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Creative Writing

There are plenty of opportunities to get involved in creative writing whilst a student within the Faculty and a number of our academics are also published authors. Oxford's English Faculty also has some of the country's leading poets among its lecturers. Our academics, the Professor of Poetry and other invited guests give regular lectures and workshops at the Faculty. Browse recent events below.

Creative Writing Workshops & Lectures

university of oxford creative writing masters

Jeanette Winterson workshop

"Generous and candid, Jeanette had the room enraptured for two hours, as she discussed everything from stalking your characters home, to writing with your whole body." 

Rachel cusk workshop

Rachel Cusk workshop

"Rachel’s candour and eloquence – and sometimes astounding capacity for truth-telling – sent everyone spiralling into almost palpable coils of thought."

Alan Hollinghurst workshop

Alan Hollinghurst workshop

"For those of us who had a first encounter with a creative writing ‘class’, we could not have chosen a more amicable and supportive environment."

letter poems from Alice Oswald workshop

Alice Oswald postal poetry workshop

Prof Oswald invited participants to anonymously write and send a poem to another workshop participant.

zadie smith at oxford literary festival

Zadie Smith lecture on 'Conscience and Consciousness' at the Oxford Literary Festival

Following a talk at the Oxford Literary Festival, Zadie Smith joined English Faculty students at a formal dinner.

Professor of Poetry lectures

The current Professor of Poetry is Professor Alice Oswald. She will be giving one lecture each term for the four years of her tenure. Watch and/or listen to her previous talks by clicking on the links below.

close up of wheat field bathed in golden light

A Lament for the Earth

crumpled bed in darkness with rays of sunlight

In Sleep A King

close up of eyes in black and white

Sidelong Glances

close up of pebbles on a beach

On Behalf of a Pebble

Abstract photo of copper lines on black background

Interview with Water

Useful links.

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The Oxford Centre for Life-Writing

The Oxford Centre for Life-Writing is committed to outreach, collaboration, and fostering research into life-writing. It promotes a lively, cross-disciplinary dialogue on the full range of life-writing, including biography, memoir and social media forms.

Authors at the Faculty

Hermione lee.

Tom Stoppard book cover

Elleke Boehmer

to the volcano book cover

Bart van Es

the cut out girl

Hannah Sullivan

three poems

Sally Bayley

no boys play here book cover

Matthew Reynolds

the world was all before them book cover

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MSt in Creative Writing University of Oxford

University of Oxford

Course options

Qualification.

MSt - Master of Studies

University of Oxford

  • TUITION FEES
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Course summary

About the course

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following.

  • short fiction
  • radio drama
  • screenwriting
  • stage drama
  • narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice.

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Graduate destinations

Graduate destinations have included doctoral programmes in creative writing

Application deadline

01 March 2024

Tuition fees

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University of Oxford, University Offices, Wellington Square, Oxford, Oxfordshire, OX1 2JD, England

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MSt in Creative Writing

University of oxford.

  • 2 years Part time degree: £9,025 per year (UK)

Course type:

Qualification:, related subjects:.

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University of oxford: creative writing, part-time, 2 years starts oct 2024.

**The information provided on this page was correct at the time of publication (November 2023). For complete and up-to-date information about this course, please visit the relevant University of Oxford course page via www.graduate.ox.ac.uk/ucas.**

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

- the novel

- short fiction

- radio drama

- screenwriting

- stage drama

- narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

Part-Time, 2 years started Oct 2023

**The information provided on this page was correct at the time of publication (October/November 2022). For complete and up-to-date information about this course, please visit the relevant University of Oxford course page via www.graduate.ox.ac.uk/ucas**

Part-Time, 2 years started Oct 2022

**The information provided on this page was correct at the time of publication (October/November 2021). For complete and up-to-date information about this course, please visit the relevant University of Oxford course page via www.graduate.ox.ac.uk/ucas**

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university of oxford creative writing masters

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Creative Writing

University of Oxford

University of Oxford

www.ox.ac.uk

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The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

Graduate destinations have included doctoral programmes in creative writing; teaching creative writing; publishing creative work in chosen field; careers in arts/media.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

  • short fiction
  • radio drama
  • screenwriting
  • stage drama
  • narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching and tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice. You will be allocated a supervisor to guide and advise you on your creative and critical work throughout the second year.

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Applicants are normally expected to be predicted or have achieved a first-class or strong upper second-class undergraduate degree with honours (or equivalent international qualifications), as a minimum, in a related field.

Assessors are looking for writers with a proven record of commitment to their craft. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.

For applicants with a degree from the USA, the minimum GPA normally sought is 3.6 out of 4.0.

If you hold non-UK qualifications and wish to check how your qualifications match these requirements, you can contact the National Recognition Information Centre for the United Kingdom (UK NARIC).

No Graduate Record Examination (GRE) or GMAT scores are sought.

  • Official transcript(s)
  • CV/résumé
  • Statement of purpose: Around one page
  • Written work: 2,000 words of prose fiction or narrative non-fiction or 10 short poems or 15 minutes of drama
  • References/letters of recommendation: Three overall, all of which must be academic

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Prajwal Parajuly: 'I went to Oxford because I didn't have anything else to do …'.

Will a master's in creative writing get you a book deal?

I signed with my literary agent three days before I started the two-year master of studies in creative writing at Oxford, and I signed a two-book contract with Quercus three days before the second year of the course began. Some people, however, assume that my book deal was wholly the result of the course.

At first, I relished being an undeserved poster boy for creative writing courses. My publishing contract – like all book deals coming the way of students enrolled in or fresh off a programmes – was a slap in the faces of those who said creative writing courses were a farce, factories where writers who have never been published teach writers who will never get published. Then the emails started pouring in.

They came from far and near: from north-eastern India, where home is for me; from Nepal, where my mother comes from; and from the US, where I spent many years. In each congratulatory message, well-wishers asked whether they should pursue a master's. When I asked them how they hoped to pay for their degrees many people, especially those from America and the UK, said they would finance their studies with student loans. 

As an overseas student at Oxford, I must have spent more than £30,000. This, I understand, is about half of what most students on American creative writing programmes fork out and double what my EU counterparts at Oxford paid. What, exactly, was I supposed to tell people who thought they might take out a loan to pay for their studies?

Should I tell them about the student two years ahead of me who found an agent through the end-of-the-year readings and went on to publish a fantastic book with a well-respected publishing house? Should I talk about how one of the stories in The Gurkha's Daughter stemmed from a class exercise I wrote for a bestselling author? Should I describe the pathetic excitement that gripped many students when a lone tutor said he didn't mind receiving work from us even after we graduated? Or should I inform prospective students about the banal feedback process, during which platitudes such as "I don't usually get poetry, but this I totally loved" were bandied about? (Yes, the comment came from me, and it was 100% insincere.)

Maybe I could tell these hopeful writers about my early days on the course, when people said a collection of short stories wouldn't be picked by a publisher because … it wasn't a novel. Or how some tutors were extremely knowledgeable about the British publishing scene but less so about international publishing. To expect them to know the American, Asian and Australian markets was perhaps hoping for too much, but when you pay huge sums for a course, your expectations rise; you become extra-sensitive about some tutor not attending your reading, or not even knowing your name. 

I don't believe writing can be taught, and I think people who design creative writing programmes agree with me. Such courses, however, are predicated on the idea that writing can be finessed with the help of the right tutors, the right peers and the right atmosphere. Did that hold true for me?

In a way it did. I joined the Oxford programme because I had nothing to do; I had quit my job and was halfway through a rough collection of short stories. I was tired of people asking me well-meaning questions such as "What are you doing?". Also, I come from a country where advanced degrees, no matter how frivolous, give people multiple orgasms, so a master's it was going to be. I wasn't about to spend three semesters studying postmodernism, so I looked at courses at places like Columbia and the University of Iowa . The latter was in the middle of nowhere, Columbia was formidably expensive, and a few other places I was considering met daily. (Going to class every day was unappealing.) Oxford's retreat- and residence-focused schedule suited my needs. We had two to three months between every block of classes to read and write – this was when I completed a large chunk of my second book – and then we would meet from 8am to 8pm every day for three or four days. 

I dabbled with poetry and screenwriting – two genres I'd have avoided were it not for the course. To get my money's worth, I decided to write a screenplay for my final-year project. For assignments, I submitted my most experimental pieces. I brought in the weakest stories to be workshopped, reasoning that if I was spending so much money I might as well take to the course what I would be embarrassed to workshop elsewhere. Weighing the worth of every assignment, every reading and every tutorial against how much money you're shelling out is a common practice among students of creative writing.

I found two people on the course with whom I shall probably exchange work all my life, I published my first poem, and I have in my possession a puerile screenplay of which I am equally proud and ashamed. All wonderful things, yes, but not worth £30,000 of debt. (Fortunately, I didn't have to worry about interest rates, job placements and how to pay off my loans – a combination of savings and investments helped fund my education, as did the wonderful club that is the Oxford University Poker Society .)

I usually advise people to enrol in creative writing courses if they have the cash and the time. But to take out a loan to finance your studies? Considering the current publishing landscape – where a mid five-figure advance is considered a big deal – should give you an idea of where you might, if you're lucky, find yourself as a graduate. That is, of course, if things work out. If they don't, you could always teach.

  • Creative writing
  • University of Oxford
  • Higher education

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Creative writing program at home in city of literature.

Lifestyle | Newsroom 13 Nov 2023

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Hobart’s emergence as a literary hotspot has long been sustained by the talents of students, staff and alumni from the University.

Now it is set to benefit more, with the newly named UNESCO City of Literature to be supported by the College of Arts, Law and Education’s Creative Writing program.

A $127,000 City of Literature PhD scholarship will be added to a host of activities already supporting our Tasmanian writers.

The bespoke scholarship will be offered to a student exploring literary culture or Tasmanian writing.

Dr Lucy Christopher

It comes on top of a range of programs already offered in the College. The Hedberg Writer-in-Residence program, funded by the Copyright Agency’s Cultural Fund, provides a three-month writing opportunity each year, while the James McAuley Creative Fellowship supports writers and other creatives. The University of Tasmania Prize is awarded for best unpublished work at the biennial Tasmanian Literary Awards. The Green Family Award for Tasmanian History , offered through the College, offers $25,000 for historical fiction and history writing. The College has also forged important partnerships with Tasmania Reads and Island magazine.

The Creative Writing program boasts award-winning alumni such as Robbie Arnott, Erin Hortle, Adam Ousten, Katherine Johnson and Adam Thomson, while research projects like Creative Antarctica are exploring the literary legacy of our broader region.

Senior Lecturer in Creative Writing Dr Lucy Christopher, herself an award-winning writer for young people, said the University would continue to be central to Hobart’s rich literary culture.

“The University already provides experienced and inspiring teaching of Creative Writing, both at undergraduate and postgraduate levels,” Dr Christopher said.

“It will play a key role in inspiring, teaching, supervising and encouraging our future writers of Tasmania, as well as continuing to reach out to the literary community of Hobart with events and opportunities.”

The University also has a strong association with local writers including Danielle Wood, Robyn Mundy, Heather Rose, Ruairi Murphy, Alan Carter and Ben Walter, many of whom have also taught in the Creative Writing program.

“Hobart and all of Tasmania have become home to a thriving writing and reading culture,” Executive Dean of the College of Arts, Law and Education Professor Kate Darian-Smith said.

“This is in no small part due to our Creative Writing program, and we look forward to inspiring writers from the island and elsewhere to create our future literary works.”

Hobart/nipaluna’s original stories were revived by the Tasmanian Aboriginal community with palawa kani, a hybrid of lutruwita’s indigenous languages.

The city was the birthplace of the first Australian novel, published in 1818, is home to the winners of prizes around the world including the Vogel Award, Stella Prize, Commonwealth Writers Prize, Prime Minister’s Literary Awards and the Booker Prize.

Hobart joins the United Nations Educational, Scientific and Cultural Organization (UNESCO)’s Creative Cities Network of 350 cities in more than 100 countries.

“The cities in our Creative Cities Network are leading the way when it comes to enhancing access to culture and galvanising the power of creativity for urban resilience and development,” UNESCO Director-General Audrey Azoulay said.

If you are passionate about writing, find out more about our courses here .

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Undergraduate creative writing courses

university of oxford creative writing masters

Part-time study in creative writing at Oxford

Completely new to the world of creative writing? Need an extra push to finish your novel, poem or play? Looking for a low-residency master's programme? No matter where you are in your writing journey, we have a flexible, part-time course for you.

Diploma in Creative Writing

Our two-year, part-time Undergraduate Diploma in Creative Writing  helps you to strengthen your ability in four major areas of literary activity — prose, poetry, drama and analytical reading — as well as the chance to specialise in the genre of your choice.

There are distance-learning and face-to-face options available. The Diploma is a good foundation for those wanting to progress to a master's in creative writing.

Find out more about the  Diploma in Creative Writing . 

Short courses and the Certificate of Higher Education

Our  weekly classes and flexible online courses in creative writing are taught at undergraduate level and cover all genres – fiction, poetry, memoir, drama, writing for young adults and critical reading. There are courses for beginners as well as those with experience and class sizes are kept small to maximise interaction between you and your classmates and tutor.

Credit earned from these courses is transferable towards our Certificate of Higher Education - a part-time undergraduate course in which you study a main subject discipline but also undertake study in other academic subjects.

Student spotlights

Tahmina maula.

university of oxford creative writing masters

Tahmina worked as a senior manager in education before taking a career break to undertake the Undergraduate Diploma in Creative Writing.

Charles Bush

Charles Bush published his debut young-adult novel thanks to the skills and experience gained from completing the Undergraduate Certificate of Higher Education.

Georgia Fancett

Studying on the Certificate of Higher Education led Georgia to writing a prize winning novel.

Short courses and part-time qualifications

university of oxford creative writing masters

Literature, creative writing and film studies

Undergraduate diploma in creative writing, mst in creative writing.

university of oxford creative writing masters

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