. It’s something to celebrate, to study, to perfect. If we’re going to talk about how to teach students to write stories, we should start by thinking about why we tell stories at all . If we can pass that on to our students, then we will be going beyond a school assignment; we will be doing something transcendent.

Now. How do we get them to write those stories? I’m going to share the process I used for teaching narrative writing. I used this process with middle school students, but it would work with most age groups.

A Note About Form: Personal Narrative or Short Story?

When teaching narrative writing, many teachers separate personal narratives from short stories. In my own classroom, I tended to avoid having my students write short stories because personal narratives were more accessible. I could usually get students to write about something that really happened, while it was more challenging to get them to make something up from scratch.

In the “real” world of writers, though, the main thing that separates memoir from fiction is labeling: A writer might base a novel heavily on personal experiences, but write it all in third person and change the names of characters to protect the identities of people in real life. Another writer might create a short story in first person that reads like a personal narrative, but is entirely fictional. Just last weekend my husband and I watched the movie Lion and were glued to the screen the whole time, knowing it was based on a true story. James Frey’s book  A Million Little Pieces  sold millions of copies as a memoir but was later found to contain more than a little bit of fiction. Then there are unique books like Curtis Sittenfeld’s brilliant novel American Wife , based heavily on the early life of Laura Bush but written in first person, with fictional names and settings, and labeled as a work of fiction. The line between fact and fiction has always been really, really blurry, but the common thread running through all of it is good storytelling.

With that in mind, the process for teaching narrative writing can be exactly the same for writing personal narratives or short stories; it’s the same skill set. So if you think your students can handle the freedom, you might decide to let them choose personal narrative or fiction for a narrative writing assignment, or simply tell them that whether the story is true doesn’t matter, as long as they are telling a good story and they are not trying to pass off a fictional story as fact.

Here are some examples of what that kind of flexibility could allow:

  • A student might tell a true story from their own experience, but write it as if it were a fiction piece, with fictional characters, in third person.
  • A student might create a completely fictional story, but tell it in first person, which would give it the same feel as a personal narrative.
  • A student might tell a true story that happened to someone else, but write it in first person, as if they were that person. For example, I could write about my grandmother’s experience of getting lost as a child, but I might write it in her voice.

If we aren’t too restrictive about what we call these pieces, and we talk about different possibilities with our students, we can end up with lots of interesting outcomes. Meanwhile, we’re still teaching students the craft of narrative writing.

A Note About Process: Write With Your Students

One of the most powerful techniques I used as a writing teacher was to do my students’ writing assignments with them. I would start my own draft at the same time as they did, composing “live” on the classroom projector, and doing a lot of thinking out loud so they could see all the decisions a writer has to make.

The most helpful parts for them to observe were the early drafting stage, where I just scratched out whatever came to me in messy, run-on sentences, and the revision stage, where I crossed things out, rearranged, and made tons of notes on my writing. I have seen over and over again how witnessing that process can really help to unlock a student’s understanding of how writing actually gets made.

A Narrative Writing Unit Plan

Before I get into these steps, I should note that there is no one right way to teach narrative writing, and plenty of accomplished teachers are doing it differently and getting great results. This just happens to be a process that has worked for me.

Step 1: Show Students That Stories Are Everywhere

Getting our students to tell stories should be easy. They hear and tell stories all the time. But when they actually have to put words on paper, they forget their storytelling abilities: They can’t think of a topic. They omit relevant details, but go on and on about irrelevant ones. Their dialogue is bland. They can’t figure out how to start. They can’t figure out how to end.

So the first step in getting good narrative writing from students is to help them see that they are already telling stories every day . They gather at lockers to talk about that thing that happened over the weekend. They sit at lunch and describe an argument they had with a sibling. Without even thinking about it, they begin sentences with “This one time…” and launch into stories about their earlier childhood experiences. Students are natural storytellers; learning how to do it well on paper is simply a matter of studying good models, then imitating what those writers do.

So start off the unit by getting students to tell their stories. In journal quick-writes, think-pair-shares, or by playing a game like Concentric Circles , prompt them to tell some of their own brief stories: A time they were embarrassed. A time they lost something. A time they didn’t get to do something they really wanted to do. By telling their own short anecdotes, they will grow more comfortable and confident in their storytelling abilities. They will also be generating a list of topic ideas. And by listening to the stories of their classmates, they will be adding onto that list and remembering more of their own stories.

And remember to tell some of your own. Besides being a good way to bond with students, sharing  your stories will help them see more possibilities for the ones they can tell.

Step 2: Study the Structure of a Story

Now that students have a good library of their own personal stories pulled into short-term memory, shift your focus to a more formal study of what a story looks like.

Use a diagram to show students a typical story arc like the one below. Then, using a simple story—like this Coca Cola commercial —fill out the story arc with the components from that story. Once students have seen this story mapped out, have them try it with another one, like a story you’ve read in class, a whole novel, or another short video.

how to teach creative writing to elementary students

Step 3: Introduce the Assignment

Up to this point, students have been immersed in storytelling. Now give them specific instructions for what they are going to do. Share your assignment rubric so they understand the criteria that will be used to evaluate them; it should be ready and transparent right from the beginning of the unit. As always, I recommend using a single point rubric for this.

Step 4: Read Models

Once the parameters of the assignment have been explained, have students read at least one model story, a mentor text that exemplifies the qualities you’re looking for. This should be a story on a topic your students can kind of relate to, something they could see themselves writing. For my narrative writing unit (see the end of this post), I wrote a story called “Frog” about a 13-year-old girl who finally gets to stay home alone, then finds a frog in her house and gets completely freaked out, which basically ruins the fun she was planning for the night.

They will be reading this model as writers, looking at how the author shaped the text for a purpose, so that they can use those same strategies in their own writing. Have them look at your rubric and find places in the model that illustrate the qualities listed in the rubric. Then have them complete a story arc for the model so they can see the underlying structure.

Ideally, your students will have already read lots of different stories to look to as models. If that isn’t the case, this list of narrative texts recommended by Cult of Pedagogy followers on Twitter would be a good place to browse for titles that might be right for your students. Keep in mind that we have not read most of these stories, so be sure to read them first before adopting them for classroom use.

how to teach creative writing to elementary students

Click the image above to view the full list of narrative texts recommended by Cult of Pedagogy followers on Twitter. If you have a suggestion for the list, please email us through our contact page.

Step 5: Story Mapping

At this point, students will need to decide what they are going to write about. If they are stuck for a topic, have them just pick something they can write about, even if it’s not the most captivating story in the world. A skilled writer could tell a great story about deciding what to have for lunch. If they are using the skills of narrative writing, the topic isn’t as important as the execution.

Have students complete a basic story arc for their chosen topic using a diagram like the one below. This will help them make sure that they actually have a story to tell, with an identifiable problem, a sequence of events that build to a climax, and some kind of resolution, where something is different by the end. Again, if you are writing with your students, this would be an important step to model for them with your own story-in-progress.

how to teach creative writing to elementary students

Step 6: Quick Drafts

Now, have students get their chosen story down on paper as quickly as possible: This could be basically a long paragraph that would read almost like a summary, but it would contain all the major parts of the story. Model this step with your own story, so they can see that you are not shooting for perfection in any way. What you want is a working draft, a starting point, something to build on for later, rather than a blank page (or screen) to stare at.

Step 7: Plan the Pacing

Now that the story has been born in raw form, students can begin to shape it. This would be a good time for a lesson on pacing, where students look at how writers expand some moments to create drama and shrink other moments so that the story doesn’t drag. Creating a diagram like the one below forces a writer to decide how much space to devote to all of the events in the story.

how to teach creative writing to elementary students

Before students write a full draft, have them plan out the events in their story with a pacing diagram, a visual representation of how much “space” each part of the story is going to take up.

Step 8: Long Drafts

With a good plan in hand, students can now slow down and write a proper draft, expanding the sections of their story that they plan to really draw out and adding in more of the details that they left out in the quick draft.

Step 9: Workshop

Once students have a decent rough draft—something that has a basic beginning, middle, and end, with some discernible rising action, a climax of some kind, and a resolution, you’re ready to shift into full-on workshop mode. I would do this for at least a week: Start class with a short mini-lesson on some aspect of narrative writing craft, then give students the rest of the period to write, conference with you, and collaborate with their peers. During that time, they should focus some of their attention on applying the skill they learned in the mini-lesson to their drafts, so they will improve a little bit every day.

Topics for mini-lessons can include:

  • How to weave exposition into your story so you don’t give readers an “information dump”
  • How to carefully select dialogue to create good scenes, rather than quoting everything in a conversation
  • How to punctuate and format dialogue so that it imitates the natural flow of a conversation
  • How to describe things using sensory details and figurative language; also,  what  to describe…students too often give lots of irrelevant detail
  • How to choose precise nouns and vivid verbs, use a variety of sentence lengths and structures, and add transitional words, phrases, and features to help the reader follow along
  • How to start, end, and title a story

Step 10: Final Revisions and Edits

As the unit nears its end, students should be shifting away from revision , in which they alter the content of a piece, toward editing , where they make smaller changes to the mechanics of the writing. Make sure students understand the difference between the two: They should not be correcting each other’s spelling and punctuation in the early stages of this process, when the focus should be on shaping a better story.

One of the most effective strategies for revision and editing is to have students read their stories out loud. In the early stages, this will reveal places where information is missing or things get confusing. Later, more read-alouds will help them immediately find missing words, unintentional repetitions, and sentences that just “sound weird.” So get your students to read their work out loud frequently. It also helps to print stories on paper: For some reason, seeing the words in print helps us notice things we didn’t see on the screen.

To get the most from peer review, where students read and comment on each other’s work, more modeling from you is essential: Pull up a sample piece of writing and show students how to give specific feedback that helps, rather than simply writing “good detail” or “needs more detail,” the two comments I saw exchanged most often on students’ peer-reviewed papers.

Step 11: Final Copies and Publication

Once revision and peer review are done, students will hand in their final copies. If you don’t want to get stuck with 100-plus papers to grade, consider using Catlin Tucker’s station rotation model , which keeps all the grading in class. And when you do return stories with your own feedback, try using Kristy Louden’s delayed grade strategy , where students don’t see their final grade until they have read your written feedback.

Beyond the standard hand-in-for-a-grade, consider other ways to have students publish their stories. Here are some options:

  • Stories could be published as individual pages on a collaborative website or blog.
  • Students could create illustrated e-books out of their stories.
  • Students could create a slideshow to accompany their stories and record them as digital storytelling videos. This could be done with a tool like Screencastify or Screencast-O-Matic .

So this is what worked for me. If you’ve struggled to get good stories from your students, try some or all of these techniques next time. I think you’ll find that all of your students have some pretty interesting stories to tell. Helping them tell their stories well is a gift that will serve them for many years after they leave your classroom. ♦

Want this unit ready-made?

If you’re a writing teacher in grades 7-12 and you’d like a classroom-ready unit like the one described above, including slideshow mini-lessons on 14 areas of narrative craft, a sample narrative piece, editable rubrics, and other supplemental materials to guide students through every stage of the process, take a look at my Narrative Writing unit . Just click on the image below and you’ll be taken to a page where you can read more and see a detailed preview of what’s included.

how to teach creative writing to elementary students

What to Read Next

how to teach creative writing to elementary students

Categories: Instruction , Podcast

Tags: English language arts , Grades 6-8 , Grades 9-12 , teaching strategies

50 Comments

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Wow, this is a wonderful guide! If my English teachers had taught this way, I’m sure I would have enjoyed narrative writing instead of dreading it. I’ll be able to use many of these suggestions when writing my blog! BrP

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Lst year I was so discouraged because the short stories looked like the quick drafts described in this article. I thought I had totally failed until I read this and realized I did not fai,l I just needed to complete the process. Thank you!

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I feel like you jumped in my head and connected my thoughts. I appreciate the time you took to stop and look closely at form. I really believe that student-writers should see all dimensions of narrative writing and be able to live in whichever style and voice they want for their work.

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Can’t thank you enough for this. So well curated that one can just follow it blindly and ace at teaching it. Thanks again!

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Great post! I especially liked your comments about reminding kids about the power of storytelling. My favourite podcasts and posts from you are always about how to do things in the classroom and I appreciate the research you do.

On a side note, the ice breakers are really handy. My kids know each other really well (rural community), and can tune out pretty quickly if there is nothing new to learn about their peers, but they like the games (and can remember where we stopped last time weeks later). I’ve started changing them up with ‘life questions’, so the editable version is great!

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I love writing with my students and loved this podcast! A fun extension to this narrative is to challenge students to write another story about the same event, but use the perspective of another “character” from the story. Books like Wonder (R.J. Palacio) and Wanderer (Sharon Creech) can model the concept for students.

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Thank you for your great efforts to reveal the practical writing strategies in layered details. As English is not my first language, I need listen to your podcast and read the text repeatedly so to fully understand. It’s worthy of the time for some great post like yours. I love sharing so I send the link to my English practice group that it can benefit more. I hope I could be able to give you some feedback later on.

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Thank you for helping me get to know better especially the techniques in writing narrative text. Im an English teacher for 5years but have little knowledge on writing. I hope you could feature techniques in writing news and fearute story. God bless and more power!

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Thank you for this! I am very interested in teaching a unit on personal narrative and this was an extremely helpful breakdown. As a current student teacher I am still unsure how to approach breaking down the structures of different genres of writing in a way that is helpful for me students but not too restrictive. The story mapping tools you provided really allowed me to think about this in a new way. Writing is such a powerful way to experience the world and more than anything I want my students to realize its power. Stories are how we make sense of the world and as an English teacher I feel obligated to give my students access to this particular skill.

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The power of story is unfathomable. There’s this NGO in India doing some great work in harnessing the power of storytelling and plots to brighten children’s lives and enlighten them with true knowledge. Check out Katha India here: http://bit.ly/KathaIndia

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Thank you so much for this. I did not go to college to become a writing professor, but due to restructuring in my department, I indeed am! This is a wonderful guide that I will use when teaching the narrative essay. I wonder if you have a similar guide for other modes such as descriptive, process, argument, etc.?

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Hey Melanie, Jenn does have another guide on writing! Check out A Step-by-Step Plan for Teaching Argumentative Writing .

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Hi, I am also wondering if there is a similar guide for descriptive writing in particular?

Hey Melanie, unfortunately Jenn doesn’t currently have a guide for descriptive writing. She’s always working on projects though, so she may get around to writing a unit like this in the future. You can always check her Teachers Pay Teachers page for an up-to-date list of materials she has available. Thanks!

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I want to write about the new character in my area

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That’s great! Let us know if you need any supports during your writing process!

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I absolutely adore this unit plan. I teach freshmen English at a low-income high school and wanted to find something to help my students find their voice. It is not often that I borrow material, but I borrowed and adapted all of it in the order that it is presented! It is cohesive, understandable, and fun. Thank you!!

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So glad to hear this, Nicole!

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Thanks sharing this post. My students often get confused between personal narratives and short stories. Whenever I ask them to write a short story, she share their own experiences and add a bit of fiction in it to make it interesting.

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Thank you! My students have loved this so far. I do have a question as to where the “Frog” story mentioned in Step 4 is. I could really use it! Thanks again.

This is great to hear, Emily! In Step 4, Jenn mentions that she wrote the “Frog” story for her narrative writing unit . Just scroll down the bottom of the post and you’ll see a link to the unit.

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I also cannot find the link to the short story “Frog”– any chance someone can send it or we can repost it?

This story was written for Jenn’s narrative writing unit. You can find a link to this unit in Step 4 or at the bottom of the article. Hope this helps.

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I cannot find the frog story mentioned. Could you please send the link.? Thank you

Hi Michelle,

The Frog story was written for Jenn’s narrative writing unit. There’s a link to this unit in Step 4 and at the bottom of the article.

Debbie- thanks for you reply… but there is no link to the story in step 4 or at the bottom of the page….

Hey Shawn, the frog story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link Debbie is referring to at the bottom of this post will take you to her narrative writing unit and you would have to purchase that to gain access to the frog story. I hope this clears things up.

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Thank you so much for this resource! I’m a high school English teacher, and am currently teaching creative writing for the first time. I really do value your blog, podcast, and other resources, so I’m excited to use this unit. I’m a cyber school teacher, so clear, organized layout is important; and I spend a lot of time making sure my content is visually accessible for my students to process. Thanks for creating resources that are easy for us teachers to process and use.

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Do you have a lesson for Informative writing?

Hey Cari, Jenn has another unit on argumentative writing , but doesn’t have one yet on informative writing. She may develop one in the future so check back in sometime.

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I had the same question. Informational writing is so difficult to have a good strong unit in when you have so many different text structures to meet and need text-dependent writing tasks.

Creating an informational writing unit is still on Jenn’s long list of projects to get to, but in the meantime, if you haven’t already, check out When We All Teach Text Structures, Everyone Wins . It might help you out!

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This is a great lesson! It would be helpful to see a finished draft of the frog narrative arc. Students’ greatest challenge is transferring their ideas from the planner to a full draft. To see a full sample of how this arc was transformed into a complete narrative draft would be a powerful learning tool.

Hi Stacey! Jenn goes into more depth with the “Frog” lesson in her narrative writing unit – this is where you can find a sample of what a completed story arc might look. Also included is a draft of the narrative. If interested in checking out the unit and seeing a preview, just scroll down to the bottom of the post and click on the image. Hope this helps!

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Helped me learn for an entrance exam thanks very much

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Is the narrative writing lesson you talk about in https://www.cultofpedagogy.com/narrative-writing/

Also doable for elementary students you think, and if to what levels?

Love your work, Sincerely, Zanyar

Hey Zanyar,

It’s possible the unit would work with 4th and 5th graders, but Jenn definitely wouldn’t recommend going any younger. The main reason for this is that some of the mini-lessons in the unit could be challenging for students who are still concrete thinkers. You’d likely need to do some adjusting and scaffolding which could extend the unit beyond the 3 weeks. Having said that, I taught 1st grade and found the steps of the writing process, as described in the post, to be very similar. Of course learning targets/standards were different, but the process itself can be applied to any grade level (modeling writing, using mentor texts to study how stories work, planning the structure of the story, drafting, elaborating, etc.) Hope this helps!

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This has made my life so much easier. After teaching in different schools systems, from the American, to British to IB, one needs to identify the anchor standards and concepts, that are common between all these systems, to build well balanced thematic units. Just reading these steps gave me the guidance I needed to satisfy both the conceptual framework the schools ask for and the standards-based practice. Thank you Thank you.

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Would this work for teaching a first grader about narrative writing? I am also looking for a great book to use as a model for narrative writing. Veggie Monster is being used by his teacher and he isn’t connecting with this book in the least bit, so it isn’t having a positive impact. My fear is he will associate this with writing and I don’t want a negative association connected to such a beautiful process and experience. Any suggestions would be helpful.

Thank you for any information you can provide!

Although I think the materials in the actual narrative writing unit are really too advanced for a first grader, the general process that’s described in the blog post can still work really well.

I’m sorry your child isn’t connecting with The Night of the Veggie Monster. Try to keep in mind that the main reason this is used as a mentor text is because it models how a small moment story can be told in a big way. It’s filled with all kinds of wonderful text features that impact the meaning of the story – dialogue, description, bold text, speech bubbles, changes in text size, ellipses, zoomed in images, text placement, text shape, etc. All of these things will become mini-lessons throughout the unit. But there are lots of other wonderful mentor texts that your child might enjoy. My suggestion for an early writer, is to look for a small moment text, similar in structure, that zooms in on a problem that a first grader can relate to. In addition to the mentor texts that I found in this article , you might also want to check out Knuffle Bunny, Kitten’s First Full Moon, When Sophie Gets Angry Really Really Angry, and Whistle for Willie. Hope this helps!

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I saw this on Pinterest the other day while searching for examples of narritives units/lessons. I clicked on it because I always click on C.o.P stuff 🙂 And I wasn’t disapointed. I was intrigued by the connection of narratives to humanity–even if a student doesn’t identify as a writer, he/she certainly is human, right? I really liked this. THIS clicked with me.

A few days after I read the P.o.C post, I ventured on to YouTube for more ideas to help guide me with my 8th graders’ narrative writing this coming spring. And there was a TEDx video titled, “The Power of Personal Narrative” by J. Christan Jensen. I immediately remembered the line from the article above that associated storytelling with “power” and how it sets humans apart and if introduced and taught as such, it can be “extraordinary.”

I watched the video and to the suprise of my expectations, it was FANTASTIC. Between Jennifer’s post and the TEDx video ignited within me some major motivation and excitement to begin this unit.

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Thanks for sharing this with us! So glad that Jenn’s post paired with another text gave you some motivation and excitement. I’ll be sure to pass this on to Jenn!

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Thank you very much for this really helpful post! I really love the idea of helping our students understand that storytelling is powerful and then go on to teach them how to harness that power. That is the essence of teaching literature or writing at any level. However, I’m a little worried about telling students that whether a piece of writing is fact or fiction does not matter. It in fact matters a lot precisely because storytelling is powerful. Narratives can shape people’s views and get their emotions involved which would, in turn, motivate them to act on a certain matter, whether for good or for bad. A fictional narrative that is passed as factual could cause a lot of damage in the real world. I believe we should. I can see how helping students focus on writing the story rather than the truth of it all could help refine the needed skills without distractions. Nevertheless, would it not be prudent to teach our students to not just harness the power of storytelling but refrain from misusing it by pushing false narratives as factual? It is true that in reality, memoirs pass as factual while novels do as fictional while the opposite may be true for both cases. I am not too worried about novels passing as fictional. On the other hand, fictional narratives masquerading as factual are disconcerting and part of a phenomenon that needs to be fought against, not enhanced or condoned in education. This is especially true because memoirs are often used by powerful people to write/re-write history. I would really like to hear your opinion on this. Thanks a lot for a great post and a lot of helpful resources!

Thank you so much for this. Jenn and I had a chance to chat and we can see where you’re coming from. Jenn never meant to suggest that a person should pass off a piece of fictional writing as a true story. Good stories can be true, completely fictional, or based on a true story that’s mixed with some fiction – that part doesn’t really matter. However, what does matter is how a student labels their story. We think that could have been stated more clearly in the post , so Jenn decided to add a bit about this at the end of the 3rd paragraph in the section “A Note About Form: Personal Narrative or Short Story?” Thanks again for bringing this to our attention!

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You have no idea how much your page has helped me in so many ways. I am currently in my teaching credential program and there are times that I feel lost due to a lack of experience in the classroom. I’m so glad I came across your page! Thank you for sharing!

Thanks so much for letting us know-this means a whole lot!

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No, we’re sorry. Jenn actually gets this question fairly often. It’s something she considered doing at one point, but because she has so many other projects she’s working on, she’s just not gotten to it.

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I couldn’t find the story

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Hi, Duraiya. The “Frog” story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link at the bottom of this post will take you to her narrative writing unit, which you can purchase to gain access to the story. I hope this helps!

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How to Teach Writing to Elementary Students without Fear

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As an instructional coach, I have countless discussions with teachers on a variety of topics. One topic many agree on: teaching writing can cause anxiety. When I dig deeper into the root of their feelings, I find that their fear comes from just how much is involved—brainstorming, drafting, revising, editing—in teaching writing to elementary students effectively, not to mention the continual need to provide feedback throughout the process.

No matter what subject you teach—science, math, reading, social studies—writing is a common thread that is critical for success. Elementary students are learning how to write and respond to a variety of texts in all these subject areas. Research shows that teaching students how to do so effectively is crucial. In fact, because writing enables success in all academic areas and prepares students for college, career, and life, it remains one of the most important elements of K–12 education.

While teaching elementary students to be effective writers is a significant undertaking, there are steps teachers can take to minimize angst and optimize the experience.

Steps to Teaching Writing to Elementary Students

For many young students, writing is a new skill they are learning and practicing. And like anyone learning a new skill, students need a lot of guidance and support from an expert: their teacher. As Dr. Troy Hicks says in Achieving Writing Proficiency: The Research on Practice, Feedback, and Revision , “Guided practice is a powerful form of learning, and writing proficiency, with support, grows over time.”

If our goal is for students to grow, then we must scaffold the entire process. Use sentence frames , vocabulary banks, and graphic organizers to ease the process for new writers and those that need support. Another step teachers can take is to use mentor sentences and modeled examples to show students what the expected outcome looks like. As Dr. Hicks says, “When learning how to write, students must study mentor texts to understand the specific craft moves that highly skilled authors make in their work.” Showing students writing, instead of just talking about it, is a huge step in teaching writing to elementary students effectively.

One last step I often share with teachers is to provide feedback throughout the entire writing process. By the time the student is finished with their writing, the teacher should have read it and conferenced with that student several times. Feedback is the most important piece of the writing puzzle and without it, students will not grow as writers. Dr. Hicks writes, “ We also know that targeted writing feedback leads students to revise with intention, a key component of achieving growth and proficiency.”

how to teach creative writing to elementary students

With HMH's Writable ®, teachers can save time when they use AI suggested feedback on student work. The program generates feedback in English or Spanish in minutes. Teachers can edit the comments with ease, driving student writing growth.

Teaching the Writing Process to Elementary Students

The writing process for elementary students works the same way as it does for older students: brainstorm, draft, revise, and edit. This process does not change. However, since students are still learning, the writing process for younger students may look a little different than the process for their secondary counterparts. Below are some strategies for each step of the writing process that show how it may look different in an elementary classroom.

Brainstorming Stage

One of the challenges younger students face when asked to write a story or respond to a prompt, is the actual conceptualization of the task. Asking a first grader to create a character and write a story without anything tangible for them to refer to is difficult. The results will be mediocre at best. Try a hands-on activity. Brainstorming a character for a story becomes more accessible for a student when they can sketch their vision on paper, or using modeling clay, create a 3D representation of their character. Take this one step further by allowing students to use items like yarn, buttons, or stickers to enhance their creation. 

If students are writing an essay that involves research, provide them a KWL chart so they can organize what they know (K) about the subject, what they want to know (W), and what they learned (L) through readings and other resources. The more that students can think through their ideas, the better they will be able to tackle the next step, which is to draft.

Drafting Stage

This step of the writing process needs to be scaffolded for elementary students. In many instances, students are learning how to draft stories and responses to text for the first time. One strategy is to provide sentence frames for students to use while they draft. Filling in the beginning or end of a sentence to complete a sentence frame provides that extra support for students who are struggling to get started. You can also provide graphic organizers that allow students to structure their ideas, whether they’re writing an essay or a fictional story. 

Finally, showing students examples of good writing can make a big impact when students tackle similar assignments on their own. Share these step-by-step guides, including writing examples, with your students:

  • How to Write a Reflective Narrative Paragraph
  • How to Write a Persuasive Paragraph
  • How to Write an Expository Paragraph  

Revising Stage

Revision at the younger grade levels requires a lot of teacher feedback. Students just don’t have the experience with writing yet to truly know what needs revising. This is where teacher feedback plays a crucial role in making this step of the writing process a success. A strategy to use during this step is to give students an actionable item to revise. For example, encourage students to add description to their writing to enhance the imagery and detail. By doing this, students move from the abstract step of revision  to a tangible task they can accomplish.

Editing Stage

The last step of the writing process is to edit. Just as students need actionable tasks when revising, they also need actionable tasks when editing. A common strategy that is useful and encourages self-reflection is to use a checklist. A checklist is a scaffolded approach to showing students what to look for as they edit their writing. Items you may include on the checklist are: punctuation, capitalization, or sentence structure. Expand this task by allowing students to collaborate and discuss each other’s writing while using the checklist as a point of reference.

An Effective Approach to Teaching Writing

And there you have it—my best tips for teaching students to be effective writers. Remember, the key is in your approach to writing for elementary students. Don't be afraid to try new things in the classroom, like letting students use modeling clay to work out ideas before writing. If you’ve ever dreaded teaching writing like many of the educators I’ve worked with over the years, I hope the approach I've described here will help you learn to enjoy it. 

Embrace the challenges that teaching writing presents. Teaching and learning is a process for both the teacher and the student, so enjoy the process together.

Essential Strategies for Teaching Writing

Here are our go-to writing strategies for students of all grade levels.

  • Writing strategies for elementary students are coming soon.
  • Middle school writing strategies  that will foster fearless writers.
  • Writing strategies for high school students that will help them master the writing process.

Try Writable for Grades 3–12 to support your ELA curriculum, district benchmarks, and state standards. The program provides more than 1,000 customizable writing assignments and rubrics, plus AI-generated feedback and originality check that will save teachers time while boosting student skills.

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how to teach creative writing to elementary students

Students may feel reluctant and threatened by a blank piece of paper and a request to write a story about a given topic.

However, with some inspiration and fun activities , reluctant writers gain confidence and eager writers gain the skills to create higher quality writing.

How to teach creative writing?

Use these activities as building blocks to improving student writing and as tools to help you teach creative writing skills.

Once learned, the activities serve as tools that your students can keep using as they write in the future.

This is the writing process that I use with my students

Show students how to use graphic organizers

Show students how to use graphic organizers such as story maps to think through their writing before they start.

A story map is a tool, often used in both reading and writing instruction, that helps students to understand the important elements of a story.

Before beginning a story, have kids plan out story elements such as character , plot, setting, theme, problem and solution on a story map so they have it to refer to as they write the story.

Fill in the graphic organizer together with your students the first few times to help them through the thinking process of coming up with the story elements that should be in the organizer.

Students will use graphic organizers such as story maps

Read to your students

Read to your students, no matter how old they are, so that they know what high quality writing sounds like.

Use a list such as the one linked below to find books that focus on one or two characteristics of quality writing. Before reading the book, introduce a characteristic of writing , such as unique word choice, and then ask students to listen for samples of it in the book as you read.

Later, have them mimic the characteristic of the book you read in a creative writing piece of their own , focusing on improving it in their writing.

Choose some familiar fairy tales, stories or nursery rhymes.

Choose some familiar fairy tales, stories or nursery rhymes. Write a list and ask students to tell you from whose point of view the story is written.

Discuss which story elements tell you who is telling the story. Discuss that character’s voice or personality characteristic s and identify those in the story.

Have students pick a story 5 and retell all or part of it from a different character’s point of view using that character’s voice and personality in their writing.

Writing a story with others gives hesitant writers some peer assistance

Use circle-writing activities

Use circle-writing activities from time to time for a quick, fun and non-threatening creative writing exercise.

Place students in groups of four to six people . Each group needs one pencil and one piece of paper. Give students a strange topic or story starter such as “Yesterday, on the way home from school I saw the strangest creature. It had…” Each group chooses one person to start the story.

The student begins to write the story when the teacher says, “Go!” and continues to write until the signal to stop is given.

At that point, students pass the paper to the next person in the circle who reads aloud the story so far to his group.

The activity continues for a given time period or number of rotations around the circle. Always give the signal to the group when the last rotation arrives so they begin to end their stories.

Writing a story together with their group gives hesitant writers some peer assistance and a less threatening environment for creating a story.

How to introduce creative writing activities to children?

Start with the six traits of writing.

Ideas, Organization, Voice, Word Choice, Sentence Fluency and Conventions. These six traits provide a way to assess students’ writing.

When students understand the traits, they know what is expected of their writing.

Using and teaching the traits gives you a way to provide specific feedback about each student’s skills and needs.

Begin each class with an engaging prompt

These prompts could be used for short stories, journaling or oral stories. Vary the types of prompts.

You could use famous quotes, paintings, photographs, comic strips, passages from novels , poems, story starters or anything else students might relate to.

Teach students how to hold peer conferences with each other

During these evaluations, students read each other’s writing and give feedback. Model or script an effective, valuable conference for the class to see.

Vary how the partners or groups are organized; choose a friend, teacher’s choice, student to the left, etc. Give students a sheet of questions to ask each other and turn in for a grade or credit.

Questions could include: What is your favorite part of this story? Is there anything that is confusing to you, if so what?

Focus the lessons on a small topic like using adjectives to replace the word “good”

Demonstrate how to do a story or character graphic organizer

Students use these to plan out their ideas, characters, plot, main idea and direction of the story before writing.

These graphic organizers take brainstorming a step further. They begin to take their ideas and develop them.

Show students how valuable the writing process is by giving multiple opportunities to edit and revise their work.

According to Alice L. Trupe , author of “Revising Practices,” “As he [the student] internalizes the feedback, he becomes a better critic of his own writing and progressively incorporates those critical insights into his own drafting and revising processes when writing outside of the classroom.”

Teach mini-lessons at the beginning of each lesson.

Focus the lessons on a small topic like using adjectives to replace the word “good.”

Teach other mini-lessons about strong verbs , fragments and run-on sentences , figurative language and good leads and conclusions.

Start a writing club to join together students who already enjoy writing.

Don’t limit it to “good” writers, open it up to anyone who wants to join. Let students choose their topics on some assignments.

Some students may be discouraged or frustrated if they are always told what to write.

Here are some possible topics for young learners:

  • Imagine that you can become invisible whenever you wanted to? What are some of the things you would do.
  • I am very proud because…
  • If I were President I would…
  • If I were a turtle living in a pond, I would …
  • I am afraid to________ becaus,K
  • Name on thing you do really well? Give lots of details telling why.
  • What is your favorite room in your home and why?
  • Describe what it means to be a good neighbor?
  • What is your favorite time of day? Why?
  • Describe your best day ever?
  • How do you deal with people who bug you?
  • What excites you?
  • Describe your favorite hobby.
  • What is your favorite quote by a famous person? Why?
  • What is your favorite song and why?
  • Climbing trees is…
  • I wish trees could ___________ because….
  • I want to be a ________ when I grow up. Then I will….
  • I wish there were a law that said…..
  • I wish I could forget the time I ___________ because….
  • I wish I could do ___________ because…..
  • Older people are…

EAL Coordinator: Responsible for helping students achieve better results academically. She is fond of English language learning and teaches across all levels of students. She uses a range of teaching strategies to accommodate to students different learning styles and their unique needs.

how to teach creative writing to elementary students

Teaching creative writing in primary schools: a systematic review of the literature through the lens of reflexivity

  • Open access
  • Published: 17 June 2023

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  • Georgina Barton   ORCID: orcid.org/0000-0003-2703-238X 1 ,
  • Maryam Khosronejad 2 ,
  • Mary Ryan 2 ,
  • Lisa Kervin 3 &
  • Debra Myhill 4  

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Teaching writing is complex and research related to approaches that support students’ understanding and outcomes in written assessment is prolific. Written aspects including text structure, purpose, and language conventions appear to be explicit elements teachers know how to teach. However, more qualitative and nuanced elements of writing such as authorial voice and creativity have received less attention. We conducted a systematic literature review on creativity and creative aspects of writing in primary classrooms by exploring research between 2011 and 2020. The review yielded 172 articles with 25 satisfying established criteria. Using Archer’s critical realist theory of reflexivity we report on personal, structural, and cultural emergent properties that surround the practice of creative writing. Implications and recommendations for improved practice are shared for school leaders, teachers, preservice teachers, students, and policy makers.

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Autofictionalizing Reflective Writing Pedagogies: Risks and Possibilities

Avoid common mistakes on your manuscript.

Introduction

Creative writing in schools is an important part of learning, assessment, and reporting, however, there is evidence globally to suggest that such writing is often stifled in preference to quick on-demand writing, usually featured in high-stakes testing (Au & Gourd, 2013 ; Gibson & Ewing, 2020 ). Research points to this negatively impacting particularly on students from diverse backgrounds (Mahmood et al., 2020 ). When teachers teach on-demand writing typical pedagogical traits are revealed, those that are often referred to as formulaic (Ryan & Barton, 2014 ). When thinking about creative writing, however, Wyse et al. ( 2013 ) noted that it involves the absence of structure and teaching creative writing requires an ‘open’ pedagogical approach for students to be given imaginative choice. By this, they mean that teachers need to consider less formulaic ways to teach writing so that students can experience different opportunities and ways to write creatively. They argued that if students are not given the flexibility to experiment through writing then their creativity might be stifled. Similarly, Barbot et al. ( 2012 ), who carried out a study with a panel of 15 experts of creative writing, posited that creative writing is when students draw on their imagination and other creative processes to create fictional narratives or writing that is ‘unusually original’. They also noted that creative writing is important for the development of students’ critical and creative thinking skills and ways in which they can approach life in creative ways.

Creative writing is defined in various ways in literature. Wang ( 2019 ) defined creative writing as a form of original expression involving an author’s imagination to engage a reader. Other definitions of creative writing involve the notion of children’s imagination, choice, and originality and much research has explored the concept of creativity within and through the writing process.

While creative writing is defined in various ways, and the many ways that it is treated in literacy education, this article is not concerned with the nature of the term per se. Rather, it focusses on research about creative writing and creativity in writing to understand how research unpacks the personal and contextual characteristics that surround creative writing practices. To this aim, we adopt a broad definition of creative writing as a form of original writing involving an author’s imagination and self-expression to engage a reader (Wang, 2019 ). Creative writing is important for children’s development (Grainger et al., 2005 ), allowing them to use their imagination and broaden their ability to problem-solve and think deeply. Creativity in writing refers to specific aspects within a writing product that can be deemed creative. Some examples include the use of senses and how a writer might engage a reader (Deutsch, 2014 ; Smith, 2020 ).

International research on teaching writing has indicated a loss in innovative or creative pedagogical practices due to the pressure on teachers to teach prescribed writing skills that are assessed in high-stakes tests (Göçen, 2019 ; Stock & Molloy, 2020 ), often resulting in specific trends including teaching a genre approach to writing (Polesel et al., 2012 ; Ryan & Barton, 2014 ). A comprehensive meta-analysis by Graham et al ( 2012 ), designed to identify writing practices with evidence of effectiveness in primary classrooms, found that explicitly teaching imagery and creativity was an effective teaching practice in writing. In addition, a review of methods related to teaching writing conducted by Slavin et al. ( 2019 ) included studies that statistically reported causal relationships between teacher practice and student outcomes. Common themes in Slavin et al’s ( 2019 ) quest for improving writing included comprehensive teacher professional development, student engagement and enjoyment, and explicit teaching of grammar, punctuation, and usage. While they did not specifically cite creativity, motivating environments and cooperative learning were important characteristics of writing programs.

This systematic literature review aims to share empirical international research in the context of elementary/primary schools by exploring creativity in writing and the conditions that influence its emergence. It specifically aims to answer the question: What influences the teaching of creative writing in primary education? And how can reflexivity theorise these influences? The review shares scholarly work that attempts to define personal aspects of creative writing including imagination, and creative thinking; discusses creative approaches to teaching writing, and shows how these methods might support students’ creative writing or creative aspects of writing.

Writing is a complex process that involves students making decisions about word choice, sentence, and text structure, and ways in which to engage readers. Such decisions require a certain amount of reflection or at times deeper reflexive judgments by both teachers and students. Consequently, we draw on Archer’s ( 2012 ) critical realist theory of reflexivity to guide our review as research shows that reflexive thinking in practice can improve writing outcomes (Ryan et al., 2021 ). Archer ( 2007 ) highlights how reflexivity is an everyday activity involving mental processes whereby we think about ourselves in relation to our immediate personal, social, and cultural contexts. She suggests we make decisions through negotiating the connected emergences of personal properties (PEPs) related to the individual, structural properties (SEPs) related to the contextual happenings and cultural properties (CEPs) related to ideologies, each of which is influenced by the other developments. These decisions influence, and are influenced by, our subsequent actions. In applying reflexivity theory to writing (see Ryan, 2014 ), we cannot simply focus on the writing product, but should also interrogate the process of writing, that is, the influences on decision-making and design which are enabled or constrained through pedagogical practices in the classroom. Writing practices and outputs are formed through the interplay of personal, structural, and cultural conditions. Student decisions and actions about writing ensue through the mediation of personal (e.g. beliefs, motivations, interests, experiences), structural (e.g. curriculum, programs, testing regimes, teaching strategies, resources), and cultural (e.g. norms, expectations, ideologies, values) conditions. Therefore, teachers play an important role in facilitating the interplay of these conditions for their students and recontextualising curricula and policy (Ryan et al., 2021 ). For example, by enabling students’ agency and creating an authentic purpose for writing, teachers can balance the personal conditions of students (such as their motivation and interest) against the structural effects of the curriculum requirements. Using a reflexive approach to investigating the literature on creative writing we aim to reveal the personal, structural, and cultural conditions surrounding the study and the practice of creative writing. We argue that it is through the understanding of these conditions that we can theorise how a. students might make their writing more creative and b. how teachers might establish classroom conditions conducive to creativity.

The approach taken for this paper was guided by the PRISMA method (Moher et al., 2009 ) for conducting systematic literature reviews (see Table 1 ).

Our electronic search involved several databases: researchers’ library online catalogue, EBSCO host ultimate, ProQuest, Eric, Web of Science, Informit, and ScienceDirect. Using the following search terms: creativ* AND (‘teaching methods’ OR pedagog*) AND writing AND (elementary OR primary) to search titles and abstracts as well as limiting the search to peer-reviewed articles written in English within a 10-year timeframe (2011–2020), we initially retrieved 172 articles. Information about all 172 articles was input into a data spreadsheet including author, article title, journal title, volume and issue number, and abstract. Once completed, these articles were divided into two equal groups and two researchers were assigned to review the articles for relevancy against the following inclusion criteria:

Studies were peer-reviewed empirical research published in English;

Participants were primary students and/or teachers;

Students were not specifically English as a Second or Additional Language/Dialect learners (samples of culturally and linguistically diverse students in primary classrooms were included);

Studies were not carried out in curriculum areas other than English; and

Studies did not have a specific focus on digital technologies in the classroom.

For this systematic review, we were interested in the ways in which teachers thought about, understood, and taught the ‘creative’ aspect of writing.

The 25 studies that met the inclusion criteria were synthesised to review what influences the improvement of creative writing in primary education. We analysed the papers for how creative writing and/or creative aspects in writing were viewed as well as how teachers might best support students to develop reflexive capacities to improve the creative aspects of writing. We also identified any personal, structural, and/or cultural emergences that might impact on the effectiveness of students’ creative writing. Two of the authors read the entire articles and identified four main categories of research which were (1) understanding creative writing; (2) creative thinking and its contribution to writing; (3) creative pedagogy; and (4) what students can do to be more creative in their writing. These were cross-checked by the entire research team. Some of the papers fit more than one of these themes. In the next section, each theme is introduced and defined and then the articles that fall within the theme are reviewed.

Overall a total number of 25 articles had overlapping themes that included various personal and contextual aspects. Figure  1 shows what we have identified as the key themes under each category. In the next sections, we represent papers based on their main theme.

figure 1

The personal, structural, and cultural conditions surrounding creative writing

Personal emergent properties

A total number of 13 articles were about what students can do to be more creative in their writing (Mendelowitz, 2014 ; Steele, 2016 ) and how teachers’ and students’ personal characteristics relate to the development of creative writing. These articles were mainly focussed on the personal emergent aspects of writing (Alhusaini & Maker, 2015 ; Barbot et al., 2012 ; Cremin et al., 2020 ; DeFauw, 2018 ; Dobson, 2015 ; Dobson & Stephenson, 2017 , 2020 ; Edwards-Groves, 2011 ; Healey, 2019 ; Lee & Enciso, 2017 ; Macken-Horarik, 2012 ; Ryan, 2014 ). The personal aspects identified in our review were (1) personal views about creative writing, (2) creative thinking, (3) writer identity, (4) learner motivation and engagement, and (5) knowledge and capabilities.

Personal views about creative writing

From our systematic review, we identified three articles exploring views about what creative writing is, and more specifically the role that it plays and the elements that make creative writing, in primary classrooms. One of these studies was focussed on the views and experiences of experts in writing (Barbot et al., 2012 ), whereas the other two investigated students’ perspectives and experiences (Alhusaini & Maker, 2015 ; Healey, 2019 ). Barbot et al’s ( 2012 ) work, for example, recognised that creative writing involves both cognitive and metacognitive abilities. This was determined by the expert panel of people whose work related to writing including teachers, linguists, psychologists, professional writers, and art educators. The panel were asked to complete an online survey that rated the relative importance of 28 identified skills needed to creatively write. Six broad categories were identified as a result of the responses and the rank given to each factor by the expert groups (See Table 2 ). They acknowledged that these features cross over various age groups from children to professional writers.

Findings suggested that each independent rater weighted different key components of creative writing as being more or less important for children. Overall, the findings showed.

a global ‘consensus’ across the expert groups indicated that creative writing skills are primarily supported by factors such as observation, generation of description, imagination, intrinsic motivation and perseverance, while the contributions of all of the other relevant factors seemed negligible (e.g. intelligence, working memory, extrinsic motivation and penmanship). (p. 218)

One factor that was ranked as critical by most respondents, but underemphasised by teachers, was imagination. Teachers’ work in classrooms around creative writing is complex due to the difficulty in defining imagination (Brill, 2004 ). Teachers also under-rated other aspects related to creative cognition.

Another study that explored students’ creativity in writing was conducted by Alhusaini and Maker ( 2015 ) in the south-west of the United States. Participants included 139 students with mixed ethnicities including White, Mexican American, and Navajo. This study involved six elementary/primary school teachers judging students’ writing samples of open-ended stories. To assess the work a Written Linguistic Assessment tool, which was based on the Consensual Assessment Technique [CAT] (Amabile, 1982 ) was implemented. According to Baer and McKool ( 2009 ), The CAT involves experts rating written artefacts or artistic objects by using their ‘sense of what is creative in the domain in question to rate the creativity of the products in relation to one another’ (p. 4). Interestingly, Alhusaini and Maker ( 2015 ) found the CAT to be effective in relation to interrater reliability. The authors do not share what the Judge’s Guidelines to Assess Students’ Stories entail. They mention the difference between technical quality and creativity and note that assessors were able to distinguish the differences between the two, but the reader is not made aware of the aspects of each quality. Overall, the study revealed that one of the most challenging problems in the field of creativity and writing is trying to measure creativity across cultures by using standardised tests. Such studies could have implications for other students from culturally and linguistically diverse backgrounds as teachers become more aware of cultural nuances in constituting ‘creative’ in creative writing.

The final study we identified in this category was by Healey ( 2019 ). Healey employed an Interpretative Phenomenological Analysis (IPA) and explored how eight children (11–12 Years of age) experienced creative writing in the classroom. He shared how children’s writing experiences were based on ‘the affect, embodiment, and materiality of their immediate engagement with activities in the classroom’ (p. 184). Results from student interviews showed three themes related to the experience of writing: the writing world (watching, ideas from elsewhere, flowing); the self (concealing and revealing, agency, adequacy); and schooled writing (standards, satisfying task requirements, rules of good writing). The author stated that children’s consciousness shifts between their imagination (The Writing World) and set assessment tasks (Schooled Writing). Both of these worlds affect the way children experience themselves as writers. Further findings from this work argued that originality of ideas and use of richer vocabulary improved students’ creative writing. Vocabulary improvement included diversity of word meanings, appropriate usage of words, words being in line with the purpose of the text; while originality of ideas featured creative and unusual (original) ideas—which in many ways is difficult to define.

Overall, when concerned with personal views and attitudes in creative writing, the two studies by Healey ( 2019 ) and Barbot et al. ( 2012 ) show contrasting findings about ‘imagination’ captured through the view of students and teachers, respectively. While Healey’s ( 2019 ) study suggests that children shift between their imagination and set assessment tasks in creative writing, Barbot et al. ( 2012 ) highlight the lack of attention to imagination among their participated teachers. Although these results cannot be generalised, they highlight the significance of understanding personal emergent properties that both students and teachers bring to the classroom and the way that they interact to affect the experience of creative writing for learners. From this theme, we suggest the importance of educators acknowledging students’ imagination through their definition of creative writing as well as providing quality time for students to choose what they write through imaginative thought. We now turn to creative thinking and related pedagogical approaches to teaching creative writing from the research literature.

Creative thinking

We identified two articles that were focussed on creative thinking and its contribution to writing (Copping, 2018 ; Cress & Holm, 2016 ). Copping ( 2018 ) explored writing pedagogy and the connections between children’s creative thinking, or a ‘new way of looking at something’ (p. 309), and their writing achievement. The study involved two primary schools in Lancashire, one in an affluent area and one in an underprivileged area. Approximately 28 children from each school were involved in two, 2-day writing workshops based on a murder mystery the children had to solve. Findings from this study revealed that to improve students’ writing achievement (1) a thinking environment needs to be created and maintained, (2) production processes should have value, (3) motivation and achievement increase when there is a tangible purpose, and (4) high expectations lead to higher attainment.

Cress and Holm’s ( 2016 ) study described a curricular approach implemented by a first-grade teacher and their class comprised 13 girls and 11 boys. The project known as the Creative Endeavours project aimed to develop creative thinking by (1) creating an environment of respect with a positive classroom climate. (2) offering new and challenging experiences, and (3) encouraging new ideas rather than praise. The authors argued that through peer collaboration and the flexibility to choose their own projects, children can become more authentically engaged in the writing process. The children wrote about their experiences and their choices, and reflected upon the projects undertaken. In this study, it was revealed that the children showed diversity in their writing assignments including presentation through sewing, photography, and drama. While there were only two papers in this particular theme, their findings are supported by systematic reviews (Graham et al., 2012 ; Slavin et al., 2019 ) that emphasise not only new ways of exploring a range of concepts for learning but also the creation of motivating environments for improving writing (Copping, 2018 ). In addition to the significance of positive and encouraging learning environments, these two studies suggest that setting ‘high expectations’ or ‘challenging experiences’ are conducive to creative thinking however, teachers would need to set appropriate, reflexive conditions for this to occur.

Writer identity

Studies in this category revolve around choice and learner writer identity. The study carried out by Dobson and Stephenson ( 2017 ) focussed on developing a community of writers involving 25 primary school pupils from low socio-economic backgrounds. The project was offered over 2 weeks and featured a number of creative writing workshops. The authors applied the theoretical frameworks of practitioner enquiry and discourse analysis to explore the children’s creative writing outputs. They argued that the workshops, which promoted intertextuality and freedom for the children as writers, enabled a shifting of their ‘writer’ identities (Holland et al., 1998). Dobson and Stephenson ( 2017 ) showed that allowing students to make decisions and choices in regard to authentic writing purposes supported a more flexible approach. They recommend stronger partnerships between schools and universities in relation to research on creative writing, however, it would be important for these relationships to be sustainable.

The second paper on this theme is by Ryan ( 2014 ) who noted that writing is a complex activity that requires appropriate thinking in relation to the purpose, audience, and medium of a variety of texts. Writers always make decisions about how they will present subject matter and/or feelings through all of the modes. Ryan ( 2014 ) suggested that writing is like a performance ‘whereby writers shape and represent their identities as they mediate social structures and personal considerations’ (p. 130). The study analysed writing samples of culturally and linguistically diverse Australian primary students to uncover the types of identities students shared. It found that three different types of writers existed—the school writers who followed teacher instructions or formulas to produce a product; the constrained writers who also followed instructions and formulas but were able to add in some authorical voice; and the reflexive writers who could show a definite command of writing and showed creative potential. Ryan ( 2014 ) argued that teachers’ practices in the classroom directly influence the ways in which students express these identities. She stated that when students are provided choices in writing, they are more able to shape and develop their voices. Such choices would need to include quality time and support to be reflexive in the decisions being made by the students.

The Teachers as Writers project (2015–2017) was conducted by Cremin, Myhill, Eyres, Nash, Wilson, and Oliver. In a recent paper ( 2020 ), the team reported on a collaborative partnership between two universities and a creative writing foundation. Professional writers were invited to engage with teachers in the writing process and the impact of these interactions on classroom teaching practices was determined. Data sets included observations, interviews, audio-capture (of workshops, tutorials and co-mentoring reflections), and audio-diaries from 16 teachers; and a randomised controlled trial (RCT) involving 32 primary and secondary classes. An intervention was carried out involving teachers writing in a week long residence with professional writers, one-on-one tutorials, and extra time and space to write. They also continued learning through two Continuing Professional Development (CPD) days. Results showed that teachers’ identities as writers shifted greatly due to their engagement with professional authors. The students responded positively in terms of their motivation, confidence, sense of ownership, and skills as writers. The professional authors also commented on positive impacts including their own contributions to schools. Conversely, these changes in practice did not improve the students’ final assessment results in any significant way. The authors noted that assuming a causal relationship between teachers’ engagement with writing workshops and students’ writing outcomes was spurious. They, therefore, developed further research building on this learning.

Knowledge and capabilities

The role of knowledge and capability is central to the articles in this category. In Australia, Macken-Horarik ( 2012 ) reported on the introduction of a national curriculum for English. This article drew on Systemic Functional Linguistics (SFL) by investigating the potential of Halliday’s notion of grammatics for understanding students’ writing as acts of creative meaning in context. Macken-Horarik ( 2012 ) argued that students needed to know deeply about language so that they could make creative decisions with their writing. She outlined that a ‘good enough’ grammatics would assist teachers in becoming comfortable with ‘playful developments in students’ texts and to foster their control of literate discourse’ (p. 179).

A project carried out by Edwards-Groves in 2011 highlights the role of knowledge about digital technologies in writing practices. 17 teachers in primary classrooms in Australia were asked to use particular digital technologies with their students when constructing classroom texts. Findings showed that an extended perspective on what counts as writing including the writing process was needed. Results revealed that collaborative methods when constructing diverse texts required teachers to rethink pedagogies towards writing instruction and what they consider as writing. It was argued that technology can be used to enhance creative possibilities for students in the form of new and dynamic texts. In particular, it was noted that teachers and students should be aware that digital technologies can both constrain and/or enable text creation in the classroom depending on a number of variables including knowledge and understanding, locating resources and logistical issues such as connectivity and reliability.

In addition, Mendelowitz’s ( 2014 ) study argued that nurturing teachers’ own creativity assisted their ability to teach writing more generally. She noted several ‘interrelated variables and relationships that still need to be given attention in order to gain a more holistic understanding of the challenges of teaching creative writing’ (p. 164). According to Mendelowitz ( 2014 ), elements that impacted on these challenges include teachers’ school writing histories, conceptualisations of imagination, classroom discourses, and pedagogy. Documenting teachers’ work through interviews and classroom observations by the researcher, the study found that teachers need to be able to define imagination and imaginative writing and know what strategies work best with their students. She noted that the teacher’s approaches to teaching writing ‘powerfully shaped by the interactions between their conceptualisations and enactments of imaginative writing pedagogy’ (p. 181) and that these may either limit or create a space for students to be more creative with their writing.

Such Personal Emergent Properties show that individual attributes of both teachers and students are important in learning creative writing. The next section of the paper explores the articles that shared various structural and cultural properties.

Structural emergent properties

In the subset of structural emergent properties, we mainly identified pedagogical approaches for creative writing that explored primary school learning and teaching (Christianakis, 2011a ; Christianakis, 2011b ; Coles, 2017 ; DeFauw, 2018 ; Hall & Grisham-Brown, 2011 ; Portier et al., 2019 ; Rumney et al., 2016 ; Sears, 2012 ; Steele, 2016 ; Southern et al., 2020 ; Yoo & Carter, 2017 ). These pedagogical approaches were aimed at addressing issues related to personal emergent properties such as motivation and engagement, and confidence in writing. The two categories of writing pedagogies were those that engaged professional authors and artists in teaching about creative writing, and the approaches that involved play(ful) activities, and use of visual arts, and drama.

Engaging professional authors and artists

Interestingly, many of the studies used literary forms and/or professional creative authors to spike interest and motivation in the students. Coles’ ( 2017 ) study, for example, used a garden-themed poetry writing project to support 9–10-year-old children’s creative writing in a London primary school. The 5-week project partnered with a professional creative writing organisation that facilitated the Ministry for Stories (MoS) writing centres across the USA. The study found that the social relationships created through this partnership allowed for a more inclusive and socially generative model of creativity. This meant that teachers should not just include creative aspects in assessment rubrics but rather recognise that creativity is encouraged through imagination and working with others. The researchers found improvements in the children’s participation in classroom writing activities as well as diversity in the ways they expressed their writing. The approach valued ‘rich means of expression rather than a set of rules to be learnt’ (p. 396). They also acknowledged issues associated with school–community partnerships including the sustainability of the practice.

Similarly, Rumney et al. ( 2016 ) found that using creative multimodal activities increased students’ confidence and motivation for writing. The study implemented the Write Here project with over 900 children in 12 primary and secondary schools. The study involved the children visiting local art galleries to work with professional authors and artists. Case studies were presented about pre-writing activities, the actual gallery work and post-gallery follow-up sessions. It aimed to improve students’ social development and literacy outcomes through diverse learning activities such as visual art and play in different contexts such as art galleries and classrooms. Like Coles’ ( 2017 ) study, this project showed that creative activities (e.g. talking about and acting out pictures; using story maps; backwards writing and planning) engaged students more than just teaching skills.

In addition, DeFauw’s ( 2018 ) study had student-centred learning and leadership at the core when working with a children’s book author for one year. The collaboration involved three face-to-face sessions with the author as well as online communication through blog posts. Data included recorded interactions, readings and pre and post interviews with teachers ( n  = 9), students ( n  = 36), and the author. The partnership showed that students’ interest was activated and sustained due to the situational context as well as the extended time given to students to interact with the author. The project improved students’ interest in and motivation to write as a result of engaging with authors and hearing about their own experience and writing strategies. It also found that teachers gained more confidence to support students’ exploration of writing in more creative ways. The creative pedagogies were also used in addressing issues related to creative writing outcomes for students, including teachers’ lack of confidence about pedagogies (Southern et al., 2020 ). Through a creative social enterprise approach, the authors facilitated professional development and learning involving artist-led activities for students. The program called Zip Zap had been implemented in schools in Wales and England, and data were collected through focus groups with teachers, students, and parents/carers. Observations of some of the professional development workshops were also video recorded. Third space theory was used to describe the collaborative practice between educators and artists that supported students’ creative writing outcomes. It was noteworthy that involving ‘creative’ practitioners largely focussed on the specific strategies that could be used in classrooms, to which our next section now turns.

Play(ful) activities, visual arts, and drama

Much research explores how to best support students who find writing difficult. Sears’ research ( 2012 ) is a case in point. The author shared how visual arts may be an effective way to improve struggling students with writing. They argued that the visual arts can provide ways of ‘accessing and expressing [student] ideas and ultimately opening a world of creative possibilities’ (p. 17). In the study, six third-grade students engaged with drawing and painting as pre-writing strategies, leading to the creation of poems based on the artworks. The students’ final poems were assessed and showed improved knowledge of all 6 technical categories in writing: ideas, organisation, fluency, voice, word choice, and conventions. The author also argued that students’ motivation to write increased as a result of the visual art activities.

A study by Portier et al. ( 2019 ) investigated approaches to teaching writing that were motiving and engaging for students. Involving 10 northern rural communities in Canada, the project implemented collaborative, play(ful) learning activities alongside sixteen teachers and their students. Interestingly, the study, like many others in our review, found a disconnect ‘between the achievement of curricular objectives and the implementation of play(ful) learning activities’ (p. 20); an approach valued in early childhood education. The students were supported through action research projects in creating texts with different purposes. Students’ motivation as well as samples of work were analysed and showed that student interest areas and collaborative approaches benefited both teachers and students. Further research on how reflexive thinking might have influenced these benefits is recommended.

Similarly, Lee and Enciso ( 2017 ) highlighted the importance of motivation and engagement in their study. In a collaboration with Austin Theatre Alliance, Lee and Enciso ( 2017 ) investigated how dramatic approaches to teaching, such as through expanded imagination and improvisation, can improve students’ story writing. They argued that the students’ motivation to write was also increased. The study was carried out through a controlled quasi-experimental study over 8 weeks of story-writing and drama-based programs. 29 third-grade classrooms in various schools, located in an urban district of Texas, were involved. The study also pre- and post-tested the students’ writing self-efficacy through story building. The study found that students were more able to use their cultural knowledge such as ‘culturally formed repertoires of language and experience to explore and express new understandings of the world and themselves…’ (p. 160) for creative writing purposes but needed more quality resources to support opportunities such as the Literacy for Life program. A most important finding was that for children who experience poverty, drama-based activities developed and led by teaching artists were extremely powerful and allowed the students to express themselves in entertaining ways. We do note that ‘entertainment’ and or engagement might mean different things for different students so reflexive approaches to deciding what these are would be necessary.

Steele’s ( 2016 ) study also looked at supporting teachers’ work in the classroom. Involving 6 out of 20 teacher workshop participants in Hawaii, this exploratory case study utilised observations, interview, and portfolio analyses of teacher and student work. Findings from the study showed that some teachers relished moving away from everyday ‘typical’ practice and increased student voice and choice. Other teachers, however, found it difficult to take risks and hence respond to student needs and ideas.

Dobson and Stephenson’s ( 2020 ) study focussed on the professional development of primary school teachers using drama to develop creative writing across the curriculum. The project was sponsored by the United Kingdom Literacy Association and ran for two terms in a school year. Researchers based the research on a collaborative approach involving academics and four teachers working with theatre educators to use process drama. Data sets included lesson observations, notes taken during learning conversations, and interviews with the teachers. The findings showed that three of the four teachers resisted some of the methods used such as performance; resulting in a lack of child-centred learning. The remaining teacher could take on board innovative practice, which the researchers attributed to his disposition. The study argued that these teachers, while a small participant group, needed more support in feeling confident in implementing new and creative approaches to teaching writing.

The final study, identified as addressing creative pedagogies for creative writing, was carried out by Yoo and Carter ( 2017 ) as professional development for teachers. Data included teacher survey responses and field notes taken by the researchers at each workshop (note: number of workshops and participants is unknown). The program aimed to investigate how emotions play a role in teachers’ work when teaching creative writing. The researchers found that intuitive joint construction of meaning was important to meet the needs of both primary and secondary teachers. A community of practice was established to support teachers’ identities as writers (see also Cremin et al., 2020 ). Findings showed that teachers who already identified as writers engaged more positively in the workshop.

These studies presented some approaches for teachers to consider how to teach creative writing. For example, the need to value unique spaces for students to write, including authentic connections with people and places outside of school environments was shared. Further, the need for quality stimuli and time for writing was acknowledged. Several other studies identified that blended teaching approaches to support student learning outcomes in the area of creative writing is important for schools and teachers to consider. We do acknowledge there may be other methods available to support students in creative writing, however, understanding what types of SEPs are impacting on teaching creative writing is an important step in determining improvements in schools.

Cultural emergent properties

Christianakis ( 2011a , 2011b ) wrote two papers about children’s creative text development with an emphasis on the cultural aspects. The first was an ethnographic study across 8 months with a year five class in East San Francisco Bay. The study included audio recording the students’ conversations and analysing over 900 samples of work. In the classroom, students were involved in a range of meaning-making practices including those that were arts-based and multimodal. The conversations with the students involved the researcher asking questions such: tell me more about this drawing, how did you come up with the idea? or why did you make this choice? The study found that there was a need for schools to reconceptualise the teaching of writing ‘to include not only orthographic symbols, but also the wide array of communicative tools that children bring to writing’ (p. 22). The author argued that unless corresponding institutional practices and ideologies were interrogated then improved practice was unlikely.

Christianakis’ ( 2011b ) second article, from the same project, explored more specifically the creation of hybrid rap poems by the children. She explicated how educators needed to negotiate and challenge dominant practices in primary classroom literacy learning. Like many studies before, a strong recommendation was to be more inclusive of youth popular cultures and culturally relevant literacies for students to be more engaged in creative writing practices. For Christianakis, culturally relevant literacies meant practices that embraced diversity in class and race and accounted for, and challenged, the dominant hegemonic curriculum that ‘privileges a traditional canon’ (p. 1140).

In summary, we found several themes under PEPs that could be considered for further research including those outlined in Table 3 below.

Discussion and implications for classroom practice

From this systematic literature review, several positions were exposed about the personal, structural, and cultural influences (Archer, 2012 ; Ryan, 2014 ) on teaching creative writing. These include limited teacher and student knowledge of what constitutes creative writing (Personal Emergent Properties [PEPs]), and no shared understanding or expectation in relation to creative writing pedagogy in their context (Cultural Emergent Properties [CEPs]). The negative impact of standardised testing and trending approaches on how teachers teach writing (CEP; Structural Emergent Properties [SEPs]) could also be considered (see AUTHORS 1 and 3, 2014 for example). In addition, teachers’ poor self-efficacy in terms of teaching creative writing (PEP); a paucity of quality professional development about teaching and assessing creative writing (SEP); and issues related to the sustainability of creative approaches to teach writing (SEP; CEP) need to be considered by leaders and teachers in schools. Our literature review advances knowledge about creative writing by revealing two interconnected areas that affect creative writing practices. Findings suggest that a parallel focus on personal conditions and contextual conditions—including structural and cultural—has the potential to improve creative writing in general. Below, we share some implications and recommendations for improved practice by focussing on both (1) personal views about creative writing and (2) the structural and cultural aspects that affect creative writing practices at schools.

Focussing on personal views about creative writing

School leaders and teachers must clearly define what creative writing is, what key skills constitute creative writing.

From our search it was apparent that schools and their educators often do not have a clear idea or indeed a shared idea as to what constitutes creative writing in relation to their own context. Without a well-defined focus for creative writing students may find it difficult to know what is required in classroom tasks and assessment. In addition, when planning for creative writing in school programs, teachers should consider flexible learning opportunities and choice for their students when developing their creative writing skills. Such flexibility should also involve choice of topic, ways of working (e.g. peer collaboration, individual activities etc.), and open discussions led by students in the classroom as shown throughout this paper. It would also be important for leaders and teachers to interrogate current approaches to teaching writing which we argued in the introduction to be formulaic and genre based.

Improve teacher self-efficacy, confidence, and content knowledge in teaching writing

Many of our studies showed that teachers who lacked confidence about writing themselves had less knowledge and skills to teach writing than those that may have participated in projects encouraging ‘teachers as writers’. Further, improved knowledge of grammar (as highlighted in Macken-Horarik’s, 2012 work); talk about writing in the classroom and other spaces (Cremin et al., 2020 ) and the writing process (see Ryan, 2014 ) could assist teachers in becoming more confident to take risks in the classroom with their students. Above all being playful about writing through extended conversations and practices is required.

Focussing on the structural and cultural resources

Improve training and further professional development and learning about teaching and assessing creative writing.

In order for the above personal attributes to be improved, further professional development and learning are required. Many of the papers presented throughout this review demonstrated the powerful impact of immersive professional learning for teachers. Working alongside professional authors, researchers, drama practitioners, visual artists, poets, for example, provided positive opportunities for teachers to learn about writing but also to feel more confident to teach it without imposing strict boundaries on students. We argue for professional development to be both formal and informal including such approaches as coaching and mentoring in the classroom. Demonstrated practice alongside the teacher is also recommended. This, in turn, would address the ongoing issue of creative writing being stifled for students in the classroom context.

Consider sustainability of creative pedagogic approaches and spaces for creative writing in curriculum planning

Many of the studies throughout this paper shared creative approaches to teaching writing but there were concerns that some of these methods may not be sustainable. It is important for school leaders to support the work of teachers in relation to teaching creative writing. We acknowledge that there is increasing uncertainty and scrutiny surrounding teachers’ everyday work (Knight, 2020 ), however, continued engagement in learning about and participating in creative pedagogy for writing is highly recommended. In addition, the studies suggested the provision of appropriate and authentic spaces in which students could creatively write and these often included spaces outside of the normal classroom environment and arts-based approaches implemented in such spaces. Teachers should be encouraged to collaborate and take risks rather than follow predetermined strategies for every lesson. A whole of school practice can be developed with important conversations about the ideologies that inform the school’s approach to writing.

Schools should not stifle creativity in the classroom due to the infiltration of standardised and/or trending approaches to teaching and assessing writing

It is evident that pedagogical approaches to teaching writing have been stifled by more formulaic methods aiming to meet expectations of standardised tests despite other evidence showing the benefits of more productive, engaging, and creative approaches to teaching writing as highlighted above. This can be particularly the case for students from non-dominant backgrounds where writing about cultural and life experiences through innovative practices has been proven to empower their voices (Johnson, 2021 ). The research shows that when students are offered rigid structures of texts, no choice of genres, and indeed word lists, their own decisions about writing are diminished (Ryan & Barton, 2013 ). It has been proven that students’ engagement and motivation to write can increase when they are able to write directly from their own experience or in social groups. It is therefore recommended that school leaders and teachers reconsider their ideologies about writing and explicitly indicate the importance of real-world purposes for writing—not just formulised, quick writing as usually included in external tests—but also those that encourage students’ growth in imagination, creativity, and innovative thought.

This systematic review used a lens of reflexivity to situate writing as a process of active and creative design whereby students make conscious decisions about their writing, with guidance from their teachers. As explained, we see creative writing as writing that engages a reader and, therefore, requires knowledge of authorial voice and appropriate word choice. This involves reflexive decisions relating to personal, structural, and cultural emergent properties. Predominant in the literature was the striking influence of CEPs or the values and expectations ascribed to writing, which in turn influence the strategies and resources (SEPs) and the experiences and motivations of students and teachers in the classroom (PEPs). Writing is about more than a series of perfectly formed sentences in a recognisable structure, which dominates conceptions of writing through high-stakes testing globally. It is about engagement with the expressive self, emergent identities, and relationships to places and people and above all communicating to and/or entertaining a reader. Without quality education in creative writing, society is at risk of losing an art form that is important for cultural practice and expression (Watson, 2016 ).

We do foresee several limitations with such a review, largely related to the positive nature of the studies in relation to creative approaches to teaching writing as well as the relatively small numbers of participants in some of the studies. Most of the studies reported favourably on the approaches taken by teachers to influence student motivation towards writing with limited comments about adverse effects. In terms of contributions, the notion that students need to draw on creative thought and ideas when writing means that teachers and leaders must think about diverse ways to teach writing. We argue, on the basis of the findings, that inquiry-based and reflexive professional learning projects about creativity are crucial for primary classrooms: what creativity means in different contexts and for different writers; how it is enabled; and the decisions and actions that emerge when creative and reflexive design guide our approach to classroom writing. Without quality knowledge and understanding of what creative writing is and how it is taught, we would be at risk of diminishing students’ self-expression and ability to communicate meaning to others in literary forms.

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Barton, G., Khosronejad, M., Ryan, M. et al. Teaching creative writing in primary schools: a systematic review of the literature through the lens of reflexivity. Aust. Educ. Res. (2023). https://doi.org/10.1007/s13384-023-00641-9

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Teaching Creative Writing: Tips for Your High School Class

Teaching Creative Writing: Tips for Your High School Class

When I was first told that I’d be teaching creative writing, I panicked. While I had always enjoyed writing myself, I had no idea how to show others how to do it creatively. After all, all of my professional development had focused on argumentative writing and improving test scores. 

Eventually, though, I came to love my creative writing class, and I think you will too. In this post, I hope to help you with shaping your own creative writing class. 

Disclosure: This post may contain affiliate links that earn me a small commission, at no additional cost to you. I only recommend products that I personally use and love, or think my readers will find useful.

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The Importance of Teaching Creative Writing

Before getting into the nitty-gritty of how to teach creative writing, let’s first remind ourselves why you should teach a creative writing class.  

How often do you see students freeze in your English class, wondering if what they’re writing is “right”? How often do your students beg you to look over their work to make sure that they’re doing it “right”? 

We English teachers know that there’s no such thing as “right” when it comes to writing. But our students really struggle with the idea of there being no one correct answer. Creative writing is one solution to this problem.

By encouraging our students to explore, express themselves, and play with language, we show them how fun and exploratory writing can be. I know there have been many times in my life when writing clarified my own ideas and beliefs for me; creative writing provides this opportunity for our high school students. 

Plus, creative writing is just downright fun! And in this modern era of standardized testing, high-stakes grading, and just increased anxiety overall, isn’t more fun just what our students and us need? 

Creative writing is playful, imaginative, but also rigorous. It’s a great balance to our standard literature or composition curriculum. 

Whether you’re choosing to teach creative writing or you’re being voluntold to do so, you’re probably ready to start planning. Make it as easy as possible on yourself: grab my done-for-you Creative Writing Class here !

Otherwise, preparing for an elective creative writing class isn’t much different than preparing for any other English class .

Set your goals and choose the standards you’ll cover. Plan lessons accordingly. Then, be sure to have a way to assess student progress. 

Teaching Creative Writing Tip #1: Get Clear on Your Goals

First, what do you want to achieve with your creative writing class? In some school, Creative Writing is purely a fun elective. The goal is create a class that students enjoy with a side of learning. 

For other schools or district cultures, however, Creative Writing might be an intensely academic course. As a child, I went to an arts middle school. Creative writing was my major and it was taken very seriously. 

The amount of rigor you wish to include in your class will impact how you structure everything . So take some time to think about that . You may want to get some feedback from your administrator or other colleagues who have taught the course. 

Some schools also sequence creative writing classes, so be sure you know where in the sequence your particular elective falls. I’ve also seen schools divide creative writing classes by genre: a poetry course and a short story course. 

Know what your administrator expects and then think about what you as an instructor want to accomplish with your students.  

Teaching Creative Writing Tip #2: List Out Your Essential Skills

Regardless of your class’s level of rigor, there are some skills that every creative writing course should cover. 

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First, you need to cover the writing process. Throughout the course, students should practice brainstorming, outlining, writing, and editing their drafts. In nearly every Poem Writing Activity that I use in my class, students follow the same process. They examine a model text, brainstorm ideas, outline or fill out a graphic organizer, put together a final draft, and then share with a peer for feedback. 

That last step–sharing and critiquing work–is an essential skill that can’t be overstated. Students are often reluctant to share their work, but it’s through that peer feedback that they often grow the most. Find short, casual, and informal ways to build in feedback throughout the class in order to normalize it for students. 

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Literary terms are another, in my opinion, must-cover topic for teaching a creative writing class. You want your students to know how to talk about their writing and others’ like an actual author. How deep into vocabulary you want to go is up to you, but by the end of the course, students should sound like writers honing their craft. 

Lastly, you should cover some basic writing skills, preferably skills that will help students in their academic writing, too. I like to cover broad topics like writing for tone or including dialogue. Lessons like these will be ones that students can use in other writing assignments, as well. 

Of course, if you’re teaching a creative writing class to students who plan on becoming creative writing majors in college, you could focus on more narrow skills. For me, most of my students are upperclassmen looking for an “easy A”. I try my best to engage them in activities and teach them skills that are widely applicable. 

Teaching Creative Writing Tip #3: Make Sure Your Materials are Age-Appropriate

Once you know what you’re teaching, you can begin to cultivate the actual lessons you’ll present. If you pick up a book on teaching creative writing or do a quick Google search, you’ll see tons of creative writing resources out there for young children . You’ll see far less for teens. 

Cover for It's Lit Teaching Resource: Haiku Poems for High School Creative Writing Activity

Really, the content and general ideas around creative writing don’t change much from elementary to high school. But the presentation of ideas should .

Every high school teacher knows that teens do not like to feel babied or talked down to; make sure your lessons and activities approach “old” ideas with an added level of rigor or maturity.

Take for example the haiku poem. I think most students are introduced to haikus at some point during their elementary years. We know that haiku is a pretty simple poem structure. 

However, in my Haiku Poem Writing Lesson , I add an extra layer of rigor. First, students analyze a poem in which each stanza is its own haiku. Students are asked not only to count syllables but to notice how the author uses punctuation to clarify ideas. They also analyze mood throughout the work.  

By incorporating a mentor text and having students examine an author’s choices, the simple lesson of writing a haiku becomes more relevant and rigorous. 

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Teaching Creative Writing Tip #4: Tell Students What They Should Not Write About

You’ll often be surprised by just how vulnerable your students are willing to be with you in their writing. But there are some experiences that we teachers don’t need to know about, or are required to act on. 

The first day of a creative writing course should always include a lecture on what it means to be a mandated reporter. Remind students that if they write about suicidal thoughts, abuse at home, or anything else that might suggest they’re in danger that you are required by law to report it. 

Depending on how strict your district, school, or your own teaching preferences, you may also want to cover your own stance on swearing, violence, or sexual encounters in student writing. One idea is to implement a “PG-13” only rule in your classroom.

Whatever your boundaries are for student work, make it clear on the first day and repeat it regularly.

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Teaching Creative Writing Tip #5: Give Students Lots of Choice

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Creative writing should be creative . Yes, you want to give students parameters for their assignments and clear expectations. But you want them to feel a sense of freedom, also.  

I took a class once where the story starters we were given went on for several pages . By the time we students were able to start writing, characters had already been developed. The plot lines had already been well-established. We felt written into a corner, and we all struggled with wrapping up the loose ends that had already been created. 

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I’ve done an Author Study Project with my class in which students were able to choose a poet or short story author to study and emulate. My kids loved looking through the work of Edgar Allan Poe, Elizabeth Acevedo, Neil Gaiman, and Jason Reynolds for inspiration. They each gravitated towards a writer that resonated with them before getting to work. 

Another example is my Fairy Tale Retelling Project. In this classic assignment, students must rewrite a fairy tale from the perspective of the villain. Students immediately choose their favorite tales, giving them flexibility and choice.

I recommend determining the form and the skills that must be demonstrated for the students . Then, let students choose the topic for their assignment. 

Teaching Creative Writing Tip #6: Use Hands-On Activities

If you’re teaching a class full of students who are excited to write constantly, you can probably get away writing all class period. Many of us, however, are teaching a very different class. Your students may have just chosen an elective randomly. They might not even have known what creative writing was!

(True story–one of my creative writing students thought the class would be about making graffiti. I guess that is writing creatively!)

For students who have no long-term writing aspirations, you need to make your lessons and activities a little more engaging. 

When possible, I try to make writing “hands-on.” Adding some tactile activity to a standard lesson breaks up class, engages students, and makes the lesson more memorable.

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For example, when I teach students the old adage “Show. Don’t Tell” , I could just give them a scene to write. Instead, I print simple sentences onto strips of paper and have students randomly select one from a hat. (Then they turn this simple sentence into a whole “telling” scene.)

Simply handing students a strip of paper that they can touch and feel makes the lesson more exciting. It creates more buy-in with students. 

Another one of my favorite hands-on activities is a Figurative Language Scavenger Hunt. I hang up posters of mentor poems around the room, each full of different figurative language techniques. 

Then, students must get up and explore the posters around the room in an attempt to find an example of 10 different figurative language techniques.

We could do the same lesson on a worksheet, but having students up and moving increases engagement, collaboration, and gives everyone a break from constantly sitting. 

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Teaching Creative Writing Tip #7: Incorporate Mentor Texts

One way to make sure that your creative writing class is rigorous–and valuable–enough for high school students is to use mentor texts . 

Mentor texts are essential for older students because it shows them what’s possible . Many of my students will rush through an assignment just to be done with it. If you ask them what they could do to improve their writing, they say that they think it’s fine. 

But when they’re shown mentor texts or exemplar products produced by their peers, suddenly students see a myriad of ways in which they could improve their own work. They’re quick to make edits. 

I try to always include a mentor text and several examples whenever I introduce students to new ideas or teach a new lesson. You can pull mentor texts from classic writers. However, I also recommend including writing from more modern poets and writers as well. 

Teaching Creative Writing truly is a special job. Your students trust you with writing that many adults in their lives will never see. You’ll be able to watch students grow and bloom in a totally new way.

That doesn’t mean that teaching creative writing is without challenges or difficulties, however. If you want an easy place to start, or just want to save yourself a ton of planning time, I highly recommend checking out my Complete Creative Writing Class . 

Inside this bundle, you’ll receive daily warm-ups, weekly lessons, two projects, several activities, a lesson calendar, and more! It’s truly everything you need for an engaging 9-week elective course!

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Classroom Q&A

With larry ferlazzo.

In this EdWeek blog, an experiment in knowledge-gathering, Ferlazzo will address readers’ questions on classroom management, ELL instruction, lesson planning, and other issues facing teachers. Send your questions to [email protected]. Read more from this blog.

How to Help Students With Their Writing. 4 Educators Share Their Secrets

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Teaching students to write is no easy feat, and it’s a topic that has often been discussed on this blog.

It’s also a challenge that can’t have too much discussion!

Today, four educators share their most effective writing lessons.

‘Three Practices That Create Confident Writers’

Penny Kittle teaches first-year writers at Plymouth State University in New Hampshire. She was a teacher and literacy coach in public schools for 34 years and is the author of nine books, including Micro Mentor Texts (Scholastic). She is the founder and president of the Book Love Foundation, which annually grants classroom libraries to teachers throughout North America:

I write almost every day. Like anything I want to do well, I practice. Today, I wrote about the wild dancing, joyful energy, and precious time I spent with my daughter at a Taylor Swift concert. Then I circled back to notes on Larry’s question about teaching writers. I wrote badly, trying to find a through line. I followed detours and crossed out bad ideas. I stopped to think. I tried again. I lost faith in my words. I will get there , I told myself. I trust my process.

I haven’t always written this easily or this much. I wouldn’t say I’m a “natural” writer because I don’t believe they exist. Writing is work. When I entered college, I received a C-minus on my first paper. I was stunned. I had never worked at writing: I was a “first drafter,” an “only drafter.” And truthfully, I didn’t know how or what to practice. I was assigned writing in high school and I completed it. I rarely received feedback. I didn’t get better. I didn’t learn to think like a writer; I thought like a student.

I’ve now spent 40 years studying writing and teaching writers in kindergarten, elementary school, middle school, and high school, as well as teachers earning graduate degrees. Despite their age, writers in school share one remarkably similar trait: a lack of confidence. Confidence is a brilliant and fiery light; it draws your eyes, your heart, and your mind. But in fact, it is as rare as the Northern Lights. I feel its absence every fall in my composition courses.

We can change that.

Confidence blooms in classrooms focused on the growth of writers.

This happens in classrooms where the teacher relies less on lessons and more on a handful of practices. Unfortunately, though, in most classrooms, a heap of time is spent directing students to practice “writing-like” activities: restrictive templates for assignments, with detailed criteria focused on rules. Those activities handcuff writers. If you tell me what to do and how to do it, I will focus on either completing the task or avoiding it. That kind of writing work doesn’t require much thinking; it is merely labor.

Practice creating, on the other hand, is harder, but it is how we develop the important ability to let our ideas come and then shaping them into cohesive arguments, stories, poems, and observations. We have misunderstood the power of writing to create thinking. Likewise, we have misunderstood the limitations of narrow tasks. So, here are my best instructional practices that lead to confidence and growth in writers.

1. Writing Notebooks and Daily Revision. Writers need time to write. Think of it as a habit we begin to engage in with little effort, like serving a tennis ball from the baseline or dribbling a basketball or sewing buttonholes. Writers need daily time to whirl words, to spin ideas, to follow images that blink inside them as they move their pen across the page. In my classroom, writing time most often follows engagement with a poem.

Likewise, writers need guidance in rereading their first drafts of messy thinking. I’ve seen teachers open their notebooks and invite students to watch them shape sentences. They demonstrate how small revisions increase clarity and rhythm. Their students watch them find a focus and maintain it. Teachers show the effort and the joy of writing well.

Here’s an example: We listen to a beautiful poem such as “Montauk” by Sarah Kay, her tribute to growing up. Students write freely from lines or images that spring to them as they listen. I write in my notebook as students write in theirs for 4-5 minutes. Then I read my entry aloud, circling subjects and detours ( I don’t know why I wrote so much about my dog, but maybe I have more to say about this … ). I model how to find a focus. I invite students to do the same.

2. Writers Study Writing . Writers imitate structures, approaches, and ways of reaching readers. They read like writers to find possibilities: Look what the writer did here and here . A template essay can be an effective tool to write for a test, but thankfully, that is a very small and insignificant part of the whole of writing for any of us. Real writing grows from studying the work of other writers. We study sentences, passages, essays, and articles to understand how they work, as we create our own.

3. Writers Have Conversations as They Work . When writers practice the skills and embrace the challenges of writing in community, it expands possibilities. Every line read from a notebook carries the mark of a particular writer: the passion, the voice, the experiences, and the vulnerability of each individual. That kind of sharing drives process talk ( How did you think to write about that? Who do you imagine you are speaking to? ), which showcases the endless variation in writers and leads to “writerly thinking.” It shifts conversations from “right and wrong” to “how and why.”

Long ago, at a local elementary school, in a workshop for teachers, I watched Don Graves list on the chalkboard subjects he was considering writing about. He read over his list and chose one. From there, he wrote several sentences, talking aloud about the decisions he was making as a writer. Then he turned to accept and answer questions.

“Why do this?” someone asked.

“Because you are the most important writer in the room,” Don said. “You are showing students why anyone would write when they don’t have to.” He paused, then added, “If not you, who?”

confidenceblooms

Developing ‘Student Voice’

A former independent school English teacher and administrator, Stephanie Farley is a writer and educational consultant working with teachers and schools on issues of curriculum, assessment, instruction, SEL, and building relationships. Her book, Joyful Learning: Tools to Infuse Your 6-12 Classroom with Meaning, Relevance, and Fun is available from Routledge Eye on Education:

Teaching writing is my favorite part of being a teacher. It’s incredibly fun to talk about books with kids, but for me, it’s even more fun to witness students’ skills and confidence grow as they figure out how to use written language to communicate what they mean.

A lesson I used to like doing was in “voice.” My 8th graders had a hard time understanding what I meant when I asked them to consider “voice” in their writing. The best illustration I came up with was playing Taylor Swift’s song “Blank Space” for students. Some students groaned while others clapped. (Doesn’t this always happen when we play music for students? There’s no song that makes everyone happy!) But when they settled down, I encouraged them to listen to the style: the arrangement, her voice as she sang, the dominant instruments.

Then, I played a cover of “Blank Space” by Ryan Adams. Eyes rolled as the song unfurled through the speakers, but again I reminded students to listen to the arrangement, voice, and instruments. After about 60 seconds of the Adams version, heads nodded in understanding. When the music ended and I asked students to explain voice to me, they said it’s “making something your own … like your own style.” Yes!

The next step was applying this new understanding to their own writing. Students selected a favorite sentence from the books they were reading, then tried to write it in their own voice. We did this a few times, until everyone had competently translated Kwame Alexander into “Rosa-style” or Kelly Link into “Michael-style.” Finally, when it was time for students to write their own longer works—stories, personal essays, or narratives—they intentionally used the words and sentence patterns they had identified as their own voice.

I’m happy to report this method worked! In fact, it was highly effective. Students’ papers were more idiosyncratic, nuanced, and creative. The only change to this lesson I’d make now is trying to find a more zeitgeist-y song with the hope that the groans at the beginning die down a little faster.

itsfun

Teaching ELLs

Irina McGrath, Ph.D., is an assistant principal at Newcomer Academy in the Jefferson County school district in Kentucky and the president of KYTESOL. She is also an adjunct professor at the University of Louisville, Indiana University Southeast, and Bellarmine University. She is a co-creator of the ELL2.0 site that offers free resources for teachers of English learners:

Reflecting on my experience of teaching writing to English learners, I have come to realize that writing can be daunting, especially when students are asked to write in English, a language they are learning to master. The most successful writing lessons I have taught were those that transformed the process into an enjoyable experience, fostering a sense of accomplishment and pride in my students.

To achieve this, I prioritized the establishment of a supportive learning environment. At the beginning of each school year, I set norms that emphasized the importance of writing for everyone, including myself as their teacher. I encouraged students to write in English and their native language and I wrote alongside my English learners to demonstrate that writing is a journey that requires hard work and dedication, regardless of age or previous writing experiences. By witnessing my own struggles, my students felt encouraged to persevere.

My English learners understood that errors were expected and that they were valuable opportunities for growth and improvement. This created a comfortable atmosphere where students felt more confident taking risks and experimenting with their writing. Rather than being discouraged by mistakes, they viewed them as steppingstones toward progress.

In my most effective writing lessons, I provided scaffolds such as sentence stems, sentence frames, and word banks. I also encouraged my students to use translation tools to help generate ideas on paper. These scaffolds empowered English learners to independently tackle more challenging writing assignments and nurtured their confidence in completing writing tasks. During writers’ circles, we discussed the hard work invested in each writing piece, shared our work, and celebrated each other’s success.

Furthermore, my most successful writing lessons integrated reading and writing. I taught my students to read like writers and utilized mentor texts to emulate the craft of established authors, which they could later apply to their own writing. Mentor texts, such as picture books, short stories, or articles, helped my students observe how professional writers use dialogue, sentence structure, and descriptive language to enhance their pieces.

Instead of overwhelming students with information, I broke down writing into meaningful segments and taught through mini lessons. For example, we analyzed the beginnings of various stories to examine story leads. Then, collaboratively, my students and I created several leads together. When they were ready, I encouraged them to craft their own leads and select the most appropriate one for their writing piece.

Ultimately, my most effective lessons were those in which I witnessed the joyful smiles on my English learners’ faces as they engaged with pages filled with written or typed words. It is during those moments that I knew my writers were creating and genuinely enjoying their work.

To access a self-checklist that students and EL teachers can use when teaching or creating a writing piece in English, you can visit the infographic at bit.ly/ABC_of_Writing .

iprovided

‘Model Texts’

Anastasia M. Martinez is an English-language-development and AVID Excel teacher in Pittsburg, Calif.:

As a second-language learner, writing in English had not always been my suit. It was not until graduate school that I immersed myself in a vast array of journals, articles, and other academic works, which ultimately helped me find my academic voice and develop my writing style. Now, working as an ESL teacher with a diverse group of middle school multilingual learners, I always provide a model text relevant to a topic or prompt we are exploring.

When students have a model text, it gives them a starting point for their own writing and presents writing as less scary, where they get stuck on the first sentence and do not know how to start.

At the start of the lesson, prior to using a model text, I create a “do now” activity that guides my students’ attention to the topic and creates a relevant context for the text. After students share their ideas with a partner and then the class, we transition to our lesson objectives, and I introduce the model text. We first use prereading strategies to analyze the text, and students share what they notice based on the title, images, and a number of paragraphs. Then, depending on the students’ proficiency level, I read the text to the class, or students read the text as partners, thinking about what the text was mostly about.

After students read and share their ideas with partners and then the whole class, we transition to deconstructing the text. These multiple reengagements with the text help students become more familiar with it, as well as help students build reading fluency.

When deconstructing the model text, I guide my students through each paragraph and sentence. During that time, students orally share their ideas determining the meaning of specific paragraphs or sentences, which we later annotate in the model text using different colored highlighters or pens. Color coding helps visually guide students through similar parts of the model text. For instance, if we highlight evidence in paragraph 2 in one color, we also highlight evidence in the same color in the following paragraph. It helps students see the similarities between the paragraphs and discover the skeleton of the writing. Additionally, color coding helps students during their writing process and revision. Students can check if they used all parts of the writing based on the colors.

Furthermore, one of the essential pieces during deconstructing model texts that I draw my students’ attention to is transition words and “big words,” or academic vocabulary. We usually box them in the text, and I question students about why the author used a particular word in the text. Later, when students do their own writing, they can integrate new vocabulary and transition words, which enhances their vocabulary and language skills.

As the next step, I invite students to co-create a similar piece of writing with a partner or independently using our model text as their guide. Later, our model text serves as a checklist for individual and partner revisions, which students could use to give each other feedback.

Model texts are an essential part of the writing process in any content-area class. As educators, we should embrace the importance of model texts, as they provide a solid foundation upon which students can develop their unique writing skills, tone, and voice.

modeltexts

Thanks to Penny, Stephanie, Irina, and Anastasia for contributing their thoughts!

Consider contributing a question to be answered in a future post. You can send one to me at [email protected] . When you send it in, let me know if I can use your real name if it’s selected or if you’d prefer remaining anonymous and have a pseudonym in mind.

You can also contact me on Twitter at @Larryferlazzo .

Just a reminder; you can subscribe and receive updates from this blog via email . And if you missed any of the highlights from the first 12 years of this blog, you can see a categorized list here .

The opinions expressed in Classroom Q&A With Larry Ferlazzo are strictly those of the author(s) and do not reflect the opinions or endorsement of Editorial Projects in Education, or any of its publications.

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5 Tips for Unleashing Student Creativity Through Writing

Expand the possibilities of journaling by encouraging students to doodle, diagram, or make flipbooks.

Teenager doodling in her journal

Journals are often used for classroom writing assignments, and teachers have come up with a variety of prompts and purposes for journal entries. In “ How Student Journals Can Spark Curiosity and Inspire Creativity in the Classroom ” John Spencer describes five simple strategies to make journaling a creative outlet: 

1. Have students write for themselves. “Choose an audience of one,” Spencer advises students. When they know they’re not writing for others to read, students can be bold and creative, and the freedom of the process can result in some exceptional writing. “Let them choose the topics, the length, the style, and the approach,” he writes. “Treat it less like an assignment and more like a tool used to tap into creativity and curiosity.” Sketchnotes, unanswered questions, and bulleted lists all have their place in journaling.

2. Don’t limit journaling to text on a page. Have students use the space for doodling, drawing, diagramming, and informal writing. They might sketch diagrams or images of scientific concepts, or “incorporate elements of interactive notebooks by having students cut out items and tape them in. So, a page in the notebook becomes a short flipbook.”

3. Have students keep their journals organized. Spencer distinguishes between a journal and a diary. A diary is often for jotting down fleeting thoughts, but a journal can be a place to investigate those ideas more deeply or organize them into actionable items. Spencer numbers his pages and keeps an index in the back of the journal. “Other people," he writes, "use a left side/right side process for their journals (words on one side and pictures on the other, or notes on one side and reflections on the other),” he writes. Color coding is another fun and easy way for students to organize their work.

4. Encourage students to “go cheap.” Journaling doesn’t require a fancy notebook. In fact, a more expensive book might lead students to be overly cautious and timid with their writing. “As a teacher, this also means reducing student fear and risk aversion,” Spencer writes. “You might make journals a pass/fail assignment or make them entirely optional. You might say, ‘I’m going to look at your journal but I’m not grading the content.’”

5. Give students time to write regularly.  Have them write daily—the process “doesn’t need to be laborious.” But the journal writing doesn’t need to be limited to a formal, designated time: Encourage students to carry their notebook and jot down ideas as they happen. The goal is to have them embrace writing as a spontaneous activity. Encourage students to think of their journal as “a playground,” Spencer writes.

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1. Phonics Instruction

2. graphic organizers, 3. think-pair-share, 4. vocabulary instruction, 5. story mapping, 6. kwl charts (know, want to know, learned), 7. interactive read-alouds, 8. guided reading, 9. writing workshops, 10. literature circles.

Today, literacy is not just about learning to read and write ; it’s a crucial tool that opens doors to a world of knowledge and opportunities. It’s the foundation upon which we build our ability to communicate, understand, and interact with the world around us. It is the cornerstone that supports all other learning.

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But how do we ensure every student learns to read and write, loves the process, and excels in it? This is where literacy strategies for teachers come into play. 

In the modern classroom, literacy strategies are essential for several reasons. They help cater to diverse learning styles , engage students more effectively, and promote a deeper understanding of the material.

These strategies are vital in an era of abundant information and attention spans are challenged. They equip teachers with innovative methods to make reading and writing more interactive and meaningful. 

In this blog, we will talk about some of the best literacy strategies that can make a significant difference in your classroom!

Literacy Strategy Definition

Literacy strategies are various methods and approaches used in teaching reading and writing. These are not just standard teaching practices but innovative, interactive, and tailored techniques designed to improve literacy skills. They include activities like group discussions, interactive games , and creative writing exercises, all part of a broader set of literacy instruction strategies.

The Role of Literacy Strategies in Enhancing Reading and Writing Skills

Teaching literacy strategies enhance students’ reading and writing skills. These strategies help break down complex texts, making them more understandable and relatable for students. They encourage students to think critically about what they read and express their thoughts clearly in writing. Teachers can use literacy strategies to address different learning styles, helping students find their path to literacy success.

15 Best Literacy Strategies for Teachers

Phonics Instruction is fundamental in building foundational reading skills , especially for young learners. This method teaches students the relationships between letters and sounds , helping them decode words. Through phonics, students learn to sound out words, which is crucial for reading fluency and comprehension. Phonics Instruction can be fun and interactive with games, songs, and puzzles , making it an enjoyable learning experience for students.

You can begin here:

Card Image

Graphic organizers are powerful visual tools that aid in better comprehension and organization of information. As part of literacy practices examples, they help students visually map out ideas and relationships between concepts. This can include charts, diagrams, or concept maps. Using graphic organizers, teachers can help students structure their thoughts, making complex ideas more accessible and understandable. It’s an effective way to break down reading materials or organize writing drafts visually.

Think Pair Share worksheet

Think-Pair-Share is an essential literacy strategy that fosters collaborative learning. In this activity, students first think about a question or topic individually, then pair up with a classmate to discuss their thoughts, and finally share their ideas with the larger group. This strategy encourages active participation and communication, allowing students to learn from each other. It’s a simple yet powerful way to engage students in critical thinking and discussion.

Vocabulary Instruction is crucial in expanding language comprehension. This strategy involves teaching students new words and phrases in terms of their definitions, context, and usage. Effective vocabulary instruction can include word mapping , sentence creation , and word games. By enriching students’ vocabulary , teachers equip them with the tools to understand and articulate ideas more effectively, enhancing their overall literacy.

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Story Mapping is a technique where students break down the narrative elements of a story, such as characters, setting, plot, and conflict. This strategy helps in enhancing comprehension and analytical skills. By visually organizing the elements of a story, students can better understand the structure and themes of the text. It’s an engaging way to dissect stories and can be done individually or as a group activity .

A KWL chart

KWL Charts are an effective tool for structuring learning objectives. This strategy involves creating a chart with three columns: What students already Know, What they Want to know, and What they have Learned. This approach helps activate prior knowledge, set learning goals , and reflect on new information. It’s a great way to engage students in the learning process from start to finish, making them active participants in their education. KWL Charts can be used across various subjects, making them versatile and essential in the classroom.

Kids in a classroom

Interactive read-alouds are a cornerstone among literacy instructional strategies. In this activity, the teacher reads a story aloud, using expressive tones and gestures to bring the story to life. This method engages students in dynamic storytelling , sparking their imagination and interest. It’s an essential literacy strategy that enhances listening skills, vocabulary, and comprehension. Teachers can pause to ask questions, encouraging students to think and predict, making it an interactive and inclusive learning experience.

kids in guided reading session

Guided Reading is a tailored approach that addresses the diverse reading levels within a classroom. In this strategy, teachers work with small groups of students, providing focused reading instruction at their specific level of development. This allows for more personalized attention and support, helping students progress at their own pace. Guided Reading improves reading skills and boosts confidence as students feel more capable and supported in their learning journey.

Kids in a writing workshop

Writing Workshops are a dynamic way to foster creative expression among students. These workshops provide a platform for students to write , share, and receive feedback on their work. It’s an interactive process where students learn to develop their writing style, voice, and technique. Writing Workshops encourage creativity, critical thinking, and peer collaboration, making them a vital part of literacy development.

Depiction of collaborative learning

Literature Circles are a collaborative and student-centered approach to reading and discussing books. In these circles, small groups of students choose and read a book together, then meet to discuss it, often taking on different roles like discussion leader or summarizer. This strategy promotes discussion, critical thinking, and a deeper understanding of literature. It’s an engaging way for students to explore texts and share their perspectives, enhancing their analytical and communication skills.

11. Scaffolding

Scaffolding technique

Scaffolding is a teaching method that provides students with step-by-step guidance to help them better understand new concepts. This approach breaks down learning into manageable chunks, gradually moving students towards stronger comprehension and greater independence. Scaffolding can include techniques like asking leading questions, providing examples, or offering partial solutions. It’s especially effective in building confidence and skill in students, as they feel supported throughout their learning journey.

12. Word Walls

A word board

Word Walls are a visual and interactive way to display vocabulary in the classroom . As one of the essential literacy strategy examples, they help students learn new words and reinforce their spelling and meaning. Teachers can add words related to current lessons or themes, encouraging students to use and explore these words in their writing and speaking. Word Walls are educational and serve as a reference tool that students can continually interact with.

13. Reader’s Theater

Kids in a readers theatre

Reader’s Theater is an engaging literacy activity that combines reading and performance. In this strategy, students read scripts aloud, focusing on expression rather than memorization or props. This method helps improve reading fluency, comprehension, and confidence as students practice reading with emotion and emphasis. Reader’s Theater is also a fun way to bring literature to life and encourage a love for reading and storytelling.

14. Dramatization of Text

Kids dramatizing text

Dramatization of Text involves bringing stories and texts to life through acting and role-play. This strategy allows students to interpret and enact narratives, deepening their understanding of the characters, plot, and themes. It’s an interactive way to engage students with literature, encouraging them to explore texts creatively and collaboratively. Dramatization can enhance comprehension, empathy, and public speaking skills.

15. Inquiry-Based Learning

Inquiry based learning wallpaper

Inquiry-Based Learning is a student-centered approach that promotes curiosity-driven research and exploration. In this method, learning starts with questions, problems, or scenarios, rather than simply presenting facts. Students are encouraged to investigate topics, ask questions , and discover answers through research and discussion. This strategy fosters critical thinking, problem-solving skills, and a love for learning .

In conclusion, these literacy strategies for teachers offer a diverse and dynamic toolkit for teachers to enhance reading, writing, and comprehension skills in their classrooms. By incorporating these methods, educators can create a more engaging, inclusive, and effective learning environment , paving the way for students to become confident and proficient learners.

Frequently Asked Questions (FAQs)

What are the key benefits of using literacy strategies in the classroom.

Literacy strategies enhance classroom engagement, improve comprehension, and foster critical thinking skills. They make learning more interactive and meaningful, helping students to connect with the material more deeply.

How can teachers effectively integrate literacy strategies into existing curricula?

Teachers can integrate literacy strategies by aligning them with current lesson objectives, using them as complementary tools for existing content. Start small, incorporating strategies gradually, and tailor them to fit the lesson’s context.

Are these literacy strategies suitable for all age groups?

Yes, these strategies can be adapted for different age groups and learning levels. The key is to modify the complexity and delivery of the strategy to suit the developmental stage and abilities of the students.

How do digital literacy strategies for teachers differ from traditional ones?

Digital literacy strategies incorporate technology, focusing on skills like navigating online information, digital communication, and critical evaluation of online content, which are essential in the digital age.

Can literacy strategies be used in subjects other than language arts?

Absolutely, literacy strategies can be applied cross-curricularly. For example, graphic organizers can be used in science for hypothesis mapping, or story mapping can be used in history to outline events.

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Bell Ringers

Short story mentor texts to teach narrative writing elements.

Raise your hand if teaching narrative writing has you feeling stressed or overwhelmed. I’ve been there. Every writing unit seems to bring its own challenges and narrative writing has a few unique ones. Unlike other types of writing, narrative writing is more flexible and involves more creativity. But that doesn’t mean it’s without “rules”! Getting students to master the narrative writing elements is what will take their stories to the next level.

how to teach creative writing to elementary students

Tips for Teaching Narrative Writing

I spoke about this on another blog about using mentor texts novels, but I am a big fan of using mentor texts to teach narrative writing. Mentor texts allow you to model the skills and narrative writing elements for students, so they aren’t trying to guess at exactly how their writing should look and sound.

Using mentor texts can be as simple as giving students a sentence or excerpt from a text and talking through how it’s a great example of a specific skill. A lot of times, I will pull these mentor texts from novels that the class is reading because students already understand the story.

However, I know there isn’t always time to squeeze in a novel. When you’re in a bind or short on time, using a narrative short story as a mentor text will accomplish the same task as the novel! I recommend reading this short story before or during your writing unit.

Teaching Narrative Writing Elements with Short Stories

Just like you ease students into a narrative writing unit, I don’t want to throw you into the deep end with mentor texts either. I want to walk you through what it looks like to use short stories to teach the narrative writing elements. I’ll give you a few mentor text examples below and show you how I’d use them in the classroom.

how to teach creative writing to elementary students

Develop a Point of View

A lot of times, the conversation about point of view is simply, what is the point of view? First-person or third-person? But it goes deeper than that. Developing a point of view means giving the reader intimate knowledge of the character’s experience. It can allow the reader to experience the same sadness or anger that the character feels.

For this narrative writing element, dig deep into the short story you’ve chosen. Find an example from the text where the point of view allows the reader a peek into a character’s mind or feelings.

I like this example from “The Scholarship Jacket”: “I was almost back at my classroom door when I heard voices raised in anger as if in some sort of argument. I stopped. I didn’t mean to eavesdrop, I just hesitated, not knowing what to do. I needed those shorts and I was going to be late, but I didn’t want to interrupt an argument between my teachers.”

After looking at your mentor text example, dig into what the reader experiences here. Look at what knowledge the reader gains about the character. For example, this mentor text from “The Scholarship Jacket” is a feeling people can relate to. Overhearing an argument and wondering if you pretend you didn’t hear – or you acknowledge that you overhead.

Establish Context

Another narrative writing element is establishing context for the story. Context means putting the topic into perspective for someone who knows nothing about the story. It also means providing the background information that is needed to grasp the story.

When looking through your short story, identify an excerpt where the reader gains necessary information about a character, setting, or event. This is the kind of information that if removed the story could change how the reader understands it.

Here’s an example from “Masque of Red Death”: “But Prospero, the ruler of that land, was happy and strong and wise. When half the people of his land had died, he called to him a thousand healthy, happy friends, and with them went far away to live in one of his palaces. This was a large and beautiful stone building he had planned himself. A strong, high wall circled it.”

This narrative short story excerpt gives the reader key information. It lets us know who the character Prospero is and why he is bringing people to his palace. This sets the stage for later plot points. After reading your chosen excerpt with students, ask them: What key information did this text provide? How does it help you better understand the story?

how to teach creative writing to elementary students

Develop Character Motives

Character motives can be really fun to uncover. With character motives, the reader understands the reason behind the character’s actions.

To find an excerpt for this narrative writing element, think about a pivotal moment in the story. Then, think about the actions and motivations that led to that moment. Try to locate a sentence or passage that showcases those motives.

This is a great example of character motives from “Story of an Hour”: “She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.”

In this short story, the character is expected to mourn for her dead husband. Instead, she finds joy in it (which is later shown through her whispering, “Free!”) This gives us a glimpse at her motives. When examining a text for character motives, ask students: What action does the character engage in later? What is their reason for that action?

If you want students to be stronger writers, they need to see examples of what good writing looks like. That’s the power of using mentor texts when teaching narrative writing. They’ll know what context looks like or motives sound like, and they can emulate it in their own writing!

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how to teach creative writing to elementary students

Walnut Grove Elementary School librarian Holly Whitt and third grade classroom teacher Lori Alexander created their own professional development program to meet their students needs. The pair financed the program through a grant from Fund for Teachers.

School librarian Holly Whitt and her third grade classroom teacher colleague Lori Alexander had tried everything to get their students at Walnut Grove Elementary School in New Market, AL, to read more. Battle of the Books. Reading challenges. Rewards of pizza and ice cream. But nothing succeeded in sparking the students’ interest in reading or bettering their reading comprehension. And reading wasn’t the only struggle.

“Our kids are really good at telling stories,” says Whitt. “They talk and tell stories all day long. But if you put a piece of paper in front of them, and you ask them to write a story for you, or write about something they learned about in class, they freeze, and they can’t do it. They won’t write more than a sentence or two.”

The two started to consider how all of those pieces—reading, writing, and oral storytelling—came together.

“We began thinking about the connection between writing and reading, and the strong research showing that better readers make better writers,” says Whitt. “As we continued to struggle with ways to get our students excited about reading, however, we concentrated on how often they enjoy telling stories about their own lives. That made us think we might approach the reading-to-writing connection in a more circular fashion. Instead of focusing just on reading or just on writing, we thought that helping them connect oral storytelling, which they were already good at informally, to more formal reading and writing, then we might be on to something.”

But what would help them reach their goals? They knew of no established lesson, program, or professional development (PD) that met their needs. Whitt, however, did know about an organization that enables educators to craft their own PD plan and apply for grants. Fund for Teachers (FFT) awards summer fellowship grants for Pre-K through 12th grade educators “to pursue self-designed professional learning.” Individuals may apply for up to $5,000, and teams can receive up to $10,000 in funding.

Whitt and Alexander had to clearly show the need in their school and map out how their PD idea would address it. As they researched, they learned that 2022 was the Year of Stories in Scotland, a themed year of visits put together by VisitScotland. Also wanting to take a trip together, the two saw the perfect opportunity to learn, re-energize, and share an experience they could bring back to their students in myriad ways.

“[We were] just trying to reach as far as we could, all the way to Scotland, to try to find something that would spark their imagination,” says Whitt.

FFT saw the vision in the “ Storytelling Connections in Scotland” proposal and funded their learning adventure. With that, in the summer of 2022, Whitt and Alexander set off for Scotland. The trip took them to Edinburgh Castle; the Scottish Storytelling Centre; the National Library; and of course Loch Ness, the watery home of Nessie the Loch Ness Monster, among other locations.

“I learned lots of different strategies that I had not thought of before that helped not just with storytelling and writing, but also with reading comprehension,” says Alexander.  

In a workshop called “chatting the story,” the instructor told a story and Alexander, Whitt, and others had to retell the story or share one of their own. Alexander struggled during the exercise, and noted how she and Whitt completed the assignment in different ways.

“It just reminded me that not all my students are going to perform well with the task I give them,” said Alexander.

Instead, she realized, she could offer a choice of assignments that would each show if students mastered what Alexander wanted to evaluate.

Since they returned, the educators have worked the trip and what they learned into lessons in a variety of ways—and it’s working.

While they don’t have test scores or any kind of hard data to support the impact yet, the two see it in increased interest from the kids and the projects students have taken on.

“You just kind of feel a vibe around it, I guess,” says Whitt. “I do think that kids are more interested.”

Students started a podcast about local history, which required interviewing local people and writing out an outline beforehand. In addition, a small group of sixth graders is writing a book.

“That’s something that I don’t think I would have tried without having [the trip],” Whitt says of the book project. “They first tell their story out loud to each other—what is the story about, how’s it going to unfold? Then they write a couple of chapters, and they come back and read it and talk some more about what should happen next, how a character [is] going to change and a new character will be introduced.”

The process shows students how stories translate back to the page.

She has also used the trip to tie into sharing and uncovering stories of local history. She and Alexander went to an old village from the Middle Ages and learned about crafts they did at the time. When she came back to school, she could connect that back to their local museum with items from hundreds of years ago and talk about traditions, artifacts, and the kinds of stories you can tell from them.

“They can see that stories are not static, they’re not just found in pages,” says Whitt. “They are found in objects. They’re found in communities and people and landmarks, plants, everything.”

Participating in this professional development adventure with a colleague helped both of them once they got back to school.

“Of course, everybody’s their own kind of learner, I get that, but I think having somebody else to come back and build off of those ideas with is really helpful and crucial to being able to implement something well,” says Whitt.

Alexander’s hands are tied a bit more by the strict curriculum she must follow in the classroom, but she is finding a way to work her experience and what she learned in Scotland into different subjects across the curriculum.  

“Anytime I can plug in my trip and what we did there, I do,” she says, noting that she spoke about her trip to Loch Ness during a social studies discussion and made a literature connection as well. “Our first unit is fairy tales, and the [book] is The Wind in the Willows . The author is from Scotland, so we were able to talk about that and pull up the globe and show where he was from and just talk about the difference in the language and the words that they use. It’s great for our kids, because they don’t have a lot of exposure to those types of things.”

In addition to what they learned that summer, Whitt and Alexander have ongoing access to FFT resources through the Ramsden Project, which connects past fellows and provides them support as well as the opportunity to secure mini-grants to continue and grow the PD project after the initial fellowship. The extra post-fellowship support helps educators to follow through on what they learned and allows the initial idea to continue to evolve as it’s implemented in school.

“This was not just a one-time [thing]—you got the grant, you went somewhere, and you came home and you tried to implement it by yourself,” says Whitt. “They are always involved and always supportive of everything else that you do. I think it’s the best thing I ever did.”

The educational adventure to Scotland re-energized Whitt and Alexander, pushed them to think about teaching in a new way, and ignited a new level of curiosity in their students. As the educators share and implement lessons from the trip and skills they were taught, kids are learning about the world and how storytelling connects to all subjects and makes reading and writing more interesting and exciting. In the process, the kids at Walnut Grove Elementary made a huge discovery—in one of Alexander’s photos from Loch Ness, the students are sure a “shadow” in the image is actually Nessie!

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Kara Yorio ([email protected], @karayorio) is senior news editor at School Library Journal .

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IMAGES

  1. How to teach creative writing to elementary students: Part 1/4

    how to teach creative writing to elementary students

  2. 4 Ways to Make Writing Enjoyable for Kids

    how to teach creative writing to elementary students

  3. How to Teach Creative Writing

    how to teach creative writing to elementary students

  4. Teaching Creative Writing with High School Students

    how to teach creative writing to elementary students

  5. 5 Tips For Teaching Creative Writing, plus a FREEBIE!

    how to teach creative writing to elementary students

  6. Writing

    how to teach creative writing to elementary students

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  1. creative way to write 'S'

  2. My Dream Story Creative Writing Template #shorts #creativewriting #teacherresources #printables

  3. Creative Writing Course with Celeste

  4. Creative Writing Games/ Creative Writing Dice Game For Kids

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COMMENTS

  1. 51 Creative Writing Activities For Elementary-Aged Kids

    1. Make Your Own Comic Books We bet your kiddos just love comic books! Let them create their very own in the style of the super popular Diary of a Wimpy Kid books! Encourage your students to come up with their own plot, dialogue, and illustrations to spark their creativity. Even your most reluctant writers will love this fun activity!

  2. 20 Creative Writing Activities for Elementary Students

    1. Join the NaNoWriMo organization's Young Writers Program (YWP)! Together, your students can work on all sorts of age-appropriate writing challenges and activities throughout the year—including a project of their choice in November! 2. To practice pre-writing skills and collaborating on a project, try these shared writing project activities. 3.

  3. How to Effectively Teach Creative Writing in Elementary

    1. Start with Creative Writing Prompts One of the first activities you can try is using writing prompts with students. Writing prompts are a great tool to get students' brain juices flowing, no matter if they are elementary, middle school, or high school students!

  4. How to Teach Creative Writing

    7. Create inspiring and original prompts Use the following formats to generate prompts that get students inspired: personal memories ("Write about a person who taught you an important lesson") imaginative scenarios prompts based on a familiar mentor text (e.g. "Write an alternative ending to your favorite book").

  5. Teaching Creative Writing

    On this page: The necessity of creative writing Suggestions for teaching story writing Giving feedback on children's writing Assessing student writing Publishing student writing Most children enter school with a natural interest in writing, an inherent need to express themselves in words (Graves, 1983).

  6. Teaching Writing in Elementary School

    Literacy Building Lifelong Writing Skills Instead of addressing a single piece of writing, elementary teachers can focus on students' overall abilities and needs. By Melissa Morrison June 20, 2023 skynesher / iStock Are you looking for more effective ways to help your students become stronger writers?

  7. Teaching Elementary School Students to Be Effective Writers

    Home Reading Topics A-Z Writing Teaching Elementary School Students to Be Effective Writers The recommendations in this guide cover teaching the writing process, teaching fundamental writing skills, encouraging students to develop essential writing knowledge, and developing a supportive writing environment.

  8. PDF Teaching Elementary School Students to Be Effective Writers

    Teach students to spell words correctly. 3. Teach students to construct sentences for fluency, meaning, and style. 4. Teach students to type fluently and to use a word processor to compose. Recommendation 4. Create an engaged community of writers. 1. Teachers should participate as members of the community by writing and sharing their writing. 2 ...

  9. How to Teach Creative Writing (with Pictures)

    1 Introduce the important elements of storytelling. Great works of literature share elements across the genres. In order for your students to excel at creative writing, they need to know the fundamentals of storytelling. As a result, you need to spend some time focusing on the core elements of storytelling. Focus instruction time on teaching:

  10. How to Use Images to Teach Creative Writing

    Arts Integration How to Use Images to Teach Creative Writing Landscape paintings can inspire elementary students to use their five senses and incorporate imaginative details in their writing. By Lori Brenneise April 30, 2021 Michael Morgenstern / The iSpot

  11. PDF How to Teach Creative Writing

    Creative Writing Activities for Primary School How to Teach Creative Writing to Elementary School Students Ways to Teach Elementary Creative Writing Ideas for Creative Writing Activities for Preteens How to Create Creative Writing Lessons for Elementary Middle School

  12. Strategies for Teaching Writing to Elementary Students

    1. Writing Instruction Doesn't Have To Be Intimidating -- For You Or The Students Many educators find teaching writing a real challenge. Sure there are all the rules of grammar and punctuation, but outside of those boundaries, there are as many stories to be told as there are people in the world.

  13. 5 Ways to Increase Students' Engagement in Writing

    Upper elementary teachers can make small shifts in how they teach writing to spark students' interest and promote critical thinking. By Ally Fitzpatrick January 20, 2022 Drazen Zigic / iStock After a few years of teaching, I started to grow tired of following scripted curriculum to a T. Sure, there are benefits.

  14. How to teach ... creative writing

    Creative writing should be fun, and playing games is good way to help students develop story ideas. Try an alternative word association game in which you think of words that are at odds with each ...

  15. How to Teach Writing in an Elementary Classroom

    Word banks can also help students broaden their writing abilities. After reading, ask your class to select words from the text that were important to the meaning of the passage. Have students ...

  16. Four Strategies for Effective Writing Instruction

    Graphic organizers, including writing frames (which are basically more expansive sentence starters) and writing structures (which function more as guides and less as "fill-in-the-blanks") are...

  17. A Step-by-Step Plan for Teaching Narrative Writing

    Step 2: Study the Structure of a Story. Now that students have a good library of their own personal stories pulled into short-term memory, shift your focus to a more formal study of what a story looks like. Use a diagram to show students a typical story arc like the one below.

  18. How to Teach Writing to Elementary Students without Fear

    The writing process for elementary students works the same way as it does for older students: brainstorm, draft, revise, and edit. This process does not change. However, since students are still learning, the writing process for younger students may look a little different than the process for their secondary counterparts.

  19. Creative writing for elementary students

    Start with the Six Traits of Writing. Ideas, Organization, Voice, Word Choice, Sentence Fluency and Conventions. These six traits provide a way to assess students' writing. When students understand the traits, they know what is expected of their writing. Using and teaching the traits gives you a way to provide specific feedback about each ...

  20. Teaching creative writing in primary schools: a systematic review of

    Teaching writing is complex and research related to approaches that support students' understanding and outcomes in written assessment is prolific. Written aspects including text structure, purpose, and language conventions appear to be explicit elements teachers know how to teach. However, more qualitative and nuanced elements of writing such as authorial voice and creativity have received ...

  21. Teaching Creative Writing: Tips for Your High School Class

    Teaching Creative Writing Tip #6: Use Hands-On Activities. If you're teaching a class full of students who are excited to write constantly, you can probably get away writing all class period. Many of us, however, are teaching a very different class. Your students may have just chosen an elective randomly.

  22. How to Help Students With Their Writing. 4 Educators Share Their

    Real writing grows from studying the work of other writers. We study sentences, passages, essays, and articles to understand how they work, as we create our own. 3. Writers Have Conversations as ...

  23. How to teach Journaling to Teach Creativity

    1. Have students write for themselves. "Choose an audience of one," Spencer advises students. When they know they're not writing for others to read, students can be bold and creative, and the freedom of the process can result in some exceptional writing. "Let them choose the topics, the length, the style, and the approach," he writes.

  24. Helping Students Who Struggle to Write: Classroom Compensations

    A common complaint of students who struggle to write is that their hand gets tired when writing. This can be due to a variety of factors. Some of the most common factors are inappropriate grip, a very tight pencil grip, or inefficient writing posture. There are many efficient grippers that can be used with the pencil or pen to enhance the ...

  25. 15 Best Literacy Strategies for Teachers to Use in Classroom

    Related Reading: Best Active Learning Strategies for Kids in the Classroom. 4. Vocabulary Instruction. Vocabulary Instruction is crucial in expanding language comprehension. This strategy involves teaching students new words and phrases in terms of their definitions, context, and usage.

  26. Short Story Mentor Texts to Teach Narrative Writing Elements

    With character motives, the reader understands the reason behind the character's actions. To find an excerpt for this narrative writing element, think about a pivotal moment in the story. Then, think about the actions and motivations that led to that moment. Try to locate a sentence or passage that showcases those motives.

  27. Expository Writing Skills for Elementary Students

    Improve your child's expository writing skills with these helpful tips and strategies. Learn how to teach informational writing and enhance reading comprehension. Discover creative writing exercises and worksheets for English language arts.

  28. Alabama Educators Earn Grant for Trip to Scotland to Spark Students

    Students started a podcast about local history, which required interviewing local people and writing out an outline beforehand. In addition, a small group of sixth graders is writing a book. "That's something that I don't think I would have tried without having [the trip]," Whitt says of the book project.